簡易檢索 / 詳目顯示

研究生: 李懿
Yi Li
論文名稱: 二十世紀初英國工藝美術發展 - 現代設計之形塑
The Arts and Crafts Development of Britain in the Early Twentieth Century - The Formation of Modern Design
指導教授: 邱大環
學位類別: 碩士
Master
系所名稱: 歐洲文化與觀光研究所
Graduate Institute of European Cultures and Tourism
論文出版年: 2011
畢業學年度: 99
語文別: 中文
論文頁數: 90
中文關鍵詞: 設計現代性機能主義創制傳統藝術與工藝運動
英文關鍵詞: design, modernity, functionalism, invention of tradition, Arts and Crafts Movement
論文種類: 學術論文
相關次數: 點閱:220下載:28
分享至:
查詢本校圖書館目錄 查詢臺灣博碩士論文知識加值系統 勘誤回報
  • 「設計」無所不在,在強調如文化創意產值等美學經濟的今日,其內在定義與意涵更顯不凡。追本溯源,design被認為源自於拉丁文disegno一字,自文藝復興以降,便用來表示作品之底稿或草圖,然而,卻也正是因為其中所蘊含的技術成分,「設計」相當程度被視為不同於傳統的美術(fine art),反而是帶有實用性質的應用美術(applied art)。此定義在歷經產業革命之英國,藉由當時多位思想家與社會運動家,例如威廉莫里斯等人的提倡及推行,一種不同於主流品味,挑戰傳統思維的美學革命儼然成形。在此運動中企圖藉由對「手工藝」的高度評價,重新定義現代生活的意義。
    「手工」創作,不僅是實踐藝術理念與革新思想之場域,更是建構現代大眾文化與其生產品之要素,其重要性更橫跨時間、疆域之藩籬。至於「現代工藝」一詞之運用,更導引出「手工藝」與「現代性」二者間交互之主客體關係。
    若以此概念切入,則十九世紀後半葉,英國倫敦文化菁英圈中所形成的「藝術與工藝運動」,無疑是此觀點之首次宣示,更是再思該歷史現象的原點,亦不啻為構築本研究論文之基石。然而,本文並不以此歷史事件為限,除了探究其成因,更著眼於其效應,旨在多面向地思考現代設計理念建構之源頭、作用與後繼影響,並且試圖就社會改革、階級品味之流動與藝術之再定義,還原「現代設計」之歷史定位,更冀求勾勒出其當代樣貌與核心精神。

    If industrialization and professionalization is considered as the facets of modernity, then the critical concern of the movement to the “industrial” modernity entailed it more backward-looking than toward, meanwhile the seeking of transformative ethos about foster change, innovation and reform(both political and aesthetic) somehow labeled its “modern” spirit as well.
    “Crafts” as the key arena of thoughts, innovation and practice, not only in its own right but also as a constructive part of industrial production, it is even regarded as a cultural complex about the linking of design and crafts in the consideration of spirituality, therefore, in this research I intend to argue and seek the multiple facets of ‘Modern Design’ between past, present and future, to define its double sides of modern processes and counter-processes.
    The term “modern craft” refers to the relation of craft to modernity. The aim of this research is to investigate through the medium of the Arts and Crafts Movement in England of the 1880s, which was considered as the first manifestation and the root of modern crafts, to rethink and redefine the modernity within this historical phenomenon. Moreover, how the further development of modern design leading to afterward and is rather another worthy to examine.

    第一章 緒論 …………………………………………………………………………………… 1 第一節 研究動機與目的 ………………………………………………………………… 2 第二節 研究方法與步驟 ………………………………………………………………… 6 第三節 研究範圍與限制 ………………………………………………………………… 9 第四節 文獻回顧與主題探討 ………………………………………………………… 10 第二章 時代精神之轉向 ……………………………………………………………………… 15 第一節 產業革命之衝擊 ………………………………………………………………… 16 第二節 大眾消費文化之形成 ………………………………………………………… 20 第三節 維多利亞式品味之改革 ……………………………………………………. 25 第四節 英國藝術與工藝運動 ………………………………………………………… 29 第三章 邁向新風格 ……………………………………………………………………………… 35 第一節 藝術創作或工業量產 ………………………………………………………… 36 第二節 風格國際化 ………………………………………………………………………… 40 第三節 工藝精神 …………………………………………………………………………… 45 第四節 形隨機能 …………………………………………………………………………… 50 第四章 現代設計之形塑 ……………………………………………………………………… 56 第一節 大眾商品之設計概念 ………………………………………………………… 57 第二節 機械美學 …………………………………………………………………………… 59 第三節 工藝教育制度化 ………………………………………………………………… 63 第四節 量產品質與高尚品味 ………………………………………………………… 67 第五章 結論 ………………………………………………………………………………… 73 參考文獻 ………………………………………………………………………………… 80 圖錄 ………………………………………………………………………… 86

    中文
    期刊論文
    馮永華、楊裕富,〈「設計風格」形成因素之研究〉,《設計學報》,11卷3期,2006年,
    頁99-113+115。
    專書著作
    王受之。《世界現代設計》。台北: 藝術家出版,1997。
    邱天助。《布爾迪厄文化再製理論》。台北:桂冠圖書,2002。
    楊裕富。《設計的文化基礎:設計、符號、溝通》。台北:亞太圖書,2002。
    陶理。《基督教二千年史》。香港:海天書樓,1997。
    潘襎。《莫里斯 : 現代設計的先驅者》。台北: 藝術家出版,2008。
    安德生(Anderson, Benedict)著。吳叡人譯。《想像的共同體:民族主義的起源與散佈》。
    台北: 時報文化,1999。
    布西亞 (Baudrillard, Jean) 著。劉成富、全志鋼譯。《消費社會》。南京:南京大學出版社,2001。
    班雅明(Benjamin, Walter)著。許綺玲譯。《迎向靈光消逝的年代》。台北: 臺灣攝影工作室,1998。
    費芮比 (Ferebee, Ann)著。 吳玉成、趙夢琳譯。
    《現代設計史 : 自維多利亞時期至今的設計風格》。台北:胡氏圖書,2002
    曼杜思(Mantoux, Paul)著。周憲文譯。《十八世紀的產業革命》。台北: 台灣銀行,1975。
    霍布斯邦(Hobsbawn, Eric)著。李金梅譯。《民族與民族主義》。台北:麥田出版 ,1997。
    ……………..陳思仁譯。《被發明的傳統》。台北: 貓頭鷹出版,2002。
    吉見俊哉著。蘇碩斌譯。《博覽會的政治學》。台北: 群學,2010。
    81
    英文
    期刊論文
    Becker, Howard S. “Arts and Crafts” in The American Journal of Sociology, Vol. 83, No. 4 (Jan., 1978), pp. 862-89
    Constant, Caroline “E. 1027: The Nonheroic Modernism of Eileen Gray” in Journal of the Society of Architectural Historians, Vol. 53, No. 3 (Sep., 1994), pp. 265-279
    Crawford, Alan “Ideas and Objects: The Arts and Crafts Movement in Britain” in Design Issues, Vol. 13, No. 1, Designing the Modern Experience, 1885-1945 (Spring, 1997), pp. 15-26
    Crook, Tom. “Craft and the Dialogics of Modernity: The Arts and Crafts Movement in Late-Victorian and Edwardian England” in The Journal of Modern Craft, Vol.2 (1), (Mar. 2009), PP.17-32
    Findeli, Alain. “Design History and Design Studies: Methodological, Epistemological and Pedagogical Inquiry” in Design Issues, Vol. 11, No. 1 (Spring, 1995), pp. 43-65
    Geddes, Patrick . “The Closing Exhibition: Paris 1900”. Prologue 68.
    Grieve, Alastair. “William Morris” in The Burlington Magazine, Vol. 138, No. 1120 (Jul., 1996), pp. 471-72
    Keyser, Barbara Whitney. “Ornament as Idea: Indirect Imitation of Nature in the Design Reform Movement “ in Journal of Design History, Vol. 11, No. 2 (1998), pp. 127-44
    Margolin, Victor. “Design History or Design Studies: Subject Matter and Methods” in Design Issues,
    Vol. 11, No. 1 (Spring, 1995), pp. 4-15
    Marriott, Charles. “The Exhibition of Modern British Crafts” in The Metropolitan Museum of Art Bulletin, Vol. 37, No. 6 (Jun., 1942), pp. 145+147-49
    Milton, C. Albrecht.” Art as an Institution” in American Sociological Review, Vol.33, No.3 (Jun.,1968), pp.383-97 Musson, A. E. “The Great Depression in Britain, 1873-1896: A Reappraisal” in The Journal of Economic History, Vol. 19, No. 2 (Jun., 1959), pp. 199-228
    Prown, Jules David. “Mind in Matter: An Introduction to Material Culture Theory and Method”
    in Winterthur Portfolio, Vol. 17, No. 1 (Spring, 1982), pp. 1-19
    82
    Rosenberg, Hans. “Political and Social Consequences of the Great Depression of 1873-1896 in Central Europe” in The Economic History Review , Vol. 13, No. 1/2 (1943), pp. 58-73
    Stansky, Peter. William Morris, C. R. Ashbee, and the arts and crafts. London : Nine Elms Press, 1984
    Suga, Yasuko. “Modernism, Commercialism and Display Design in Britain: The Reimann School and Studios of Industrial and Commercial Art” in Journal of Design History, Vol. 19, No. 2 (Summer, 2006), pp. 137-54
    Vallance, Aymer. “Mr. Arthur H. Mackmurdo and the Century Guild.” The Studio. 16 (1899) pp.183-92.
    Weingarden, Lauren S. “Aesthetics Politicized: William Morris to the Bauhaus” in Journal of Architectural Education (1984-), Vol. 38, No. 3 (Spring, 1985), pp. 8-13
    Weisberg, Gabriel P. “Italy and France: The Cosmopolitanism of the New Art” in The Journal of Decorative and Propaganda Arts, Vol. 13(Summer, 1989), pp. 110-27
    專書著作
    Adam, Peter. Eileen Gray : architect/designer, New York : H.N. Abrams, 1987
    Allwood, John. The great exhibitions , Studio Vista, London : 1977
    Ames, Michael M. Cannibal Tours and Glass Boxes: The Anthropology of Museums,
    Vancouver: UBC Press, 1992
    Ames, Winslow. Prince Albert and Victorian taste, New York : Viking Press, 1968
    Anscombe, Isabelle . Arts and Crafts in Britain and America, London: Phaidon Press Ltd.,1978
    ………. Arts and Crafts Style, London: Phaidon Press Ltd., 1996
    Ashton, T. S. The Industrial Revolution 1760-1830, New York: Oxford University Press, 1997
    Atterbury, Paul ed. Pugin : a Gothic passion, New Haven : Yale University Press,1994
    Banham, Reyner. Theory and Design in the first Machine Age, Cambridge: MIT Press, 1981
    Buchanan,William. Mackintosh's masterwork: Charles Rennie Mackintosh and the Glasgow School of Art, San Francisco : Chronicle Books, 1989
    83
    Bourdieu, Pierre. Distinction: A Social Critique of the Judgement of Tast. London: Routledge, 1984.
    Brooks, Chris. The Gothic revival, London: Phaidon Press, 1999
    Campbell, Joan. The German Werkbund: the politics of reform in the applied arts,
    Princeton University Press, 1978
    Clark, Kenneth. The Gothic revival : an essay in the history of taste, New York : Harper & Row, c1962
    Cumming, Elizabeth; Kaplan, W. The arts and crafts movement, New York: Thames and Hudson, 1991
    Davey, P.J. Arts and Crafts Architecture, London, 1995
    Durant, Stuart. Ornament, from the Industrial Revolution to Today, N.Y. Overlook Press, 1986
    Fraser, W. Hamish. The Coming of the Mass Market, London: Macmilan, 1981
    Giedion, Siegfried. Mechanization Takes Command, a contribution to Anonymous History, Oxford, 1948
    Greenhalgh, Paul. Ephemeral vistas: the expositions universelles, great exhibitions, and world's fairs, 1851-1939. Manchester: Manchester University Press. 2000
    Harrison, Charles and Paul Wood with Jason Gaiger ed., Art in theory, 1815-1900: an anthology of changing ideas, Oxford, 1998
    Harrod, Tanya. The crafts in Britain in the 20th century. New Haven , Yale University Press, c1999
    Julier, Guy. The Thames & Hudson dictionary of design since 1900, London: Thames & Hudson, 2005
    Kaplan, Wendy. The Arts and Crafts Movement in Europe and America. Design for the Modern World, London: Thames & Hudson, 2004
    Knowles, Eric. Miller's victoriana to art deco:a collector's guide, London : Miller's, 1993
    Macleod, Dianne Sachko. Art and the Victorian middle class : money and the making of cultural identity. New York : Cambridge University Press, 1996
    84
    Massey, Anne. Interior design of the 20th century, N.Y. : Thames and Hudson, 1990
    Meyer, Jonathan. Great Exhibitions : London, New York, Paris, Philadelphia, 1851-1900, Woodbridge, Suffolk : Antique Collectors' Club, 2006
    Moffat, Alistair, and Colin Baxter. Remembering Charles Rennie Mackintosh: An Illustrated Biography. Lanark: Colin Baxter Photography, 1989
    Moffett, Marian. A World History of Architecture, London, 2003
    Naylor, Gillian. Arts and Crafts Movement: a study of its sources, ideals and influence on design theory, London : Trefoil, 1990
    Parry,Linda (ed.) William Morris. London : Philip Wilson, 1996
    Pevsner, Nikolaus. High Victorian Design: A Study of the Exhibits of 1851. London: Architectural Press, 1951
    ………. The Sources of Modern Architecture and Design, London: Thames & Hudson, 1968
    ………. Pioneers of Modern Design: from William Morris to Walter Gropius,
    London: Yale University Press, 2005.
    Philoponos, The great exhibition of 1851, or, The wealth of the world in its workshops comparing the relative skill of the manufacturers, designers, and artisans of England with that of France, Belguim, Prussia, and other continental states, London: E. Churton,1850.
    Richardson, M. Architecture of the Arts and Crafts Movement, London, 1983
    Schwartz, Frederic J. The Werkbund. Design Theory and mass culture before the first world war, London: New Haven, 1996
    Sembach, Klaus-Jürgen. Art Nouveau Utopia: Reconciling the Irreconcilable, Cologne 2002
    ………. Henry van de Velde, London : Thames and Hudson, 1989
    Snodin, Michael. Design and the Decorative Arts: Britain 1500-1900, London:V&A Publications, 2001
    85
    Sparke, Penny. An introduction to Design and Culture in the Twentieth Century, London ; Boston: Allen & Unwin, 1986
    Stansky, Peter. William Morris, C.R. Ashbee, and the arts and crafts,London: The Nine Elms Press, 1984
    Taylor, B. Modernism, Postmodernism, Realism: A Critical Perspective for Art, Winchester, 1987
    Thompson, Paul Richard. The work of William Morris, Oxford University Press, 1991.
    Walker, John A. Design history and the history of design, London : Pluto, 1989
    Whitford, Frank. Bauhaus, London : Thames and Hudson, c1984
    Wilhide, Elizabeth. William Morris : decor & design. London: Pavilion, 1991
    Wilk, Christopher(ed.) Modernism 1914-1939. Designing a new world, London: Victoria & Albert Museum, 2006
    Zurko, E. R. de. Origins of Functionalist Theory, New York, 1957

    下載圖示
    QR CODE