研究生: |
曾昱承 Tseng, Yu-Cheng |
---|---|
論文名稱: |
戴維安《為低音管與小提琴、中提琴、大提琴的四重奏,作品七十三第三號》之分析與詮釋 An Analysis and Interpretation of François Devienne’s Quartet for Bassoon, Violin, Viola and Violoncello in G Minor, Op. 73 No. 3 |
指導教授: |
簡凱玉
Jian, Kai-Yu |
口試委員: |
簡凱玉
Jian, Kai-Yu 宋威德 Sung, Wei-Te 郭怡芬 Kuo, Yi-Fen |
口試日期: | 2023/06/08 |
學位類別: |
碩士 Master |
系所名稱: |
音樂學系 Department of Music |
論文出版年: | 2024 |
畢業學年度: | 112 |
語文別: | 中文 |
論文頁數: | 73 |
中文關鍵詞: | 戴維安 、低音管 、四重奏 、古典主義音樂 、樂曲分析 |
英文關鍵詞: | Devienne, Bassoon, Quartet, Classical Period, Music Analysis |
DOI URL: | http://doi.org/10.6345/NTNU202400297 |
論文種類: | 代替論文:作品連同書面報告(藝術類) |
相關次數: | 點閱:76 下載:2 |
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弗朗索瓦‧戴維安(François Devienne, 1759-1803)為一位古典樂派初期法國作曲家、長笛教育家、長笛演奏家、低音管演奏家。
此首戴維安《為低音管與小提琴、中提琴、大提琴的四重奏,作品七十三第三號》(François Devienne’s Quartet for Bassoon, Violin, Viola and Violoncello in G Minor, Op. 73 No. 3),是低音管非常經典的曲目,說到低音管的四重奏、室內樂作品,幾乎會直接聯想到戴維安這個作曲家,他為低音管總共創作三首四重奏,全部都收錄在他的作品七十三號中,分為第一號、第二號和第三號,筆者選第三號進行樂曲分析與詮釋,目前,國內對於作曲家戴維安的了解,並沒有像是與他同是古典時期的沃夫岡‧阿瑪特士‧莫札特(Wolfgang Amadeus Mozart, 1756-1791)或是法蘭茲‧約瑟夫.海頓(Franz Joseph Haydn, 1732-1809),那麼的熟悉,故筆者也會針對戴維安的生平背景進行探討。
本論文著重於戴維安《為低音管與小提琴、中提琴、大提琴的四重奏,作品七十三第三號》之樂曲分析與詮釋,深入了解曲子的節奏、旋律、調性、和聲、樂句、動機、曲式架構與筆者個人詮釋…等,希望藉由此研究,讓讀者對這首曲子有更深刻的體悟。
François Devienne(1759-1803)was an early classical period French composer, flute educator, flutist, and bassoonist.
Devienne’s Quartet for Bassoon, Violin, Viola and Cello in G minor, Op. 73 No. 3 is a very classic bassoon piece, when it comes to bassoon quartets and chamber music works, it is almost directly associated with the composer Devienne, he made a total of three quartets for the bassoon, and all are included in his work No. 73, divided into No. 1, No. 2 and No. 3, I chose No. 3 for music analysis and interpretation, In addition, the current domestic understanding of the composer Devienne is not as familiar as Wolfgang Amadeus Mozart(1756-1791) or Franz Joseph Haydn(1732-1809), therefore, I will also conduct discussion on the background of Devienne's life.
This thesis focuses on the analysis and interpretation of Devienne’s Quartet for Bassoon, Violin, Viola and Cello in G minor, Op. 73 No. 3, in-depth understanding of the rhythm, melody, tonality, harmony, phrases, motives, musical structure and author's personal interpretation...etc., I hope that through this research, readers will have a deeper understanding of this piece.
一、中文論文
盧願。〈多曹兒《為低音管與小提琴、中提琴、大提琴的四重奏》作品36之析與詮釋〉。國立臺灣師範大學碩士論文,2015。
李建玟。〈弗朗索瓦.德維安《E小調長笛奏鳴曲,作品五十八,第一號》之樂曲分析〉。國立台南大學碩士論文,2020。
郭䕒棋。〈約翰.尼波穆克.胡麥爾《F 大調低音管協奏曲》之作品研究與演奏詮釋〉。國立臺灣師範大學詮釋報告,2020。
二、外文期刊
Daniel Ponder. “De Vienne and Devienne: François Devienne and his first Quatour pour basson et cordes.” University of North Carolina at Chapel Hill. 11th of April, 2010.
Montgomery, William. Francois Devienne. Grove Dictionary of Music and. Musicians Online. 20 January 2001
三、外文書籍
Devienne, Francois, ed. Jane Bowers. Nouvelle Méthode Theorique et Pratique pour la Flûte. Ashgate Publishing Limited. Brookfield Massachusetts. 1999
Montgomery, William. The Life and Works of François Devienne, 1759–1803 diss., Catholic U. of America, 1975
J. Peter Burkholder, Donald Jay Grout, Claude V Palisca. A History of Western Music. 9th edition. W. W. Norton & Company. April 15, 2014
四、樂譜
François Devienne. Quartet for Bassoon, Violin, Viola and Cello in G minor, Op. 73. No. 3. Monteux, Musica Rara, 1984.
François Devienne. 3 Quartets for Bassoon, Violin, Viola and Cello Op. 73. Amadeus Music, 2000.