簡易檢索 / 詳目顯示

研究生: 諸葛慧
論文名稱: 色溫調整影像合成技術之研究
A Study on the Color Temperature Adjustment for Image Synthesis
指導教授: 周遵儒
學位類別: 碩士
Master
系所名稱: 圖文傳播學系
Department of Graphic Arts and Communications
論文出版年: 2006
畢業學年度: 94
語文別: 中文
論文頁數: 74
中文關鍵詞: 影像合成色溫相關色溫白平衡色彩平衡
英文關鍵詞: Image synthesis, Color temperature, Correlated color temperature, White balance, Color balance
論文種類: 學術論文
相關次數: 點閱:352下載:50
分享至:
查詢本校圖書館目錄 查詢臺灣博碩士論文知識加值系統 勘誤回報
  • 影像合成技術在數位內容中扮演著重要的角色,為了呈現出高品質的畫面,本研究從影像色溫調整技術切入影像合成的部分,首先偵測影像拍攝環境之光源色溫,其中包含影像亮部光源偵測方法、色域重疊度光源偵測方法、色相分割多色色溫軌跡光源偵測方法及無色相分割多色色溫軌跡光源偵測方法等四種色溫偵測方法,以改變光源色溫的概念進行影像色彩處理,其後將欲合成之影像色溫調為一致再進行合成,排除影像合成後光影不自然的問題,實驗證明本研究發展的影像合成技術可以合成出自然的影像畫面。

    Image synthesis technology plays an important role in digital content creation. In order to present the image with much higher quality, the developed technology is based on color temperature adjustment of the foreground and background images. This research includes two parts. First of all, the color temperature of the illuminant in the shooting environment is estimated. Several methods of color temperature estimation are derived, including the highlight estimation, gamut estimation, hue-segment color temperature loci estimation, and hue-non-segment color temperature loci estimation. Secondly, by the concept of changing illuminant color temperature of images, adjusting the color temperature of the images to be the same and synthesize them. The proposed method can avoid the problem of unnatural image synthesis. Our method is proved by the research to create natural image synthesis results.

    圖目錄  ii 表目錄  iv 摘要  v 英文摘要  vi 第一章 緒論  1 第一節 研究背景 1 第二節 研究動機 2 第三節 研究目的 2 第四節 研究問題 3 第五節 名詞解釋 4 第二章 文獻探討  7 第一節 色彩調整技術涵蓋之範圍 7 第二節 色彩調整技術之相關原理 9 第三節 過去研究中發展的影像光影調整技術與影像合成技術 22 第四節 小結 26 第三章 影像相關色溫估計  27 第一節 影像亮部光源偵測方法 27 第二節 色域重疊度光源偵測方法 29 第三節 色相分割多色色溫軌跡光源偵測方法 32 第四節 無色相分割多色色溫軌跡光源偵測方法 40 第四章 等色溫影像合成  42 第一節 影像中光源色溫置換 42 第二節 影像合成 46 第五章 實驗結果  49 第一節 影像相關色溫估計實驗結果 49 第二節 影像光源置換實驗結果 61 第三節 影像合成實驗結果 64 第六章 結論與建議  68 第一節 結論 68 第一節 未來工作與建議 69 參考文獻  72

    [1] 數位內容產業推動辦公室(2005)。2004台灣數位內容產業白皮書,[網頁]。台北市:經濟部。上網日期:民94年8月4日。World Wide Web:
    http://www.digitalcontent.org.tw/dc_p5_2004.htm#Scene_1
    [2] C. W. Fang and J. J. J. Lien, “Fast Image Replacement through Texture Synthesis”, Proceedings of CVGIP2005, pp.1337-1344, 2005.
    [3] V. Kwatra, A. Schödl, I. Essa, G. Turk and A. Bobick, “Graphcut Textures: Image and Video Synthesis Using Graph Cuts”, Proceedings of SIGGRAPH 2003, 2003.
    [4] C. C. J. Tseng and J. J. J. Lien, “Efficient Video Segmentation Using Digital Matting”, Proceedings of CVGIP2005, pp.1385-1392, 2005.
    [5] S. Tominaga and B. A. Wandell, “Natural scene-illuminant estimation using the sensor correlation”, Proceedings of the 6th IEEE, pp.42-56, 2002.
    [6] M. Storring, H.J. Andersen and E. Granum, “Estimation of the illuminant colour from human skin colour”, Proceedings of the 4th IEEE, pp.64-69, 2000.
    [7] H.W. Haussecker and D.J. Fleet, “Computing optical flow with physical models of brightness variation”, Computer Vision and Pattern Recognition, pp.760-767, 2000.
    [8] H.W. Haussecker and D.J. Fleet, “Computing optical flow with physical models of brightness variation”, IEEE Transactions on Pattern Analysis and Machine Intelligence, pp.661-673, 2001.
    [9] M. Varma and A. Zisserman, “Estimating illumination direction from textured images”, Computer Vision and Pattern Recognition, pp. I-179-I-186, 2004.
    [10] Y. Zhang and Y. H. Yang, “Illuminant direction determination for multiple light sources”, Computer Vision and Pattern Recognition, pp.269-276, 2000.
    [11] Y. Zhang and Y. H. Yang, “Multiple illuminant direction detection with application to image synthesis”, IEEE Transactions on Pattern Analysis and Machine Intelligence, pp.915-920, 2004.
    [12] P. Debevec, A. Wenger, C. Tchou, A. Gardner, Jamie Waese and Tim Hawkins, “A Lighting Reproduction Approach to Live-Action Compositing”, Proceedings of SIGGRAPH 2002, pp.1-10, July 21-26, 2002.
    [13] V. Chu(2003)。3D場景之燈光設定,[網頁]。美國:Electric Waves。上網日期:民94年10月8日。World Wide Web:
    http://www.e-waves.com/dna_0703.htm
    [14] D. Philip, Global Illumination Compendium, Katholieke Universiteit Leuven, 2003.
    [15] S. K. L´aszló, Monte-Carlo Methods In Global Illumination, Vienna University of Technology, 2000.
    [16] 數位影音暨網路教學中心(2005)。Linux認證,[網頁]。台北市:世新大學。上網日期:民94年8月4日。World Wide Web:
    http://elearn.shu.edu.tw/
    [17] PosterCrazy.com(2005). [Web]. World Wide Web:
    http://www.postercrazy.com/ fun/parodies/
    [18] 徐佳鈴等(2005)。虛擬攝影棚,[網頁]。上網日期:民94年8月4日。World Wide Web:
    http://www.cyut.edu.tw/~lhwu/dpw/other/1/web/N.htm
    [19] G. Wyszecki and W. S. Stiles, Color Science: Concepts and Methods, Quantitative Data and Formulae, 2nd Ed., Wiley Classics Library, 2000.
    [20] 公視剪輯交流網(2005)。NAB-Y2K 3D 動畫軟體大檢閱 PART 3,[網頁]。台北市:公視。上網日期:民94年10月8日。World Wide Web:
    http://www.pts.org.tw/~edit/news_3d_ani_3.htm
    [21] 大田登著/陳鴻興、陳君彥編譯(2003)。基礎色彩再現工程,台北市:全華。
    [22] J. Morovic, “The Fundamental of Gamma Mapping:A Survey”, Journal of Imaging Science and Technology, July 2000.
    [23] A. Wenger, T. Hawkins and P. Debevec, “Optimizing Color Matching in a Lighting Reproduction System for Complex Subject and Illuminant Spectra”, Eurographics Symposium on Rendering, 2003.
    [24] A. Valberg, “Light Vision Color”, Wiley, pp.246-249, 2005.
    [25] M. Nielsen (1998). Structure of the sRGB Profile, [Web]. USA: HP. Retrieved: January 14, 2006. World Wide Web:
    http://www.srgb.com/hpsrgbprof/index.htm
    [26] 大田登著(1993)。色彩工學(日文),東京電機大學出版。
    [27] 羅梅君(1991)。印刷色度學,台北市:印刷科技出版社。
    [28] D. W. Kim, K. H. Lee and D. Lee, “A novel initialization scheme for the fuzzy c-means algorithm for color clustering.”, Pattern Recognition Letters, vol. 25, pp.227-237, 2004.
    [29] P. Debevec, “Rendering Synthetic Objects into Real Scenes: Bridging Traditional and Image-based Graphics with Global Illumination and High Dynamic Range Photography”, Proceedings of SIGGRAPH98, pp.1-10, 1998.
    [30] A. Gardner, C. Tchou, Tim Hawkins and Paul Debevec, “Linear Light Source Reflectometry”, 2003.
    [31] W. Zhou and C. Kambhamettu, “Estimation of the size and location of multiple area light sources”, Proceedings of the 17th IEEE ICPR, pp.214-217, 2004.
    [32] D. M. Rouse and H. J. Trussell, “Estimation of Spatially Varying Illumination in Hyperspectral Images”, Proceedings of the 18th IEEE ICIP, pp.726-729, 2005.
    [33] T. S. Chiou, Automatic White Balance for Digital Still Camera , MSc thesis, National Taiwan University, Department of Computer Science and Information Engineering, 2001.
    [34] S. Tominaga, S. Ebisui, and B. A. Wandell, “Color temperature estimation of scene illumination”, Proceedings of IS&T/SID 7th CIC, pp.42-47, 1999.
    [35] J. McCann, “Lessons Learned from Mondrians Applied to Real Images and Color Gamuts”, Proceedings of IS&T/SID 7th CIC, pp.1-8, 1999.
    [36] B. Funt, F. Ciurea, and J. McCann, “Retinex in Matlab”, Proceedings of IS&T/SID 8th CIC, Scottsdale, Arizona (USA), pp.112-121, November 7-10, 2000.
    [37] D. A. Forsyth, “A novel algorithm for color constancy”, Int. J. Computer Vision, 5, pp.5-36, 1990.
    [38] J. Xiaoyun and O. Noboru, “Illuminant estimation based on von Kries transformation and gamut comparison”, Proceedings of IS&T/SID 9th CIC, pp.141-145, 2001.
    [39] Luminal Path Corporation and contributors(2005).photo.net, [Web]. Digital Camera HQ. World Wide Web:
    http://www.photo.net
    [40] K. Sakamoto and H. Urabe, “Development of XYZ/sRGB-SCID and Color Gamut Compression”, Proceedings of IS&T/SID 7th CIC, 1999.

    QR CODE