巴赫的這部《六首無伴奏小提琴奏鳴曲與組曲》作品，在小提琴曲目庫中擁有著無可比擬的崇高地位，是每一位專業小提琴學習者都必須學習和掌握的重要曲目。由於這部作品的創作年代距今已有300年，而當時所處的巴洛克時期，無論從樂器型制、演奏法，再到音樂審美、記譜讀譜習慣等方面，都與我們今天所熟悉的當代演奏法和音樂環境有著極大的差異。並且，由於巴洛克時期樂譜的譜面信息相對較為「乾淨簡潔」，作為當代學習者，若沒有充分了解巴洛克時期音樂的背景與風格特點，很容易對這部作品的理解和演奏產生「誤讀」。
本文基於樂曲創作年代的音樂社會環境，分別從18世紀初巴洛克時期的音樂背景及小提琴演奏法兩方面，綜合歸納分析巴洛克時期的小提琴演奏風格與方法。隨後以此為方向，具體分析闡述如何將巴洛克風格運用於巴赫的《六首無伴奏小提琴奏鳴曲與組曲》演奏之中，深入研究探討這部作品的音樂內涵。

Bach’s Three Sonatas and Three Partitas for Solo Violin holds an unparalleled lofty position in the violin repertoire, and is an important piece that every professional violin player must learn and master. Since this work was composed 300 years ago, the Baroque period at that time, in terms of instrumentation, performance practice, musical aesthetics, and notation and reading habits, was greatly different from the contemporary performance methods and musical environment that we are familiar with today. Moreover, because the score information of the Baroque period score is relatively “clean and concise”, contemporary players who do not fully understand the background and stylistic characteristics of the music of the Baroque period can easily “misread” the interpretation and performance of this work.
Based on the musical social environment in the time of composition, this paper presents a comprehensive analysis of the violin performance style and practice in the Baroque period from the musical background and the violin performance practice of the Baroque period in the early 18th century. Then, in this direction, this paper specifically analyzes and expounds how to apply the Baroque style to the performance of Bach’s Three Sonatas and Three Partitas for Solo Violin, and deeply studies and explores the musical connotation of this work.

一、英文部份：
Bach, Carl Philipp Emanuel. Versuch ueber die wahre Art das Clavier zu spielen. Berlin: Bärenreiter, 1753
Boyden, David D.. The History of Violin Playing From its Origins to 1761. New York: Oxford University Press, 1990
Corette, Michel. L’Ecoled’ Orphee. Paris: L’auteur, 1738
Donington, Robert. Baroque Music: Style and Performance A Handbook. New York: Norton, 1982
Geminiani, Francesco. The Art of Playing on the Violin. London: Oxford University Press, 1751
Kolneder, Walter. The Amadeus Book of the Violin: Construction, History, and Music. New Jersey: Amadeus Press, 1998
Ledbetter, David. Unaccompanied Bach: Performing the Solo Works. New Haven: Yale, 2009
Lessem, Alan. “Schumann’s Arrangements of Bach as a Reception History”. Journal of Musicological Research 7, no.1, 1986
Lester, Joel. Bach’s Works for Solo Violin: Style, Structure, Performance. New York: Oxford Press, 1999
Mozart, Leopold. A Treatise on the Fundamental Principles of Violin Playing. New York: Oxford University Press, 1985
Neumann, Frederick. Ornamentation in Baroque and Post: Baroque Music. Princeton: Princeton University, 1978
Quantz, Johann J.. Versuch einer Answeisung die Floet traversiere zu spielen. Berlin: Northeastern University Press, 2001
Sadie, Julie. Companion to Baroque Music. Oxford: Oxford University Press, 1998
Schrpoeder, Jaap. Bach’s Solo Violin works: A Performer’s Guide. New Haven: Yale, 2007
Seletsky, Robert. “New Light on the Old Bow”. Early Music 32, no.2, 2004
Silbiger, Alexander. “Bach and the Chaconne” . Journal of Musicology 17, 1999
Stinson, Russell. “J.P.Kellner’s Copy of Bachs Sonatas and Partitas for Violin Solo”. Early Music 13, no.2, 1985
Veilhan, Jean-Claude. The Rules of Musical Interpretation in the Baroque Era. Paris: A. Leduc, 1979
二、中文部分：
劉志明：《巴洛克時代音樂史》，台北：全音樂譜出版社。
李永剛主編：《音樂名詞》，台北：桂冠圖書公司。
李九仙：《提琴音樂》，台北：樂韻出版社。
吳昭良：「以一支小提琴觀看大千世界—巴哈六首無伴奏小提琴奏鳴曲與組曲」，《古典音樂》第四期，民國八十一年六月。
洪萬隆：《巴洛克小提琴技術與詮釋理論之研究》，高雄：復文圖書出版社。
三、樂譜
Johan Sebastian Bach. Sonaten und Partiten Violine Solo, ed. Carl Flesch. New York: C.F.Peters Corp., 1948.
Johan Sebastian Bach. Three Sonatas and Three Partitas for Solo Violin, ed. Günter Haußwald. Kassel: Bärenreiter, 1958.
Johan Sebastian Bach. Six Sonatas and Partitas, ed. Ivan Galaminan. New York: International Music Company, 1971.
Johan Sebastian Bach. 6 Sonatas and Partitas, ed. Joseph Joachim / Andreas Moser. New York: International Music Company, 1976.
Johan Sebastian Bach. Sonaten und Partiten für Violine Solo, ed. Henryk Szeryng. Mainz, New York: Schott, 1981.
Johan Sebastian Bach. Sonaten und Partiten für Violine allein, ed. Max Rostal. Leipzig: Edition Peters, 1982.
Johan Sebastian Bach. Six Sonatas and Partitas for Violin Solo, ed. Klaus Rönnau. Munich: Henle, 2009.
四、網絡資訊
Grove Music Online. http://www.oxfordmusiconline.com/public/