研究生: |
柯乃心 Ko, Nai-Hsin |
---|---|
論文名稱: |
浦朗克《小提琴與鋼琴奏鳴曲》之分析與鋼琴合作詮釋探討 The Analysis and Piano Collaborative Interpretation of Poulenc’s Sonata for Violin and Piano |
指導教授: |
張詩欣
Chang, Shih-Hsing |
學位類別: |
碩士 Master |
系所名稱: |
表演藝術研究所 Graduate Institute of Performing Arts |
論文出版年: | 2017 |
畢業學年度: | 105 |
語文別: | 中文 |
論文頁數: | 103 |
中文關鍵詞: | 浦朗克 、法國六人組 、小提琴與鋼琴奏鳴曲 |
英文關鍵詞: | Poulenc, Les Six, Sonata for Violin and Piano |
DOI URL: | https://doi.org/10.6345/NTNU202202347 |
論文種類: | 學術論文 |
相關次數: | 點閱:137 下載:9 |
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浦朗克 ( Francis Poulenc, 1899-1963 ) 為法國二十世紀上半葉代表性的作曲家,雖從未受過正式音樂學院教育,青年時為「法國六人組」(Les Six) 的成員之一,以薩悌 ( Eric Satie, 1866-1925 ) 為精神導師,並受斯特拉溫斯基 ( Igor Stravinsky, 1882-1971 ) 及新古典主義風格的作品影響至深;後因與男中音貝納克 ( Pierre Bernac, 1899-1979 ) 結識,創作大量藝術歌曲,被譽為繼佛瑞 ( Gabriel Fauré, 1845-1924 ) 之後最傑出的法國藝術歌曲作曲家之一。
浦朗克的作品共有兩百九十三首,樂種相當廣泛,包含合唱曲、歌劇、芭蕾舞劇、協奏曲、鋼琴獨奏曲、藝術歌曲及室內樂。《小提琴與鋼琴奏鳴曲》( Sonata for Violin and Piano, 1942 ),題獻給於內戰中喪生的西班牙詩人費德烈・嘉西亞・羅卡 ( Federico García Lorca, 1898-1936 ) ,由三個樂章組成,創作手法可見許多斯特拉溫斯基的影響,例如頻繁變換的拍號、反覆的節奏型態與游移的調性,以及浦朗克作品中常見的巴黎流行音樂元素,即歌唱般優美的旋律和輕快的節奏。
本論文共分為五個章節,包含緒論、作曲家生平與創作風格、樂曲分析、鋼琴合作探討及結語。筆者期望透過不同面向的研究,對此曲有更詳盡的認識與細膩的演奏思考,同時期許能幫助之後欲演奏此曲的鋼琴合作者,更深刻地認識浦朗克及此曲的彈奏要領。
Francis Poulenc (1899-1963) was a representative French composer in the first half of the Twentieth-century. He did not attend any music school, yet, he was considered as the member of Les Six that regarded Erik Satie (1866-1925) as their mentor. He was also influenced profoundly by Igor Stravinsky’s (1882-1971) works in Neo-Classical style.For his partner baritone Pierre Bernac (1899-1979), Poulenc wrote numerous fine art songs. Thus, he was acclaimed as one of excellent French art-song composers after Gabriel Fauré (1845-1924).
Poulenc’s two hundred and ninety-three works include choral music, operas, ballet, concerto, piano solo, artsongs and chamber music.Sonata for Violin and Piano was dedicated to the memory of the Spanish poet Federico Garcia Lorca (1899-1936),a victim of the Spanish Civil War.Many writing skills can be traced to Stravinsky’s influence, like frequent meter changes, repeating rhythmic patterns and tonal instability in three movements.Besides, Poulenc also wrote with elements of French popular music, such as songlike melody and quick rhythm.
This paper contains five chapters: introduction, the background of Poulenc and his style of writing music, structural analysis, piano collaborative interpretation of Sonata for Violin and Piano and conclusion. The author wishes to reach detailed understanding and collaborative performing techniques of this sonata and let another collaborative pianist interpret the composer and the main points of playing through this study.
樂譜:
Poulenc, Francis. Sonata for Violin and Piano FP.119, ed. by Ginette Neveu. Paris: Max Eschig, 1944.
中文書目:
邱曉楓。《歐洲音樂的發展與交響作品欣賞》。北京:北京大學出版社,2005。
林勝儀。《西洋音樂史–印象派以後》。臺北:天同出版社,1986。
徐頌仁。《音樂演奏的實際探討》。臺北:全音樂譜出版社,2001。
楊沛仁。《音樂史與欣賞》。臺北:美樂出版社,2009。
謝斐紋。《現代繪畫與音樂思維的平行性》。臺北:秀威資訊有限公司,2006。
蕭慶瑜。《法國近代鋼琴音樂:從德布西到杜悌尤》。臺北:國立編譯館,2009。
Dawes, Frank.《德布西:鋼琴曲》(DebussyPianoMusic)。林勝儀譯。臺北:全音樂譜出版社,1993。
中文期刊雜誌:
莊裕安。〈保守與激進–紀念浦朗克百年冥誕〉。《古典音樂》No.89 (1999):16-18。
陳漢金。〈無賴與靈修者的兩面一體〉。《表演藝術》No.78 (1999):65-69。
陳漢金。〈浪漫的晚霞,現代的晨曦−世紀末法蘭西系列〉。《國家交響樂團樂季手冊》(2012/13):34-37。
焦元溥。〈浦朗克的鍵盤音樂世界〉。《古典音樂》No.89 (2001):40-57。
楊淑媚、楊淑娟。〈戴耶費爾的音樂生平〉。《國立台北師範學院學報》No.16 (2003):137-147。
謝世嫻。〈一個哺乳動物的筆記:淺談法國作曲家薩堤〉。《Muzik古典樂刊》No.30(2009):35-37。
謝綉莉。〈浦浪克鋼琴作品風格評析〉。《臺東大學教育學報》No.14 (2003):99-124。
中文學術論文:
吳佳蔆。〈浦朗克小提琴與鋼琴奏鳴曲之分析與詮釋〉。國立臺灣師範大學碩士論文,2015。
郭承昊。〈浦朗克小提琴與鋼琴奏鳴曲,作品119之樂曲分析與演奏詮釋〉。國立臺北藝術大學碩士論文,2014。
楊欣暐。〈浦朗克小提琴奏鳴曲之曲式分析與演奏詮釋〉。國立臺灣師範大學碩士論文,2011。
蔡毅儒。〈浦朗克拿撒勒的晚會作品研究與演奏詮釋〉。國立臺灣師範大學碩士論文,2013。
蔡佳芬。〈浦浪克長笛與鋼琴奏鳴曲之分析及演奏合作藝術〉。國立臺南藝術大學碩士論文,2010。
西文書目:
Bernac, Pierre. Francis Poulenc: The Man and his Songs. trans. Winifred Radford. California: Kahn & Averill, 1977.
Buckland, Sidney. Francis Poulenc Selected Correspondence: 1915-1963. London: Victor Gollancz Ltd., 1991.
Buckland, Sidney, and Myriam Chimènes.Francis Poulenc:Music,ArtandLiterature. England: Ashgate, 1999.
Copper, Martin. The Modern Age: 1890-1960. London: Oxford University Press,1974.
Daniel, Keith W. Francis Poulenc: His Artistic Development and Musical Style. Michigan: UMI Research Press, 1982.
Ewen, David. Composer since 1900: Francis Poulenc. New York: H. W. Wilson Co., 1969.
Grout, Donald Jay.A History of Western Music.USA: W.W. Norton & Company, 2014.
Hansen, Peter S. An Introduction to Twentieth-Century Music. Boston: Allyn and Bacon, 1961.
Hell, Henri. Francis Poulenc. New York: Grove Press, 1959.
Ivry, Benjamin. 20th-Century Composer: Francis Poulenc. London: Phaidon, 1996.
Keck, George R. Francis Poulenc: a Bio-bibliography. New York:Greenwood Press, 1990.
Mellers, Wilfrid. Francis Poulenc. London: Oxford University Press, 1995.
Poulenc, Francis. Diary of My Songs.trans. Winifred Radford. London:Kahn & Averill Publishers, 2007.
Rosenfeld, Paul. On Music and Musicians. New York: Pantheon, 1946.
Sadie, Stanley. ed. The New Grove Dictionary of Music and Musicians vol.8.London: Macmillan Publishers, 1980.
Schmidt, Carl B. Entrancing Music: a Documented Biography of Francis Poulenc. New York: Pendragon Press, 2001.
Stolba, K. Marie. The Development of Western Music:a History. New York: McGraw-Hill College, 2007.
西文學術論文:
Hsin-Lin,Tsai. “Poulenc Sonata for Violin and Piano: an Analysis.” Ph. D. diss., Boston University, 2009.
Cooperstock, Andrew Bryan. “The Sports et Divertissements of Erik Satie. ”D.M.A Thesis, Peabody Institute of the John Hopkins University, 1988.
Wernar, Warren Kent.“The Harmonic Style of Francis Poulenc.”Ph. D. diss., University of Iowa, 1966.
有聲資料:
Juillet, Chantal and Pascal Rogé (2005).Poulenc: Piano Music&Chamber Music Disc.4. Decca.4757097, CD.
Suk, Josef and Jan Panenka(2001).Violin Sonatas.Supraphon.3547, CD