研究生: |
陳沛妤 CHEN, PEI-YU |
---|---|
論文名稱: |
不同性別家長親子共讀無字圖畫書之圖像詮釋與性別教養態度探究 Interpretation of Images in Wordless Picture Books during Parent-child Shared Reading by Parents of Different Genders and Exploration of Gender Parenting Attitudes |
指導教授: |
趙惠玲
Chao, Huei-Ling |
口試委員: |
潘淑滿
Pan, Shu-Man 余季音 Yu, Chi-ying 趙惠玲 CHAO, Huei-Ling |
口試日期: | 2024/01/25 |
學位類別: |
碩士 Master |
系所名稱: |
美術學系 Department of Fine Arts |
論文出版年: | 2024 |
畢業學年度: | 112 |
語文別: | 中文 |
論文頁數: | 187 |
中文關鍵詞: | 無字圖畫書 、圖像詮釋 、性別角色教養態度 |
英文關鍵詞: | Wordless picture book, Image Interpretation, Gender Role Parenting Attitudes |
研究方法: | 觀察研究 |
DOI URL: | http://doi.org/10.6345/NTNU202400369 |
論文種類: | 學術論文 |
相關次數: | 點閱:75 下載:9 |
分享至: |
查詢本校圖書館目錄 查詢臺灣博碩士論文知識加值系統 勘誤回報 |
隨著資訊社會越來越發達,思想與潮流上的演變更加多元,尤其在視覺圖像上,從以往的單一詮釋,逐漸涵蓋到多元文化的價值觀,因此當人們在閱讀視覺圖像時,其中詮釋與解讀除了自身經驗外,同時涵蓋了個人信念。在親子共讀無字圖畫書也是如此,在沒有字的無字圖畫書上,親子共讀有更多的想像力以及創造空間,聚焦於圖像的詮釋以及理解。本研究旨在探討不同性別家長在親子共讀無字圖畫書過程中,不同性別家長在圖像詮釋和育兒態度方面的差異。研究深入了解親子共讀過程中的圖像詮釋、性別角色,以及教養態度。本研究方法為質性研究之觀察法與訪談法,除了觀察親子共讀歷程與圖像性別詮釋之外,同時以訪談的方式訪談父母,了解父母親在性別角色教養態度,研究對象共六對親子,18人,全程透過錄音、訪談記錄表、觀察記錄表方式進行編碼與分析,據研究結果,歸納出五對親子共讀與訪談內容分析過後發現如下:
一、父親在共讀歷程上,關注故事的邏輯連結以及兒童參與程度,問句多以「完成句子」、「開放型問句」,總體來說,父親引導孩子進行問題解決,聚焦在兒童的邏輯思維和問題解決能力以生活常識的介紹。在性別圖像詮釋上,父親一般認為不用太介入去解說性別角色怎樣是對的,同時不特別強調男女之別,而是讓兒童在生活、人物、書本,自行建構出性別架構,認為兒童自己會去感受。而在性別角色教養態度方面,父親們較著重於真實交流、圖像功能等圖像詮釋,因此在共讀時父親會適度的控制故事發展,較少關心兒童情感問題。
二、母親在共讀歷程上,透過有趣互動、具有教育意義、多元的想像連接,帶如兒童的生活中,問句多以「開放行問句」、「遠距問題」,帶領兒童表達自我,給予更多空間,以獲取更多兒童的觀點。在性別圖像詮釋上,更注重情感聯繫、跳脫不一樣的框架,在母親方面有提到多元性別觀念等開訪性議題,並與兒童生活經驗做連結。母親認為性別角色教樣態度應是多元調適,接納與支持,且較關注性別角色、創意不設限。
As the information society becomes more and more developed, the evolution of ideas and trends becomes more diversified. Especially in visual images, the previous single interpretation gradually encompasses multicultural values. Therefore, when people read visual images, the interpretation and In addition to one's own experience, the interpretation also covers personal beliefs. The same is true for wordless picture books when parents and children read together. Wordless picture books allow for imagination and creative space when parents and children read together, focusing on the interpretation and understanding of images. This study observes the gender role parenting attitudes and interactions between parents and children reading wordless picture books together, and explores the process and image interpretation of parents of different genders in reading together, in order to use the gender role parenting in wordless picture books. the difference. This study aims to explore the differences in image interpretation and parenting attitudes among parents of different genders during parent-child reading of wordless picture books. Research provides insights into image interpretation, gender roles, and parenting attitudes during parent-child reading. There are fix pairs of parents and 18people in total. The entire process was coded and analyzed through recording, interview record sheets, and observation record sheets. According to the research results, five pairs of parent-child readings and interviews were analyzed and the following results were found:
1. During the process of shared reading, the father pays attention to the logical connection of the story and the level of children's participation. Most of the questions are "sentence completion" and "open questions". Through joint questioning, discussing the plot of the story and sharing feelings, in general , parents' shared reading has educational significance. By guiding children to solve problems, this cultivates children's logical thinking and problem-solving abilities because parents realize that this helps promote children's cognitive development. In terms of gender image interpretation, fathers generally believe that there is no need to be too involved in explaining what is right, and at the same time, they do not particularly emphasize the difference between men and women. Instead, they allow children to construct their own gender structures in life, characters, and books, thinking that children will figure it out on their own. Feel. In terms of gender role parenting attitudes, parents focus more on image interpretation such as imaginary stories, real communication, and image functions. Therefore, for wordless picture books, fathers will moderately control the development of the story and care less about emotional issues.
2. During the process of reading together, mothers use interesting interactions, educational significance, and diverse imaginative connections to bring them into children's lives. Questions are mostly "open line questions" and "distance questions" to lead children to express themselves. Self, obtained more children's views. In the interpretation of gender images, more attention is paid to emotional connections, breaking away from different frameworks, and interview-related issues such as multiple gender concepts are mentioned. It is believed that the attitude of gender role teachers should be diversified accommodation, acceptance and support, and should pay more attention to gender roles and have no restrictions on creativity.
中文部分
王彥婷(2016)。變遷中的性別角色看法?幼兒不同性別同儕得互動型態與其性別角色觀點(未出版碩士論文)。國立臺北市立大學。
王明秀(2017)。大班幼兒對健康主題圖畫書閱讀反應(未出版碩士論文)。國立台灣師範大學。
王得琬(2022)。親子共讀中英無畫書之互動之初探(未出版碩士論文)。國立嘉義大學。
王珮徛、王秋鈴(2015)。學習對話式閱讀對提升家長親子共讀技巧之成效。特殊教育學報,42,1-26。
王寶猜(2017)。對話式親子共讀對幼兒口語表達能力之影響:個案研究(未出版碩士論文)。國立台南大學。
朱俏嫣、謝沅芮、邱華慧(2019)。使用對話式閱讀對家長親子共讀技巧和感受的影響。幼兒教育年刊,30,25-45。
匡驍(譯)(2011)。Robertson, J.著。當代藝術的主題:1980年以後的視覺藝術。南京市:江蘇鳳凰美術。(原著出版於2009年)。
李宇雯、張鑑如 (2022)。雙親家庭親職參與及家庭社會經濟背景與幼兒語言發展關聯之研究。當代教育研究季刊,30 (2),167-205。
宋珮(譯)(2006)。Doonan, J. 著。觀賞圖畫書中的圖畫。 臺北:雄獅。(原著出版於1993年)。
吳宜庭(2016)。繪本介入對幼童性別角色態度影響之研究(未出版碩士論文)。南華大學。
呂秋玲(2015)。父母教養態度與國小學童自我概念之相關研究-以新北市建國國小高年級學童為例(未出版碩士論文)。中國文化大學。
李紫蓉(譯)(2007)。Milkkelsen, N. 著。童書中的神奇魔力(Powerful magic: Learning from children's responses to fantasy literature)。臺北:阿布拉教育文化。(原著出版於2005年)。
邱琬媜(2008)。親子共讀無文字圖畫書歷程之互動與反應(未出版碩士論文)。國立台南大學。
林芝妘(2013)。屏東縣國小學生父母教養態度與人際關係之研究(未出版碩士論文)。國立屏東教育大學。
林美珍(2004)。兒童認知發展概念與應用。臺北市:心理。
林吟霞(2017)。Rotraut Susanne Berner之「Winmmelbuch四季系列」作品分析-兼論全景無字繪本蘊含的教育功能。國教新知,64( 3),60-72。
林素珠(2014)。運用繪本進行幼兒性別平等教育之個案研究(未出版碩士論文)。國立臺北市立大學。
林敏宜(2000)。圖畫書的欣賞與應用。臺北:心理。
林寶山 (譯)(2013)。Dewey, J.著。學校與社會、兒童與課程(第二版)。台北:五南。(原著出版於1990年)。
周均育(2002)。兒童圖書館員、父母與幼稚園教師對幼兒閱讀行為的影響之調查研究(未出版碩士論文)。國立中興大學。
侯明秀(2003)。無字圖畫書的圖像表現能力及敘事藝術之研究(未出版碩士論文)。國立臺東大學。
徐德成(2020)。後現代兒童繪本的圖像美學及其在繪本教學上之啟示(未出版碩士論文)。國立彰化師範大學。
教育部(2019)。讓「閱讀」成為社區最美風景-最美共讀站評選表揚及分享 。https://www.edu.tw/News_Content.aspx?n=9E7AC85F1954DDA8&s=E67268CF21CDA155
曾玉慧(2013)。兒童對於同理心圖畫書之詮釋(未出版碩士論文)。國立屏東教育大學。
陳貞瑾 ,2023.12, 臺灣教育評論月刊。
陳柔琦(2019)。以性別角度分析身體意象主題之兒童圖畫書(未出版碩士論文)。國立台灣師範大學。
陳佩勤(2014)。親子對話是共讀圖畫書之語言分析。國立台南大學教育研究學報,48,127-152。
陳淑雯(2002)。親子共讀輔導轉體對健康家庭、親子關係和家庭氣氛輔導效果之研究(未出版碩士論文)。國立屏東師範學院。
陳韻如(2012)。兒童閱讀無字繪本之研究(未出版碩士論文)。國立彰化師範大學。
陳懷恩(2008)。圖像學-視覺藝術的意義與解釋。如果出版社。
陳麗琴、鄭瑞菁(2012)。幼兒對顛覆性刻板印象圖話書教學之回應。「一圖千言-圖畫書的繽紛世界」學術研討會論文集,25-46。
張春興,1989,〈張氏心理學辭典〉,臺灣東華書局。
張欣戊、林淑玲、李明芝譯(2014)。Shaffer, D. R, & Kipp, K.著。發展心理學(下)。學富文化,台北市。(原著出版於2009年)。
張湘君(1994)。圖畫書的欣賞與應用。台北:台北市國語實驗國民小學兒童文學研究(七):鄉土文學專輯,2,94-97。
張淑松(2005)。幼兒口中的無文字圖畫書(未出版碩士論文)。國立台北師範學院。
張澤銘(2005)。社會邊緣青少年使用即時通知研究(未出版碩士論文)。國立中山大學。
黃秀雯(2004)。繪本創作之創意思考教學研究-從觀察、想像到創意重組。藝術教育研究,8,29-71。
黃佾婷(2020)。親子共讀無字圖畫書歷程之研究(未出版碩士論文)。國立台 南大學。
黃郁倫譯、鐘啟泉(譯)(2012)。佐藤學 著。學習的革命:從教室出發的改革。臺北:天下雜誌。
黃筱茵(2017)。無字圖畫書的美妙饗宴。全國新書資訊月刊,226,20-24。
徐詠絮(2012,2月24日)。2012小朋友幸福感創12年來新高。新北市教育電子報。https://epaper.ntpc.edu.tw/index/EpaSubShow.aspx?CDE=EPS20120221143918FHI&e=EPA201105191344423PR
葉君玲、陳國彥(2012)。父母性教育教養態度與子女性知識之相關研究-以高雄市國小六年級學生為例。性學研究,3(2),13-46。
葛煜仁(2013)。國中生父母管教方式、自我概念及同儕關係對偏差行為影響之研究(未出版碩士論文)。私立大葉大學。
彭佳鎂、何慧敏(2014)。幼兒性別角色概念之探究。人類發展與家庭學報,16,24-51。
鄭萍茹(2007)。屏東縣國小六年級學童性別平等意識與知覺父母性別角色教養態度之研究(未出版碩士論文)。國立高雄師範大學。
鄭博真(2004)。多元智能教學與圖畫教學。台北:群英出版社。
游雅玲(2006)。親子共圖圖畫故事書之互動歷程與反應研究-以「恐懼主題」為例(未出版碩士論文)。國立嘉義大學。
楊茂秀、黄孟嬌、嚴淑女、林玲遠、郭鍠莉(譯)(2010)。Nodelman, P. 著。話圖:兒童圖畫書的叙事藝術。臺東市:兒童文化藝術基金會。(原著出版於1988年)。
税素芃(2015)。提升語文能力,靠大量閱讀來奠基。未來Family,5,84-87。
潘淑滿(2022)。質性研究:理論與應用(第二版)。臺北市:心理。
蔡尚志(2018)。童話創作的原理技巧。台北:五南。
蔡麗惠(2010)。親子共讀與國小幼童閱讀興趣及閱讀理解之相關研究(未出版碩士論文)。台國立臺中教育。
劉秀娟、林明寬(譯)(1998)。Basow, S. A.著。兩性關係-性別刻板化與角色。揚智文化。台北。(原著出版於1992年)。
劉淑媛(2014)。父母教養方式與青少年行為困擾之調查與訪談研究(未出版碩士論文)。國立成功大學。
賴又嘉(2010)。探繪本-幼兒性別觀點研究(未出版碩士論文)。國立臺北教育大學。
賴玉釵(2013)。當繪本敘事遇上傳播: 評析《繪本研究新方向》。新聞學研究,114,193-302。
蘇振明(1987)。認識兒童圖畫書及教育價值-從消基會評選優良兒童圖畫書談起。台北市立師專幼教天地, 5,37-50。
楊振豐(2005)。繪本教學對改善國小六年級學童性別刻板印象效果之研究(未出版碩士論文)。國立花蓮師範學院。
英文部分
Aikens, N. L., & Barbarin, O. (2008). Socioeconomic differences in reading trajectories : The contribution of family, neighborhood, and school contexts. Journal of Educational Psychology, 100(2), 235-251.
Arnheim, R. (2004). Art and Visual Perception: A Psychology of the Creative Eye. University of California Press.
Baiocco, R., Verrastro, V., Fontanesi, L., Ferrara, M. P., & Pistella, J. (2019). The contributions of self-esteem, loneliness, and friendship to children’s happiness: The roles of gender and age. Child Indicators Research, 12(4), 1413–1433.
Barthes, R. (1985). The Responsibility of Forms: Critical Essays on Music, Art, and Representation. Hill and Wang, New York.
Bosch, E. (2014). Text and peritexts in wordless and almost wordless picturebooks. In B. Kümmerling - Meibauer (Ed.), Picturebooks : Representation and narration (pp. 71 – 90 ). New York, NY : Routledge.
Brock, A. & Rankin, C. (2008). Communication, Language and Literacy from Birth to Five. SAGE Publications Ltd.
Bus, A.G., Van IJzendoorn, M.H., &Pellegrini, A.D. (1995). Joint book reading makes for success in learning to read. A meta-analysis on intergenerational transmission of literacy. Review of Educational Research ,65(1), 1-21.
Bussey, K. & Bandura, A.(1999)Social cognitive theory of gender development and differentiation. Psychological Review, 106(4), 676–713.
Butterworth, S.E., Giuliano, T.A., White, J., Cantu, L., & Fraser, K.C.(2019). Sender Gender Influences Emoji Interpretation in Text Messages. Front Psychol. Volume 10. 10: 784.
Carroll, N. (2001). Beyond aesthetics: Philosophical essays. Cambridge University Press.
Chase, N .D., & Hynd, C .R .(1987). Reader response : An alternative way to teach students to think about test. Journal of Reading, 530-540.
Cropley, A. J. (2000). Defining and measuring creativity : Are creativity tests worth using. Roper Review, 23(2), 78.
DR Shaffer,1996. Developmental psychology: Childhood and adolescence, 4th ed.
Fry, D. (1985). Children Talk about Books: Seeing Themselves as Readers . Milton Keynes : Open University Press.
Ferguson, D. (2019). “Highly concerning”: Picture books bias worsens as female characters stay silent. The Guardian, 13.
https://www.theguardian.com/books/2019/jun/13/highly-concerning-picture-books-bias-worsens-as-female-characters-stay-silent
Freedman, K. (1988). Sharing Interests: Aesthetics, Technology and Visual Literacy in Democratic Education. Australian Art Education. 21(2), 3-9.
Forbes, L. K., Donovan, C., & Lamar, M. R. (2020). Differences in Intensive Parenting Attitudes and Gender Norms Among U.S. Mothers. The Family Journal, 28(1), 63–71.
Hoffman, L. W., & Kloska, D. D. (1995). Parents’ gender-based attitudes toward marital roles and child rearing: Development and validation of new measures. Sex Roles, 32(5–6), 273–295.
Iordanaki, L.(2021). Older Children’s Responses to Wordless Picturebooks: Making Connections. Children's Literature in Education, 52, 493–510.
Jeffrey, S.(1997). Sharing the responsibility for children's literacy development in first grade: child—parent—teacher partnerships [Unpublished doctoral dissertation]. The Faculty of the Virginia Polytechnic Institute and State University.
Lepola, J., Kajamies, A., Laakkonen, E.,& Niemi, P. (2020). Vocabulary, metacognitive knowledge and task orientation as predictors of narrative picture book comprehension: from preschool to grade 3. Reading and Writing volume, 33, 1351-1373.
Li, S.(2022). Preschool Education Students’ Understanding of Children’s Picture Books. Wireless Communications and Mobile Computing, 10, 1-7.
Morrow, L. M., Connor, E. M., & Smith, J. K. (1990). Effects of a story reading
program on the literacy development of at-risk kindergarten children. Journal
of Reading Behavior, 22, 255-275.
Nikolajeva, M. (2008). Play and Playfulness in Postmodern Picturebooks. New York, NY: Routledge. 55-74.
Nodelman, P. (1998). Words about Pictures: The Narrative Art of Children’s Picture Books. Athens & London: The University of Georgia Press.
Norton, D. E. (1995). Through the eyes of a child. New Jersey: Prentice-Hall.
Postema, B. (2014). Following the pictures: Wordless comics for children. Journal of Graphic Novels and Comics, 5, 311-322.
Rosenblatt, L. M.(1982). The literacy transaction: Evocation and response. Theory into Practice, 21, 268-277.
Schapira, R., Deitcher, D.B., & Aram, D.(2020). Variability and stability in parent–child discourse during and following repeated shared book reading. Reading and Writing volume, 34, 273-300 .
Russell ,D. L.(2005). Literature for children : A short introduction(5th ed). Boston : Publishers Ltd.
Scarborough, H. S., & Dobrich, W. (1994). On the efficacy of reading to preschoolers. Developmental Review, 14, 245-302.
Serafini, F. (2014a). Exploring Wordless Picture Books. The Reading Teacher, Volume 68, 24-26.
Serafini, F. (2014b). Reading the Visual: An Introduction to Teaching Multimodal Literacy. New York, NY: Teachers College Press.
Pantaleo, S. (2023). Kindergarten Children’s Talk About Illustration Techniques in an Almost Wordless Picturebook. Early Childhood Education Journal.2023.
Pinho, M., & Gaunt, R. (2021). Biological essentialism, gender ideologies, and the division of housework and childcare: Comparing male care/ female breadwinner and traditional families. The Journal of Social Psychology.
Trisnawati, R.K.(2016).Implementing Reader-Response Theory: An Alternative Way of Teaching Literature Research Report on the Reading of Booker T Washington's Up from Slavery [Unpublished doctoral dissertation]. Jenderal Soedirman University.
Trivette, C. M., & Dunst, C. J. (2007). Relative Effectiveness of Dialogic, Interactive, and Shared Reading Interventions. Center for Early Literacy Learning Reviews, 1(2), 1-12.
Maccoby, E. E., & Martin, J. A. (1983). Socialization in the context of the family: Parent-child interaction. Handbook of Child Psychology, New York: John Wiley& sons, 4, 1-101.
Menchaca, V., M. C., & Whitehurst, G. J. (1992). Accelerating language development through picture book reading: A systematic extension to Mexican day-care. Developmental Psychology, 28, 1106–1114.
Tompkins, V., Guo, Y., & Justice. L. M. (2013) . Inference generation, story comprehension, and language skills in the preschool years. Reading and Writing volume, 26, 403–429 .
Vygotsky, L. S.(1978). Mind in society: The development of higher psychological process, MA: Harvard University Press.
Whitehurst, G. J., Epstein, J. N., Angell, A. L., Payne, A. C., Crone, D. A., &Fischel, J. E. (1994). Outcome of an emergent literacy intervention in Head Start. Journal of Educational Psychology, 86, 542-555.
Whitehurst, G. J., Falco, F., Lonigan, C. J., Fischel, J. E., DeBaryshe, B. D., Valdez-Menchaca, M.C. & Caulfield, M. (1988). Accelerating language development through picture-book reading. Developmental Psychology, 24, 552-558.
Wolfenbarger, C. D., & Sipe, L. R. (2007). A Unique Visual and Literary Art Form: Recent Research on Picturebooks. National Council of Teachers of English, 83(3), 273-280.
Yello, N. (2012). A contact analysis of Caldecott medal and honor books from 2 001-2011 examining gender issues and equity in 21st century children's picture books [Unpublished doctoral dissertation]. University of Central Florida STARS.
Zevenbergen, A. A., Whitehurst, G. J., & Zevenbergen, J. A. (2003). Effects of a shared-reading intervention on the inclusion of evaluative devices in narratives of children from low-income families. Applied Developmental Psychology. 24, 1-15.
圖畫書部分
太田大八(2005)。雨傘。小魯文化。
Aaron Becker(2014)。Journey。WALKER BOOKS。
Alison Jay(2016)。蜜蜂與我。韋伯文化。
Barbara Lehman (2004)。紅色的書。臺北市:天衛文化。
Daniel Miyares(2017)。That Neighbor kid。Simon & Schuster Books for Young Readers。
David Wiesner(1991)。夢幻大飛行。遠流出版社。
David Wiesner (2004)。7號夢工廠。格林文化。
David Wiesner(2011)。瘋狂星期二。格林文化。
David Wiesner(2018)。我來接。格林文化。
Gabrille Vincent(2003)。流浪狗之歌。和英文化事業有限公司。
Kate Prendergast(2016)。火車上的小白狗。韋伯文化。
Lehman Barbara(1995)。小鏡頭外的大世界。台灣英文雜誌社。
Louise-Marie Cumont (2011)。小汽車狂想曲。法國 :MEMO。
Pat Hutchins(1971)。Changes, changes。Simon & Schuster Books for Young Readers。
Raymond Briggs(1978)。雪人。臺北市:上誼。
Riccardo Francaviglia & Margherita Sgarlata(2018)。天藍王子/梅紅公主。翡冷翠文化。