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研究生: 張祐瑜
Chang, Yu-Yu
論文名稱: 星河流轉:《天河撩亂》與《北極星灑落之夜》的酷異翻譯
Queer(ing) Translation in The Ecstasy of Galaxies and The Night of the Shining North Star
指導教授: 李根芳
Lee, Ken-Fang
口試委員: 陳佩甄
Chen, Pei-Jean
戴宇呈
Tai, Yu-Chen
李根芳
Lee, Ken-Fang
口試日期: 2024/01/18
學位類別: 碩士
Master
系所名稱: 翻譯研究所
Graduate Institute of Translation and Interpretation
論文出版年: 2024
畢業學年度: 112
語文別: 中文
論文頁數: 105
中文關鍵詞: 酷兒翻譯小說轉向吳繼文李琴峰臺灣文學
英文關鍵詞: queer praxis, translation studies, fictional turn, Wu Jiwen, Li Kotomi, Taiwan Literature
DOI URL: http://doi.org/10.6345/NTNU202400303
論文種類: 學術論文
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  • 本文討論吳繼文《天河撩亂》及李琴峰《北極星灑落之夜》兩本酷兒小說的翻譯議題,嘗試結合酷兒理論與翻譯研究,以「酷異翻譯」為分析視角,解構大眾對「翻譯」的認知。吳繼文和李琴峰從事翻譯、旅居異國的經驗,讓《天河撩亂》與《北極星灑落之夜》兩部作品本身即蘊含多語言、跨文化元素。《天河撩亂》與吉本芭娜娜小說展現互文性,「漂泊的湖」水循環意象更能說明「創作與翻譯」的關係:文學元素如水分子穿梭於作品之間,並透過翻譯改變型態。《北極星灑落之夜》融入日本、臺灣、中國歷史事件,東亞酷兒角色亦對身分認同政治有所反思;援用多種文化符碼,與各立場保持距離,正是小說特色,也指向看待「雷同」的輕鬆態度。此外,兩部作品皆刻劃從臺灣移居日本的跨性別角色,若以「翻譯」形容她們的過渡期,會發現「跨」標誌出的並非僵固的兩端,而是一趟持續的旅程。透過「酷異翻譯」的討論,本文希望挑戰「原作 → 翻譯」預設的線性時間想像,指認事物之間相互重疊、滲透、流動、難以定義的層面,打破二元對立框架。

    My project employs “queer(ing) translation” as a framework to analyze two queer novels – The Ecstasy of Galaxies by Wu Jiwen and The Night of the Shining North Star by Li Kotomi – offering an unusual way to look at translation. Both Wu Jiwen and Li Kotomi have experience working as translators and living abroad, making their works inherently multilingual and multicultural. The Ecstasy of Galaxies shows literary relations to Japanese literature. As it was excerpted and translated into Japanese, the process resembles the water cycle imagery found in the Lop Nor narrative. The Night of the Shining North Star presents diverse contexts by referencing significant events in Japan, Taiwan, and China, while also exploring varied perspectives on identity politics among queer characters. The novel suggests a more flexible understanding of the similarities which are inevitable in translations. Furthermore, I use “translation” metaphorically to illustrate the journeys of two Taiwanese transgender characters relocating to Japan in the novels. We can see that their transition continues throughout their entire lives and that “transness” embodies “in-betweenness.” Through my discussion around “queer(ing) translation,” I aim to challenge binary thinking and the linear conception of time implied by the from-the-original-to-the-translated process.

    摘要 i Abstract ii 目次 iii 緒論 1 「美人不忠」:翻譯的對等與解構 1 女性主義翻譯與酷兒翻譯 4 從全球到在地?跨越國界的認同打造 10 「酷異翻譯」作為方法與主題 15 吳繼文《天河撩亂》與李琴峰《北極星灑落之夜》 17 章節安排 20 第一章 酷異作家/譯者:《天河撩亂》的翻譯循環 21 前言 21 阻斷水流:《天河撩亂》的翻譯軌跡 23 水的型態:吳繼文作為「翻譯者」 32 翻譯的「水循環」意象 39 結語 41 第二章 酷異語言:《北極星灑落之夜》的多層次翻譯 43 前言 43 李琴峰作為「翻譯者」:面向日本/臺灣讀者 45 翻譯真實.自我:《北極星灑落之夜》的語言議題 54 「如有雷同,純屬巧合」:翻譯版本的相似與差異 63 結語 66 第三章 翻譯、跨國、跨性別:酷異角色的混雜性 67 前言 67 《天河撩亂》的跨性別角色 71 《北極星灑落之夜》的跨性別角色 78 持續中的翻譯 85 結語 87 結論 89 什麼是「酷異翻譯」? 89 (臺灣)小說中的翻譯,翻譯中的(臺灣)小說 91 後記:關於卷首語 92 參考文獻 97

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