在這個數位音樂工作站(digital music workstation)人手一個的時代，現代人是如何不出房門便能獨自完成一首歌曲，歌曲是如何從傳統的 Band Sound 及弦樂編制，慢慢的加入更多音色樣本與聲音設計的創作手法，其中我們甚至不需要高超的樂器彈奏技巧、也不用多麽艱澀的樂理分析能力，必要的只有如何將腦海裡的聲響具體的呈現出來，並找到正確的音色互相碰撞及堆疊，而這種創作概念又與傳統華流音樂有何異同之處呢？
本報告將透過解析市面上已發行之音樂作品，以及個人的歌曲實作，從零開始探索新華流音樂之創作，書面報告作詞曲、編曲一直到混音後製，紀錄整首歌曲的建構到成型，希望能透過此書面報告提供讀者更多音樂創作上的想法。

In this era where everyone has a digital music workstation (DAW), how can modern people complete a song alone without leaving the room? The creation method of sound design, in which we don’t even need superb musical instrument playing skills, nor the ability to analyze difficult music theory, what is necessary is how to present the sound in our minds in detail, and find the correct timbres to collide and stack each other , and what are the similarities and differences between this creative concept and traditional mandarin popular music?
This report will explore the creation of mandarin popular music from scratch by analyzing the music works that have been released on the market, as well as personal song implementation. Written reports include composing lyrics, arranging, and post-mixing, recording the construction of the entire song to I hope to provide readers with more ideas on music creation through this written report.

網路資料
Zhi，〈經典鼓機 Roland TR-808 的二三事【電子版】〉，https://digilog.tw/posts/231，摘錄於29 April 2012。 盧家齊，〈Roland 於 808 日推出 TR-808 的復刻機種！【電子版】〉，https://digilog.tw/posts/909，摘錄於8 August 2017。林沐霖，〈淺談MPC取樣機：不會任何樂器也能夠進行創作、演奏的MPC【電子版】〉，https://ysolife.com/mpcmpcset-up/，摘錄於22 August 2016。林沐霖，〈開啟你的MPC演奏第一步：關於MPC的Set up！〉，https://ysolife.com/naomi-mpc-sample/，摘錄於8 January 2016。Freddie Tsang，〈回顧傳奇TR-808鼓機發展歷程，10 首 808 風格單曲推介〉，https://hypebeast.com/zh/2020/9/tr-808-10-808，摘錄於19 September 2020。JOE，〈A BRIEF HISTORY OF SAMPLING。TBlog歷史教育專欄〉，https://www.thomann.de/blog/en/a-brief-history-of-sampling/，摘錄於1 July 2018。JOE，〈BEATMAKING CONTEST – THOMANN BEDROOM PRODUCERS〉，https://www.thomann.de/blog/en/beatmaking-contest-thomann-bedroom-producers/，摘錄於14 June 2023。老派假文青，〈陶逸群aka Tower：沒有主流曲風，只有價值〉， https://www.ettoday.net/dalemon/post/42283/，摘錄於15 March 2019。Stefan Wyeth，〈Why sampling is still relevant in modern music production？〉，https://www.gearnews.com/why-sampling-is-still-relevant-in-modern-music-production/，摘錄於27 May 2018。
翻譯專書
仲曉玲、徐子超（譯）（2003）。文化創意產業（原作者：Richard E. Caves）。
台北市：典藏藝術家庭。（原著出版年：2000）林步昇（譯）（2021）。搖滾經濟學（原作者：Alan B. Krueger）。台北市：天下雜誌。（原著出版年：2019）