本文試圖探討布魯姆漫遊於英國殖民統治下的都柏林所遭遇的困境。由於都柏林的殖民地色彩，我認為《尤里西斯》一書主角布魯姆，相較於班雅民巴黎的漫遊者，其漫遊常面臨更多的阻礙。全文共分五章：第一章總覽班雅民所提現代性的代表人物「漫遊者」，並將其挪用於被殖民的漫遊者布魯姆身上。第二章檢視因英國統治造成都柏林的陌生市景。英國的都市計劃將都柏林建設成補償性的異托邦，結果與愛爾蘭市民實際經歷的都市空間相互衝突。此外，大量舶來品充斥該城商業網絡更加深了都柏林的陌生化。第三章研究凝視所形成的無形路障如何阻擋布魯姆的漫遊。一方面，統治者佈下監視網絡，將都柏林構築成傅柯所提出的「八角塔」；另一方面，因為他的猶太血統，布魯姆常常遭受到市民排外、敵視的眼光。第四章審視布魯姆在家鄉迷失的心理狀態。布魯姆與家疏離顯示出不完整現代性的移植，亦即殖民式的現代性，在此現代性下看不到被殖民者的主體性。不斷在家鄉流浪，布魯姆必須抵擋一些衝擊，而衝擊多半來自於威脅或詆毀他的眼神。雖然他徘徊於邊緣，介於本地人與外來客之間，布魯姆仍努力的以實際行動而非空談來融入愛爾蘭社會當中。第五章總結出布魯姆跨越藩籬的一絲希望。作為殖民地都柏林的漫遊者，布魯姆能夠以他的「視差式」思考，或多元的角度來擺脫英國或愛爾蘭人意識型態的枷鎖。

This paper attempts to unravel Bloom’s predicaments during his flâneurie in Dublin, which is under Britain’s colonization. I contend that, in relation to Walter Benjamin’s flâneur in Paris, the protagonist of Ulysses Leopold Bloom is confronted with more hindrances on account of Dublin’s colonial ambiance. The paper consists of five chapters. Chapter One offers an overview of Walter Benjamin’s archetypal figure of modernity the flâneur, and the adaptation of the French flâneur to Leopold Bloom, a colonized flâneur. Chapter Two examines the foreign face of Dublin caused by British domination. The urban plan designed by Britain as a heterotopia of compensation clashes with the space experienced by Irish citizens. In addition, the commercial network teeming with imports reinforces the defamiliarized cityscape perceived by Bloom. Chapter Three investigates the invisible fence of gaze that impedes Bloom’s flâneurie. On the one hand, he is hindered by the web of ruler’s detecting gaze that fabricates what Foucault calls a panopticon. On the other hand, he is interpellated by the hostile gaze of the xenophobic citizens because of his Jewish heritage. Chapter Four delves into Bloom’s mental state of loss at home. His estrangement from home reveals the incomplete transplantation of modernity, “colonial modernity,” from which the subjectivity of the subordinate is absent. As a wanderer at home, Bloom faces shocks from the gaze that intimidates and denigrates him. Though he wanders on the periphery, a liminal position of inside and outside, he endeavors to integrate into the Irish community with his pragmatic actions rather than windy words. Chapter Five concludes with the minute hope for Bloom to transgress the barriers on his way. He, a flâneur in colonial Dublin, is capable of untying ideological chains of British and Irish with his parallactic thinking, the multiple perspectives.

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