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研究生: 王祖顯
論文名稱: 社會寫實之數位影像創作與研究-以愛德華.霍伯之繪畫作品表現形式為例
指導教授: 張柏舟
學位類別: 碩士
Master
系所名稱: 設計學系
Department of Design
論文出版年: 2010
畢業學年度: 98
語文別: 中文
論文頁數: 145
中文關鍵詞: 社會寫實愛德華.霍伯數位影像創作
英文關鍵詞: Social realism, Edward Hopper, Digital imaging creation
論文種類: 學術論文
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  • 本文將研究探討愛德華.霍伯之繪畫作品表現形式應用於社會寫實數位影像創作的表現手法及各種可行性;從社會寫實與寫實主義的概說開始,切入至垃圾箱畫派(The Ash Can School)與美國寫實主義(American Realism)的源由,到霍伯之寫實繪畫在意義上界定的分際,並瞭解他在美國寫實主義潮流中的角色與定位,以此決定霍伯表現形式在大方向上的定調。此外並就霍伯繪畫特質與主題做觀察,在基礎的畫面構成、畫作元素及其中隱含的心理層面等,探求出可能是霍伯表現手法的特點並予以統整,本文中將把霍伯的畫作與兩位同時代美國寫實主義畫家的作品在這些特點上作比對,來定義與深研霍伯表現形式與繪畫觀。
      接著本文將透過實驗,將以上的表現形式以個人實作,加上坊間各領域創作者向霍伯致敬之作品來探討與驗證之前分析出的表現形式的效果,以及其應用於數位影像創作的適用性與效力。本論文在數位作品方面,其影像素材的蒐集將朝與驗證後的表現形式相符合的方向進行;影像素材需要相當的量來搭配合成與篩選的動作,故其蒐集方式將傾向以數位相機攝影為主以便於短時間內大量蒐集影像;蒐集方向並以尋求第一手社會寫實的觀點,拍攝各式人物、場景,及各式對創造社會寫實影像有幫助的輔助性質影像為主,最終將以前階段中求出的繪畫觀結論為依歸來作視覺素材的篩選同時進行數位設計創作的建構。
      去蕪存菁後的視覺素材將以影像編修軟體Adobe Photoshop透過增減畫面元素、光影的再詮釋、圖面的重新構成來加以重組、創作建構完成後,則以Corel Painter軟體予以筆觸與細節的編修,目標在於達成以愛德華.霍伯之繪畫作品表現形式應用於社會寫實的數位影像創作中;最終目的則是在衍生出一系列的社會寫實數位影像創作,期能跨時代與現代觀者對話,以突顯霍伯之繪畫觀用於反映現代的契合性以及其歷久不衰的價值。

    This study is about targeting various expressional styles in Edward Hopper’s painting, as well as finding different possibilities of applying them to a social realistic digital imaging creation. In order to achieve that, this study starts from an overview of realism and social realism, through the founding of Ashcan school and American realism, to the reposition of Hopper’s stand in the means of realistic painting, so a general range could be drawn when it’s to find the expressional styles of Hopper. During the finding of those expressional styles, this study looked into the unique characteristics and motif of Hopper’s painting, which includes picture construction, elements within painting, and the psychological meanings hidden under to clarify the special aspects of hopper’s painting. Those aspects will be compared with two other American realism painters on the same ground around Hopper’s time, so a more profound and unique expressional style could be identified. Those unique styles of Hopper’s will be then tested in various digital image manipulations, and have the effectiveness valuated. Other Hopper-like artwork collected will go through the same valuation, so the know-how as when applying those styles can be found, so is to demonstrate the suit for digital imaging creation.
      As for the digital creations bound with this study, base images will be collected base on the result form the earlier test, and for the great quantity of images for this task need to filter the perfect few, digital photography is the adopted method to make huge number of instant workable images in a short while. As this study aims to work form firsthand social realistic photos, various characters, themes and other supportive images were taken to suit this need.
      This series of digital creations will be ultimately done by using Adobe Photoshop and Corel Painter software. Chosen images from earlier period will be manipulated in different aspects such as lighting, picture construction and theme elements through Photoshop. In painter software, those creations then go through the retouch state of styled brush so the goal of using expressional styles in Edward Hopper’s painting on social realistic digital image creation could be achieved by a realistic artwork style. The final result this study aimed to achieve, is to produce a series of creations that would communicate with contemporary viewers and even more to prove the dateless value of Hopper’s styles for their compatibility to modern expressions.

    摘 要...................................................I 致 謝...................................................III 目 錄...................................................IV 圖 目 錄................................................VI 表 目 錄................................................X 第一章 緒論.............................................1 第一節 創作背景...........................................1 第二節 創作目的..........................................2 第三節 研究方法與限制.....................................4 第四節 創作流程..........................................7 第二章 文獻探討與作品分析.................................8 第一節 社會寫實之於寫實主義...............................8 第二節 淺談寫實主義......................................9 第三節 正名霍伯歷史定位—與美國景象運動(AMERICAN SCENE MOVEMENT)的分別性......................................18 第四節 霍伯畫作特質初探..................................22 第五節 霍伯表現手法與美式寫實主義畫家之比較..............26 第三章 作品研究設計與實驗................................77 第一節 社會寫實與霍伯表現手法的實作與驗證................77 第二節 霍伯表現形式施作於社會寫實作品的經驗歸納..........90 第三節 本研究設計創作之技法施作及實驗要點歸納............97 第四章 設計創作.........................................107 第一節 設計創作主題與理念...............................107 第二節 設計創作內容.....................................107 第三節 作品呈現與分析...................................128 第五章 結論與建議.......................................140 參考文獻................................................143 中文參考文獻............................................143 英文參考文獻............................................144 網路資料參考文獻.........................................145

    中文參考文獻
    亢 康(2008),在心靈孤獨中遠足-淺析愛德華.霍珀的繪畫語言。上海大學美術學院。文藝評論,2008(4),頁89-90。
    何政廣(1996),美國寫實派大師 魏斯。台北:藝術家出版社。頁75-77,79-80,88,106,128,204,210。
    何政廣(2006),世界100大畫家。台北:藝術家出版社。頁140。
    李郁怡(2007),村上隆 從計程車司機之子到世界級大師─我就是要金錢的力量。商業周刊,第1038期。
    李家祺(2002),霍伯 Edward Hopper. 台北:藝術家出版社。頁8,14。
    村上隆(trans., 2006)。藝術創業論。台北:商周。頁40。
    陳芳后(2004),愛德華.霍普之「寫實」繪畫研究。國立台灣師範大學美術研究所碩士論文(未出版),頁7。
    陳俊勳(1995),現代繪畫發展中的寫實與復古現像。國立台灣師範大學美術研究所碩士論文(未出版),頁19。
    陳家偉(2008),寂寞城市─建築場景與其情感場域之研究。國立台灣師範大學美術研究所西畫創作組碩士論文(未出版),頁13-14,27。
    陳清海(2002),影像在現代視覺傳達設計之創作研究─以影像合成表現台灣意象為例。國立台灣師範大學設計研究所碩士論文(未出版),頁22。
    曾任葳(1997),藝術自主性與社會功能的結合—以費農.雷傑(Fernand Leger, 1881-1955)1918-1955年作品為例。國立中央大學藝術系碩士論文(未出版),摘要。
    豪澤爾(1991),藝術社會學。台北:雅典出版。頁35。

    英文參考文獻
    Baigell, M., Artist and Identity in 20th Century America. (New York: Cambridge University press, 2001), pp. 49-50,52.
    Berkow, I. G., Edward Hopper (New York: Smithmark Publishers, 1996), P.29.
    Brown, M. W.,“The Ash Can School,” American Quarterly, Vol. 1, No. 2 (Summer 1949), pp.127-134. Published by: The Johns Hopkins University Press.
    Gail, L., Edward Hopper: An Intimate Biography. London: University of California Press, (1995), p.311
    James, H.,“The Last French Novel,”Nation, vol.3(October 1866), pp. 286-288.
    Krutch, J. W., “The Modern Temper,” The Atlantic Monthly (February 1927), quoted in Loren Baritz ed., The Culture of the Twenties (Indianapolis: Macmillan Publication Co., 1970), p.360, 363.
    O’Doherty, B., “Portrait: Edward Hopper,” Art in America, vol. 52(December 1964), p.72,76.
    Read H. A., “The American Scene,” Brooklyn Daily Eagle, vol. 20(February 1927), p.6.
    Renner, R. G., Edward Hopper. Germany: Benedikt Taschen Verlag GmbH, 1990, P.9.
    Renner, R. G., Edward Hopper: 1882-1967, Transformation of the Real, Benedickt Taschen, 1990, pp.80-81.
    “The Study and Practice of Art in America,” Christian Examiner, vol.71(July 1961), pp.80-81.
    Valéry, P., Masters and Friends. Princeton: Princeton University Press, (1972), p.196.

    網路資料參考文獻
    世紀在線中國網,居斯塔夫•庫爾貝(Gustave Courbet),樂多日誌 世紀在線中國網 藝術專題,檢索日期:2009.03.31。取自http://cn.cl2000.com /subject/yishujiaoyu/courbet/pinglun.shtml
    Wikipedia,居斯塔夫•庫爾貝,檢索日期:2009.05.21。取自http://zh.wikipedia. org/w/index.php?title=居斯塔夫•庫爾貝&variant= zh-tw
    Art History Webmasters Association. Discover france, Art Periods: REALISM. Retrieved March 31, 2009. From http://www.discoverfrance.net/ France /Art/realism.shtml
    Benedict, P. B.,(2000). American Art as Reflection of Social Class in the 20th Century. Sweet Rriar College ,Art galleries. Retrieved May 30, 2009. From http://www.artgallery.sbc.edu/exhibits/99_00/white/catalog1.html
    Grisham, K., (2001). Survey of Art 1B--Social Realism. Retrieved March 24, 2010. From http://instruct.westvalley.edu/grisham/1b_social.html
    Newman, S.,(2004), George Bellows's "New York" and the Spectacular Reality of the City. American Art, Vol. 18, No. 3(Autumn, 2004), pp. 92-99. Retrieved March 11, 2010. From http://www.jstor.org/stable/409 9 052
    Tufts, E. M.,(1971), Bellows and Goya.﹝Electronic version﹞Art Journal,(30)4, pp. 362-368. Retrieved February 19, 2010. From http://www. jstor.org/stable/775376

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