研究生: |
鄭寧寧 |
---|---|
論文名稱: |
<<錦繡佳人>>小說與改編影集中的 視覺性和再現策略 |
指導教授: |
李紀舍
Li, Chi-She |
學位類別: |
碩士 Master |
系所名稱: |
英語學系 Department of English |
論文出版年: | 2005 |
畢業學年度: | 93 |
語文別: | 英文 |
論文頁數: | 80 |
論文種類: | 學術論文 |
相關次數: | 點閱:107 下載:6 |
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查詢本校圖書館目錄 查詢臺灣博碩士論文知識加值系統 勘誤回報 |
Andrew, Dudley. “Adaptation.” 1984. Film Adaptation. Ed. James Naremore.
New Brunswick: Rutgers UP, 2002. 28-37.
Armstrong, Nancy. Fiction in the Age of Photography: The Legacy of British
Realism. Harvard: Harvard UP, 1999.
“Behind the Scenes of Wives and Daughters” (1999). Eras of Elegance. 10 Jan
2004 <http://www.erasofelegance.com/wivesbehind.html#f19>.
Bakhtin, M. M. “The Bildungsroman and Its Significance in the History of Realism
(Toward a Historical Typology of the Novel).” Speech Genres and Other Late
Essays: M. M. Bakhtin. Ed. Caryl Emersan and Michael Holquist. Trans.
Vern W. McGee. Austen: Texas UP, 1986. 10-59.
Banks-Smith, Nancy. “History: The Director's Cut.” Review. The Guardian.
29 Nov. 1999. 26 Dec. 2003 <http://justinewaddell.ourfamily.com/
guardian-article2w&d.htm>.
Barthes, Roland. “Rhetoric of the Image.” 1964. Image-Music-Text. Ed. and
trans. Stephen Heath. New York: Noonday Press, 1977. 32-51.
- - -. “Structural Analysis of Narratives.” 1973. Image-Music-Text. Ed. and trans.
Stephen Heath. New York: Noonday Press, 1977. 79-124.
Bazin, André. What Is Cinema? Trans. Hugh Gray. Berkeley: California UP,
1967-71. 23-40.
Bluestone, G. Novels into Film. Berkley: California UP, 1973.
Bonaparte, Felicia. The Gypsy-bachelor of Manchester: The Life of Mrs. Gaskell’s
Demon. Virginia: Virginia UP, 1992.
Buckland, Gail. Fox Talbot and the Invention of Photography. Boston: David R.
Godin, 1980.
Cohen, Keith. Film and Fiction: The Dynamics of Exchange. New Haven: Yale UP,1979.
Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the
Nineteenth Century. Massachusetts: MIT press, 1990.
Davies, Andrew, adapt. Wives and Daughters. By Elizabeth Gaskell. Dir.
Nicolas Renton. 4 episodes. BBC/WGBH Boston co-prod. BBC1. United
Kingdom. 27 Nov. - 19 Dec. 1999. DVD-ROM. BBC Worldwide Ltd.
2002.
David, Deirdred, ed. The Cambridge Companion to The Victorian Novel.
Cambridge: Cambridge UP, 2001.
Debord, Guy. “Separation Perfected.” 1967. Society of the Spectacle. Detroit:
Black and Red, 1983. 1-34.
Dennis, Barbara. The Victorian Novel. Cambridge: Cambridge UP, 2000.
Eisenstein, Sergi. Film Form: Essays in Film Theory. Florida: Harcourt & Brace,
1949.
Eliot, George. Adam Bede. 1958. Oxford: Oxford UP, 1904.
Evans, Jessica and Stuart Hall, eds. Visual Culture: The Reader. London: Sage,
1999.
Fell, L. John. “Space, Time, and Victorian Prose.” Film and Narrative Tradition.
Berkley: California UP, 1986. 54-86.
Foucault, Michel. Power/Knowledge: Selective Interviews and Other Writings.
New York: Pantheon Books, 1980.
Furst, Lillian R. All Is True: The Claims and Strategies of Realist Fiction. Durham
& London: Duke UP, 1995.
Gaskell, Elizabeth. Wives and Daughters. 1866. Oxford: Oxford UP, 2000.
Giddings, Robert and Keith Selby, eds. The Classic Serial on Television and Radio.
New York: Palgrave, 2001. viii-xi.
James, Henry. “The Art of Fiction.” 1884. Narrative/ Theory. Ed. David H.
Richter. New York: Longman, 1996. 42-56.
Kermode, Frank. The Sense of an Ending: Studies in the Theory of Fiction. Oxford:
Oxford UP, 1966.
McFarlance, Brian. Novel to Film: An Introduction to the Theory of Adaptation.
Oxford: Oxford UP, 1996.
McQuire, Scott. Visions of Modernity: Representation, Memory, Time and Space in
the Age of the Camera. London: Thousand Oaks, 1998.
Metz, Christian. Film Language: A Semiotics of the Cinema. Trans. Michael
Taylor. New York: Oxford UP, 1974.
Mirzoeff, Nicholas. An Introduction to Visual Culture. London: Routledge, 1999.
Mitchell, W.J.T. Picture Theory: Essays on Verbal and Visual Representation.
Chicago: Chicago UP, 1994.
Monaco, James. How to Read a Film: the Art, Technology, Language, History, and
Theory of Film and Media. 3rd ed. Diagrs. David Lindroth. New York:
Oxford UP, 2000.
Monahan, Mark. “Gambling on a Classic with No End: Can the Makers of the
BBC's Pride and Prejudice Turn an Unfinished Elizabeth Gaskell Novel into
Another Hit?” Review. The Telegraph 20 Nov. 1999. 11 May 2004 <
http://justinewaddell.ourfamily.com/telegrahyw&d.htm>.
Pratt, Annis. Archetypal Patterns in Women’s Fiction. Sussex: The Harvester Press,
1981.
Ray, Robert B. “The Field of Literature and Film.” Film Adaptation. Ed. James
Naremore. New Brunswick: Rutgers UP, 2002. 38-53.
Rignall, John. Realist Fiction and the Strolling Spectator. London: Routledge,
1992.
Rose, Gillian. Visual Methodologies: An Introduction to the Interpretation of Visual
Materials. London: Sage, 2001.
Rowe, Allen. “Film Form and Narrative.” An Introduction to Film Studies. Ed.
Jill Nelmes. 2ed ed. New York: Routledge, 1999. 92-128.
Shires, Linda M. “The Aesthetic of the Victorian Novel: Form, Subjectivity,
Ideology.” The Cambridge Companion to the Victorian Novel. Ed. Deirdre
David. Cambridge: Cambridge UP, 2001. 61-76.
Snyder, Joel. “Picturing Vision.” Critical Inquiry 6.1 (1980): 499-526.
Spencer, Jane. Elizabeth Gaskell. London: Macmillan, 1993.
Spiegel, Alan. Fiction and the Camera Eye: Visual Consciousness in Film and the
Modern Novel. Charlottesville: Virginia UP, 1976.
Stoneman, Pasty. Elizabeth Gaskell. Sussex: John Spiers, 1987.
- - -. “Wives and Daughters on Television.” Gaskell Society Journal 14 (2000). 8
July 2003 <http://www.lang.nagoya-u.ac.jp/~matsuoka/EG-Journal.html>.
Sturken, Marita and Lisa Cartwright, eds. Practices of Looking: An Introduction to
Visual Culture. Oxford: Oxford UP, 2001.
Troost, Linda, and Sayre Greenfield. “Watching Ourselves Watching.” Jane
Austen in Hollywood. Lexington: Kentucky UP, 1998. 1-12.
Wheeler, Michael. English Fiction of the Victorian Period 1830-1890. London:
Longman, 1985.
“Who the Dickens Is Mrs. Gaskell?” Narr. Sue Johnston. Prod. Tim Dunn.
Omnibus. BBC1. 29 Nov. 1999. Wives and Daughters. DVD-ROM.
BBC Worldwide Ltd. 2002.
Wurtzler, Steve, ed. Preface. Literature Interpretation Theory 13 (2002): 93-96.