二十世紀俱有代表性的匈牙利音樂家為巴爾托克及高大宜，特別在採用農民音樂素材於作品上可以說是不遺餘力。而高大宜《無伴奏大提琴奏鳴曲作品八》除了充分展現各種匈牙利民間音樂素材外，同時也將大提琴演奏技巧提升至另一個層次，成為繼巴哈《六首大提琴無伴奏組曲》之後，在所有大提琴無伴奏曲目中占有一席之地的重要作品。

有別於西方古典音樂的作曲風格，高大宜透過樂器豐富的歌唱性，將匈牙利音樂的和聲變化及傳統舞蹈節奏形態表露無遺；不僅如此，在擴展大提琴各種聲響效果的過程中，相對產生出許多困難的拉奏技巧，對於演奏者在完整詮釋上可謂一大挑戰，而如此獨特的音樂風格及艱難的演奏技術都是吸引筆者進行研究及演奏的主因之一。

本研究將以探討匈牙利民間音樂素材作為起點，從巴爾托克及高大宜採集的農民音樂紀錄來了解其音樂風格及精神意涵；接著，再完整分析高大宜《無伴奏大提琴奏鳴曲作品八》中呈現的匈牙利音樂元素，並且進一步探究匈牙利音樂家對民謠素材採集保有的嚴謹態度，發覺其中所表露出的思維與傳承。最後在音樂詮釋部分，筆者對於整曲所顯現出的各種匈牙利民間音樂風格，依照作曲家在譜上各樣的記譜指示，提供個人本身在演奏上的看法及觀點，並且針對實際拉奏所面臨的技巧問題作更深入的研究，期盼能給予演奏者在事前準備與詮釋手法上獲得更全面的掌握方向。

Zoltán Kodály and Béla Viktor János Bartók are the most representative Hungarian musicians in the 20th century. They spared no effort to apply folk musical materials in their works. Zoltán Kodály's Sonata for Solo Cello, Op.8 not only demonstrates a variety of Hungarian folk music, but also upgraded his techniques of cello playing to a higher ground. This work has won a place in all unaccompanied cello tracks after Bach’s Six Unaccompanied Cello Suites.

Differ from the composition style of Western classical music, the harmonic fluctuation of Hungarian music and the rhythm of traditional dance are well expressed by Kodály with the instrument’s rich and various sounds itself. Furthermore, in order to explore a range of sound effects of the cello, it incorporates more difficulties in playing techniques, which can be a challenge to the cellist for a complete performance. Such unique musical style and his highly-challenging techniques are all attractive items for the author as the study background.

This study will make an approach to the Hungarian folk musical materials as a starting point to understand the style and its spiritual meanings from the peasant music records collected by Bartók and Kodály. Then, a complete analysis is focused on the Hungarian musical elements presented in Kodály's Sonata for Solo Cello, Op.8. The study will further explore the rigorous attitude of the Hungarian musicians towards the collection of folk musical materials and figure out their thoughts and inheritance revealed therein. To mention about the musical interpretation at the end, the author will provide the personal views and perspectives on various Hungarian folk music styles performed during the whole song in accordance with the composer's notation. A more in-depth study of possible technical problems will be discussed. This study is for the purpose of giving a more comprehensive direction for performers on preparation and interpretation skills.

中文書目

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米德格雷 (Ruth Midgley)。《世界樂器》(Musical Instruments of the World)。前肇元 譯。
北京：中國青年出版社，2004。

李哲洋。《名曲解說全集》。臺北：全音樂譜出版社，1993。

林肇富。《大提琴的藝術》。臺北：老古文化事業公司，1994。

周力行。《匈牙利史：一個來自亞洲的民族》。臺北：三民出版社，2003。

林虹聿。<與酒神共釀法式芬芳之夜 - TSO首席指揮與小提琴家康珠美>。
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馬清。《二十世紀歐美音樂風格》。臺北：揚智文化事業股份有限公司，2000。

邵義強。《獨奏曲淺釋下集》。臺北：全音樂譜出版社，1995。

高大宜 (Zoltán Kodály)。《匈牙利民間音樂》(A Magyar Népzene)。廖乃雄 譯。
北京：人民音樂出版社，2002。

許鐘榮。《國民樂派的舵手》。臺北：錦繡出版社，2000。

連士堯。<一○八首的美妙邂逅 - 瓦格談海頓交響曲>。《MUZIK 古典樂刊》Ｎo.77
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＿＿＿。<TSO首席指揮瓦格嚴選 - 莫札特歌劇《狄托的仁慈》>。《MUZIK 古典樂刊》
Ｎo.78（八月號，2013）：24-25。

陳安駿。<TSO 首席指揮2014初登場 - 瓦格與寇拉德的夢幻．交響．臺北市交>。
《MUZIK 古典樂刊》Ｎo.82（十二月號，2013）：34-35。

楊沛仁。《音樂史與欣賞》。臺北：美樂出版社，2001。

趙錦元。《世界民族通覽》。北京：中央民族出版社，2000。

潘皇龍。《讓我們來欣賞現代音樂》。臺北：全音樂譜出版社，1999。

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謝俊逢。《民族音樂論集》。臺北：全音樂譜出版社，1998。

戴維 (Blum David)。《卡薩爾斯論演奏藝術》(Casals and the Art of Interpretation)。馬思琚、
汪家寶 譯。北京：人民音樂出版社，2003。

外文書目

Bartók, Béla. Hungarian Peasant Music, The Musical Quarterly, 1933.

_____, Béla. The Influence of Peasant Music on Modern Music, Tempo, New Series, 1949.

Breuer, János. A Guide to Kodály. Budapest, Hungary: Corvina, 1990.

Cross, Anthony. Kodály and Folk Music, The Musical Times, 1982.

Cook, Nathan. Scordatura Literature for Unaccompanied Violoncello in the 20th Century:
Historical Background, Analysis of Works, and Practical Considerations for Composers and Performers, PhD diss., University of Rice, 2005.

Dallin, Leon. Techniques of Twentieth Century Composition: A Guide to the Materials of Modern Music. Dubuque: Wm. C. Brown Company Publishers, 1974.

Dobszay, László. Janka, Szendrei. Catalogue of Hungarian Folksongs Types, Arranged According to Styles, I. Translated by Mária Steiner. Budapest: Nyomkaipari Kft., 1992.

Eősze, László. Kodály, His Life and Work. Translated by Istvan Farkas & Gyula Gulyas. London: Collet’s Holdings Ltd, 1962.

Ginsburg, Lev. History of the Violoncello. ed. H. R. Axelrod, translated by T.Tchistyakova. New Jersey: Paganinia Publications, 1983.

Grout, Donald Jay. Claude, V. Palisca. A History of Western Music. New York: W.W. Norton & Company, 2001.

Kodály, Zoltán. Folk Music of Hungary. New York: Da Capo Press, 1987.
Lajos, Vargyas. Folk Music of the Hungarians. Budapest: Akadémiai Kiadó, 2005.

Lampert, Vera. The Cambridge Companion to Bartók, United Kingdom: Cambridge University Press, 2001.

Mantel, Gerhard. Cello Technique. Indiana University Press, 1975.

Markevitch, Dmitry. The Solo Cello: A Bibliography of the Unaccompanied Violoncello Literature, California: Fallen Leaf Press, 1989.

Morgan, Robert P. Twentieth-Century Music. New York: W.W.Norton & Company, 1991.

Power, Celeste. Zoltán Kodály’s Sonata for Unaccompanied Cello, Op.8: One Cellist’s path to Performance, DMA diss., University of Louisiana State, 2013.

Pratt, Dorothy Churchill. Bunting, Christopher. Cello Technique from One Note to the Next. New York: Cambridge University Press, 1987.

Robert, Mandel. Hungarian Folk Instruments, Budapest: Kossuth Publishing, 2008.

Sárosi, Bálint. Folk Music: Hungarian Music Idiom. Translated by Maria Steiner, Laura Schiff & J.E. Solloway. Corvina: Franklin Publishing House, 1986.

Solymosi, Ferenc. Cimbalom, Budapest: Liszt Ferenc Zeneművészeti Főiskola
Hangszerészképző Iskola, 1995.

Szabolcsi, Bence. A Concise History of Hungarian Music. London: Corvina, 1964.

Waldn, Valerie. One Hundred years of Violoncello: A History of Technique and Performance Practice, 1740-1840. UK: Cambridge University Press, 1998.

Wasielewski, Wilhelm Jos. von. The Violoncello and Its History. translated by Isobella S. E. Stigand. London: Novello, 1894.

Young, Percy. Zoltán Kodály: A Hungarian Musician. London: Ernest Benn Limited, 1964.

樂譜

Bach, Johann Sebastian. Six Suites for Violincello Solo, Ed. Anna Magdalena Bach, CreateSpace Independent, 2013.

Kodály, Zoltán. Sonata for unaccompanied violoncello op.8, London: Universal Edition, 1921.

Popper, David. 40 Studies: High School of Cello Playing, Op.73, Leipzig: Friedrich Hofmeister, 1901.

網路資料

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視聽資料

Fournier, Pierre. Kodály Sonate Op.8, Germany: Orfeo, 2009.

Starker, János. Starker Plays Kodály, Japan: Delta Classics, 2007.

Várdai, István. Kodály Music for Cello, Nederland: Brilliant Classics, 2017.