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研究生: 李岱值
Lee, Tai-Chih
論文名稱: 柴科夫斯基第五號交響曲研究及指揮詮釋
The Study and Conducting Interpretation of Tchaikovsky Symphony no. 5
指導教授: 許瀞心
Hsu, Ching-Hsin
學位類別: 碩士
Master
系所名稱: 音樂學系
Department of Music
論文出版年: 2016
畢業學年度: 104
語文別: 中文
論文頁數: 96
中文關鍵詞: 命運柴科夫斯基循環形式Motto主題標題音樂絕對音樂第五號交響曲指揮
英文關鍵詞: fate, Tchaikovsky, cyclic form, Motto theme, program music, absolute music, fifth symphony, conducting
DOI URL: https://doi.org/10.6345/NTNU202203957
論文種類: 學術論文
相關次數: 點閱:125下載:23
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  • 柴科夫斯基第五號交響曲,是作曲家晚期的最後三首交響曲之一。該作品承襲了貝多芬第五號交響曲的精神,其「循環形式」的巧妙安排、以及被世人象徵為命運的「Motto主題」貫串著整首交響曲,使得第五號交響曲站上交響音樂史的一席之地。雖然整首曲子貫串象徵命運的「Motto主題」,是否因此成為標題式交響曲,亦是後世學者討論的話題之一。本論文將針對國內學術著作討論較少的第五號交響曲,分析其調性、結構、以及作曲家的創作巧思進行指揮詮釋討論。

    Tchaikovsky Symphony No. 5 is one of the composer's last three symphonies. This piece embodies characteristics of Beethoven Symphony No. 5, specifically the skillfully constructed “cyclic form” arrangement. Furthermore, it is widely accepted that the symphony features the “fate theme”. However, I would like to argue that it features a similar but different theme, the “Motto theme” (a theme that occurs throughout the whole piece). This style of theme and the previously described musical arrangement has allowed Tchaikovsky's fifth symphony to take a rather prominent standing in the history of symphonic music.
    Although the recurring theme throughout this piece is the “Motto theme”, is it fair to subsequently characterize this symphony as program music? This question is still being discussed by the current day music academia.
    This dissertation focuses on the analysis of Tchaikovsky's fifth symphony, a work which is seldom discussed by academic papers from Taiwan. This dissertation analyses the musical tonality, structure and the composer's line of creative thinking for this particular symphony. Such an analysis will be explained from a conductor's point of view.

    目次…………………………………………………………………………………….... iii 表格目次……………………………………………………………………………….... vi 譜例目次………………………………………………………………………………… vii 致謝……………………………………………………………………………………… ix 摘要……………………………………………………………………………………… x ABSTRACT……………………………………………………………………………... xi 第一章:緒論 ……………………………………………………………………..... 1 第二章:創作背景 ………………………………………………………………… 5 第一節:第四號交響曲以後(1878-1888)…………………………………….. 5 一、其他管絃樂作品………………………………………………………... 5 二、指揮走訪歐洲…………………………………………………………... 7 第二節:創作第五號交響曲 …………………………………………………….. 9 一、創作的過程……………………………………………………………... 9 二、創作的發想……………………………………………………………... 11 第三節:演出評價與後世影響 ……………………………………………. 13 第三章:樂曲結構 ………………………………………………………………… 17 第一節:交響曲結構與調性關係 ………………………………………………... 17 第二節:第一樂章 ………………………………………………………………... 19 一、導奏……………………………………………………………………... 19 二、呈示部…………………………………………………………………... 20 三、發展部…………………………………………………………………... 26 四、再現部…………………………………………………………………... 28 五、尾奏……………………………………………………………………... 28 第三節:第二樂章 ……………………………………………………................ 29 一、A段……………………………………………………………………... 29 二、B段……………………………………………………………………... 30 三、A’段……………………………………………………………………... 31 四、尾奏……………………………………………………………………... 32 第四節:第三樂章 ………………………………………………………………. 34 一、A段……………………………………………………………………... 34 二、B段…………………………………………………………………….... 36 三、A’段……………………………………………………………………... 36 第五節:終樂章 …………………………………………………………………. 38 一、導奏……………………………………………………………………... 38 二、呈示部…………………………………………………………………... 39 三、發展部…………………………………………………………………... 40 四、再現部…………………………………………………………………... 41 五、尾奏……………………………………………………………………... 43 第六節:循環形式:「Motto主題」………………………………………........ 44 第四章:指揮詮釋及實務探討 …………………………………………………. 49 第一節:第一樂章 …………………………………………….…………............. 50 一、導奏……………………………………………………………………... 50 二、呈示部…………………………………………………………………... 51 三、發展部…………………………………………………………………... 55 四、再現部…………………………………………………………………... 56 五、尾奏……………………………………………………………………... 57 第二節:第二樂章 ……………………………………………………................ 58 一、A段……………………………………………………………………... 58 二、B段……………………………………………………………………… 61 三、A’段……………………………………………………………………… 62 四、尾奏……………………………………………………………………… 64 第三節:第三樂章 ………………………………………………………………... 65 一、A段……………………………………………………………………... 65 二、B段…………………………………………………………………….... 69 三、A’段……………………………………………………………………... 71 四、尾奏……………………………………………………………………... 71 第四節:終樂章 …………………………………………………………………... 74 一、導奏……………………………………………………………………... 74 二、呈示部…………………………………………………………………... 77 三、發展部…………………………………………………………………… 81 四、再現部…………………………………………………………………… 84 五、尾奏……………………………………………………………………... 85 第五章:結論 ………………………………………………………………………... 91 參考書目 ……………………………………………………………………………...... 95

    樂譜
    Tchaikovsky, Peter Ilyich. Symphonie Nr. 5 in e-moll, Op. 64. Leipzig: Breitkopf & Härtel, 1930.
    Tchaikovsky, Peter Ilyich. Symphony No.5, Op. 64. Florida: Edwin F. Kalmus & Co, 1933.

    外文書目
    Adam, Gerald, ed. The Music of Tchaikovsky. New York: W. W. Norton & Company, 1974.
    Brown, David. Tchaikovsky: A Biographical and Critical Study. Vol. 4, The final years (1885-1893). London: Gollancz, 1991.
    Kearney, Leslie. Tchaikovsky and His World. Princeton: Princeton University Press, 1998.
    Lakond, Wladimir. The Diaries of Tchaikovsky. Westport: Greenwood Press, 1973.
    Layton, Robert, ed. A Guide to The Symphony. Oxford: Oxford University Press, 1995
    Newmarch, Rosa. Tchaikovsky: His Life and Works, with Extracts from His Writings, and the Diary of His Tour Abroad in 1888. London: Grant Richards, 1969.
    Poznansky, Alexander. Tchaikovsky: the Quest for the Inner Man. New York: Schirmer, 1991.
    Poznansky, Alexander ed. Tchaikovsky through Others’ Eyes. Translated by Ralph C. Burr, Jr. and Robert Bird. Bloomington: Indiana University Press, 1999.
    Taruskin, Richard. Defining Russia Musically: Historical and Hermeneutical Essays. Princeton: Princeton University Press, 2000.
    Tchaikovsky, Modest. The Life & Letters of Peter Ilich Tchaikovsky. Edited by Rosa Newmarch. New York: Haskell House, 1970.
    Warrack, John. Tchaikovsky: Symphonies and Concertos. Seattle: University of Washington Press, 1971.
    Zajaczkowski, Henry. Tchaikovsky’s Musical Style. Ann Arbor: Umi Research Press, 1987.

    中文書目
    Laroche, Herman.《柴可夫斯基其人其事》,申元 譯(臺北,世界文物出版社,1998)。
    Tchaikovsky, Peter Ilyich.《柴可夫斯基書簡集》,吳心柳 校訂。(臺北:樂友書房,1969)。
    Tchaikovsky, Peter Ilyich.《柴科夫斯基論音樂》,高士彥 譯(臺北:世界文物出版社,1993)。
    Tchaikovsky, Peter Ilyich.《柴可夫斯基:論音樂創作》,逸文 譯(北京:人民音樂出版社,1984)。
    王尚彬,〈柴科夫斯基第五號交響曲指揮研究〉(國立臺灣師範大學碩士論文,2009)。
    孫愛光,〈柴高夫斯基第五號交響曲〉(國立臺灣師範大學碩士論文,1997)。

    網路資源
    “Symphony No. 5.” Tchaikovsky Research. Last modified November 3, 2015. http://en.tchaikovsky-research.net/pages/Symphony_No._5(Accessed April 28, 2016).

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