在二十世紀嚴肅音樂的創作景觀中，嶄新創作技法的追求時常成為一個充滿迷思的過程。本文作者由自身的創作歷程以及對其所處文化環境的觀察為出發點，試圖以哲學性的演繹過程，突顯出二十世紀嚴肅音樂創作中一種特有的「技巧與情感抽離」的現象，並藉此觀察二十世紀初的「半音主義」、「十二音列」作曲技巧、以及「噪音」等音樂創作素材的解構等主題；最後作者以「主體性的回歸」做為嚴肅藝術創作者面對嶄新世紀的自我期許與展望。

In the creative landscape of twentieth-century serious music, the pursuit of novel compositional techniques often becomes a controversial process. The author takes his own creative experiences as well as observation of the cultural environment as the starting point of view, with an attempt at philosophical deduction to underline the phenomenon of “emotional vacuum in technique” that is so unique in the field of twentieth-century serious music. Based on this viewpoint, selected topics such as “chromaticism” in the first decade of the twentieth century, “twelve-tone” technique, and "noise" as the conceptual deconstruction of musical materials, are being examinated. In conclusion, the author proposes “the return of subjectivity” as a way of self-prospect for the serious art composers at the dawn of a new century.

中文書目

亞瑟‧丹托（Arthur C. Danto）。《美的濫用》（The Abuse of Beauty）。鄧伯宸 譯。台北：立緒，2008。

艾迪‧莫翰（Edgar Morin）。《複合思想導論》（Introduction à la pensée complexe）施植明 譯。台北：時報，1993。

肯恩．威爾伯（Ken Wilber）。《靈性復興──科學與宗教的整合道路》（The Marriage of Sense and Soul）。龔卓軍 譯。台北：張老師文化，2000。

平野秀典。《感動力：人際互動、商業經營的最高境界》（感動力）。蕭秋梅 譯。台北：經濟新潮社，2008。

村上隆。《藝術創業論》（芸術起業論）。江明玉 譯。台北：商周，2007。

鍾明德。《在後現代主義的雜音》。台北：書林，1989。

西文書目

Kostka , Stefan. Materials and Techniques of 20th Century Music. New Jersey: Prentice Hall, 2005.

Langer, Susanne K. Feeling and Form: A Theory of Art. New York: Charles Scribner’s Sons, 1953.

Morgan, Robert P. Twentieth-Century Music. New York: W. W. Norton, 1991.

Nicholls, David, ed. The Cambridge Companion to John Cage. London: Cambridge University Press, 2002.

Osmond-Smith, David. Berio. New York: Oxford University Press, 1991.

Perloff, Marjorie. The Poetics of Indeterminacy: Rimbaud to Cage. Evanston: Northwestern University Press, 1999.

Perloff, Marjorie and Charles Junkerman, eds. John Cage: Composed in America. Chicago: The University of Chicago Press, 1994.

Pritchett, James. The Music of John Cage. New York: Cambridge University Press, 1993.

Schoenberg, Arnold. The Musical Idea and the Logic, Technique, and Art of Its Presentation. Edited and translated by Patricia Carpenter and Severine Neff. Bloomington: Indiana University Press, 2006.

Slonimsky, Nicolas, ed. Lexicon of Musical Invective. New York: W. W. Norton, 2000.

Stravinsky, Igor. Poetics of Music in the Form of Six Lessons. Translated by Arthur Knodel and Ingolf Dahl. Cambridge: Harvard University Press, 1942.

期刊與論文

張俊彥。〈Re-enchantment!「返魅」21世紀文藝復興的先兆〉。《合唱音樂雙月刊》第11期（2005年九月號）：12-13。

──〈意義鏈的斷裂與重整〉。《合唱音樂雙月刊》第24期（2007年十二月號）：12-13。

傅樂文（Bernhard Fuehrer）。〈樂理與哲理的雙向橋樑〉。出自《每個音符都是愛：蕭滋教授百歲冥誕紀念文集》，134-135。陳玉芸等 編。台北：蕭滋教授音樂文化基金會，2003。

Edwards, Patti Yvonne. “Luciano Berio’s Sequenza III: The Use of Vocal Gesture and the Genre of the Mad Scene.” D.M.A. diss., University of North Texas, 2004.

Russolo, Luigi. “The Art of Noises: Futurist Manifesto.” In Audio Culture: Reading in Modern Music, 10-11. ed. Christoph Cox and Daniel Warner. New York: Continuum, 2006.

Schoenberg, Arnold. Translated by Leo Black. “Twelve-Tone Composition” (1923) in Style and Idea: Selected Writing of Arnold Schoenberg. Edited by Leonard Stein. Berkeley: University of California Press, 1984.

Shklovsky, Victor. Translated by Lee T. Lemon and Marion J. Reis. “Art as Technique” (1917). In Modern Criticism and Theory: A Reader, 16-30. Edited by David Lodge. London: Longmans,1988.

網路資料

張俊彥（Canticorum歌中之歌）。〈作曲一定要學和聲學嗎?〉，《Yahoo!奇摩知識+》於2006年5月2日回覆網友之問答。http://tw.knowledge.yahoo.com/question/
question?qid=1306042508033（摘錄於2009年4月28日）。

Cage, John. “4'33".” http://www.youtube.com/watch?v=hUJagb7hL0E (accessed April 28, 2009).

Jensen, Erik. “Classical music dying, says young conductor,” The Sydney Morning Herald, January 17, 2008. http://www.smh.com.au/news/arts/
classical-music-dying-says-young-conductor/2008/01/16/1200419886441.html (accessed April 28, 2009).

Solomon, Ben. “Classical music is dead!”, MUSO. http://www.musolife.com/816/
classical-music-is-dead.html (accessed April 28, 2009).

樂譜

Berio, Luciano. Sequenza III per voce femminile. Austria: Universal Edition, 1968.

Scriabin, Alexander. The Complete Preludes and Etudes for Pianoforte Solo. New York: Dover, 1973.

Webern, Anton. Symphonie Op. 21. Budapest: Editio Musica Budapest, 1929.