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研究生: 李芯
Lee, Hsin
論文名稱: 查爾斯•艾伍士《第二號弦樂四重奏》分析研究與自我音樂創作之應用
An Analysis of Charles Ives's String Quartet No.2 and Self-composition
指導教授: 陳瓊瑜
Chen, Chiung-Yu
口試委員: 陳瓊瑜
Chen, Chiung-Yu
蕭慶瑜
Hsiau, Ching-Yu
錢善華
Chien, Shan-Hua
口試日期: 2024/06/04
學位類別: 碩士
Master
系所名稱: 音樂學系
Department of Music
論文出版年: 2024
畢業學年度: 112
語文別: 中文
論文頁數: 105
中文關鍵詞: 查爾斯艾伍士引用複調性複節奏音堆超驗主義弦樂四重奏
英文關鍵詞: Charles Ives, Quotation, Polytonality, Polyrhythm, Tone cluster, Transcendentalism, String Quartet
研究方法: 內容分析法
DOI URL: http://doi.org/10.6345/NTNU202400728
論文種類: 學術論文
相關次數: 點閱:96下載:0
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  • 查爾斯•艾伍士(Charles Ives, 1874-1954)為美國重要的作曲家之一,出生於康乃狄克州。
    本論文將艾伍士的創作風格分為六個時期,分別為青年時期、學徒時期、創新與綜合時期、成熟時期、最後的作品時期以及修訂和首演時期。《第二號弦樂四重奏》(String Quartet No.2, 1915)為成熟時期之作品。
    艾伍士的作品中富含了「引用」、「複調性」、「複節奏」以及「音堆」之創作手法,他的音樂除了受到超驗主義之外也受到其他思想潮流的淺移默化,同時也在音色、技巧、織度與形式上有了創新,並透過音樂展示了他的政治觀點。(運用性別語言以及音樂內外的活動都與美國生活的當代潮流有關。)
    本論文以美國作曲家查爾斯•艾伍士《第二號弦樂四重奏》為主題,探究其音樂理念與慣用的作曲手法。最後希望藉由對此作品的深入了解,以及對筆者的影響,將其結果融入筆者自身的音樂創作中。

    Charles Ives (1874-1954), one of the most important American composers, was born in Connecticut.

    This paper divides Ives's creative style categorized into six periods: namely youth period, apprentice period, innovation and synthesis period, maturity period, completions and last works period, and revisions and premieres period. "String Quartet No. 2, 1915" is a work from the mature period.

    Ives's works are rich in the creative techniques of "quotation", "polytonality", "polyrhythm" and "tone cluster". His music is largely influenced by transcendentalism as well as other currents of thought, and he innovates in timbre, technique, texture, and form, as well as presenting his political views through his music. (The use of gendered language and activities both inside and outside the music are related to contemporary trends in American life.)

    This paper takes American composer Charles Ives' "String Quartet No. 2" as the theme and explores his musical concepts and idiomatic composition techniques. In the end, I hoped that through a deeper understanding of this work and its influence on the author, the results will be incorporated into the author's own musical creations.

    第一章 緒論 1 第一節 研究動機與目的 1 第二節 研究方向與範圍 2 第二章 文獻探討 3 第一節 家族概述 3 第二節 艾伍士的生平、創作歷程與作品年表 8 第三節 艾伍士的創作手法 31 第三章 《第二號弦樂四重奏》樂曲分析 43 第一節 《第二號弦樂四重奏》創作背景與樂曲架構 43 第二節 《第二號弦樂四重奏》第一樂章分析 46 第三節 《第二號弦樂四重奏》第二樂章分析 55 第四節 《第二號弦樂四重奏》第三樂章分析 69 第四章 自我音樂創作理念之實踐 79 第一節 樂曲創作理念 84 第二節 樂曲創作分析 85 第五章 結語 102 參考文獻 104

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    Ballantine, Christopher.“Charles Ives and the Meaning of Quotation in Music.” The Musical Quarterly 65, no. 2 (April 1979): 167-184.
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    陳心怡。(查爾斯•艾伍士《第二號小提琴奏鳴曲》之創作手法與詮釋)。國立臺南藝術大學鋼琴伴奏合作藝術研究所碩士書面報告,2006。
    賴圓淨。〈艾伍士三首歌曲《伍月夜雙,孩子的時光,哈帕路士》之分析與詮釋〉。東吳大學碩士在職專班示範講習論文,2009。
    游適伃。〈艾伍士《康科德奏鳴曲》中音樂借用之研究與詮釋探討〉。國立臺北藝術大學博士班,2018。
    司徒子陽。〈艾伍士《第三號小提琴與鋼琴奏鳴曲》之樂曲分析與演奏詮釋〉。國立臺灣師範大學碩士論文,2022。
    https://www.jwpepper.com/Watchman%2C-Tell-Us-of-the-Night/8059529.item
    https://interlude.hk/charles-ives-approach-to-music/

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