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| 研究生： |
王品博 Wang, Pin-Bo |
|---|---|
| 論文名稱： |
原創音樂劇《花開茉莉》詮釋報告 Interpretation report of the original musical 《Jasmine in bloom》 |
| 指導教授： |
梁志民
Liang, Chi-Ming |
| 口試委員： |
劉亮佐
Liu, liang-zuo 梁文菁 Liang, wen-jing 梁志民 Liang, chi-ming |
| 口試日期： | 2022/01/13 |
| 學位類別： |
碩士 Master |
| 系所名稱： |
表演藝術研究所 Graduate Institute of Performing Arts |
| 論文出版年： | 2022 |
| 畢業學年度： | 110 |
| 語文別： | 中文 |
| 論文頁數： | 107 |
| 中文關鍵詞： | 原創音樂劇 、導演視角 、工作方式 、舞台創新 、職業生涯 |
| 英文關鍵詞： | original musical, director's perspective, working mode, stage innovation, career |
| 研究方法: | 實驗設計法 、 敘事分析 |
| DOI URL： | http://doi.org/10.6345/NTNU202200432 |
| 論文種類： | 代替論文：作品連同書面報告（藝術類） |
| 相關次數： | 點閱：114 下載：16 |
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本篇是我的原創音樂劇《花開茉莉》從發想到製作再到呈現的一個完整的詮釋報告。在音樂劇的創作中需要經歷怎樣的過程？因為在本劇中我不僅承擔導演角色也兼任製作人的身份，所以想通過這篇論文將自己的思考和學習進行總結和歸納。
本劇題材改編自真人故事，最初只是南京茶館的一則小故事，後經過改編和發想成了一部完整的音樂劇。本著尊重原故事的同時更是想通過當代年輕人的視角去看待不同時代對於愛情的態度。文章的第二章就是著重的去介紹本劇的內容創作和橋段分析等，而在三和四章是考慮如何將音樂劇中的歌曲和舞蹈加入其中。
本文更多的是從導演的角度去思考整部劇的完成和製作，在二至五章，分別從劇本、歌曲、舞蹈、燈光舞美等多個角度逐一進行闡述，其中著重寫了和演員工作的方式方法，在舞台設計和想法上面大膽的進行嘗試創新，在創作的同時也是再一次對於自己作品重新的審視和思考。希望以獨特的詮釋視角去創造和創新，裡面也有大量和演職人員工作時候的點滴，如何和劇組各個成員進行配合也是本文的一個側重點，所以在詮釋作品的同時我也把這篇文章稱作是自己原創作品的操作細則，為自己以後的音樂劇職業生涯做好準備。
音樂劇不是簡單的事情，它是一個集戲劇、表演、音樂、舞蹈等為一身的綜合舞台藝術形式，往往僅靠單一的能力和知識不能將其製作好，音樂劇的道路還很長遠，我願以本文為初心起點向音樂劇事業不斷攀登前行。
This is a complete interpretation report of my original musical "Jasmine in bloom" from development to production and then to presentation. What kind of process do I need to go through in the creation of musical, because I not only assume the role of director but also the identity of producer in this play, so I want to summarize and summarize my thinking and learning through this paper.
The theme of this play is adapted from a real-life story. At first, it was just a small story of Nanjing teahouse. After adaptation and imagination, it became a complete musical. While respecting the original story, I also want to see the attitudes towards love in different times from the perspective of contemporary young people. The second chapter focuses on the content creation and bridge analysis of the play, while the third and fourth chapters consider how to add the songs and dances in the musical.
This article is more about the completion and production of the whole play from the perspective of the director. In Chapter 2 to 5, it is described one by one from the perspectives of script, song, dance, lighting and dance beauty, which focuses on the ways and methods of working with actors, and boldly tries and innovates in stage design and ideas, At the same time of creation, it is also are examination and Reflection on its own works. I hope to create and innovate from a unique interpretation perspective. There are also a lot of bits and pieces of work with the actors and staff. How to cooperate with each member of the crew is also a focus of this paper. Therefore, while interpreting the work, I also call this article the operation rules of my original creation, so as to prepare for my future musical career.
Musical drama is not a simple thing. It is a comprehensive stage art form integrating drama, performance, music and dance. It can not be made well only by a single ability and knowledge. The road of musical drama is still very long. I would like to take this article as the starting point and continue to climb forward to the cause of musical drama.
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