研究生: |
陳奎竹 Chen, Kuei-Jhu |
---|---|
論文名稱: |
安東・布魯克納:《D 小調安魂曲》之指揮詮釋與研究 The Conducting Interpretation Study of Bruckner's Requiem in D minor, WAB 39 |
指導教授: |
孫愛光
Sun, Ai-Kuang |
口試委員: |
許瀞心
王雅蕙
孫愛光
Sun, Ai-Kuang |
口試日期: | 2022/01/05 |
學位類別: |
碩士 Master |
系所名稱: |
音樂學系 Department of Music |
論文出版年: | 2022 |
畢業學年度: | 110 |
語文別: | 中文 |
論文頁數: | 130 |
中文關鍵詞: | 布魯克納 、D小調安魂曲 、指揮詮釋 |
英文關鍵詞: | Bruckner, Requiem in D minor, conducting interpretation |
DOI URL: | http://doi.org/10.6345/NTNU202200054 |
論文種類: | 學術論文 |
相關次數: | 點閱:119 下載:54 |
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安東・布魯克納 (Anton Bruckner, 1824-1896) 為浪漫時期著名的作曲家、管 風琴演奏家。1848 年,為了紀念好友法蘭茲・賽勒 (Franz Seiler) 的離世,布魯 克納創作了《D 小調安魂曲》(Requiem in D minor, WAB 39),為布魯克納第一部 大型聖樂作品。由於年輕時在聖弗洛里安修道院 (St. Florian Monastery) 接觸許 多前古典時期 (pre-classical) 與古典時期作曲家的作品,耳濡目染之下,布魯克 納早年創作的聖樂作品深受古典時期的音樂風格影響。《D 小調安魂曲》也不例 外,其調性與經文歌詞的選用與莫札特的《安魂曲》有所雷同。
《D 小調安魂曲》的樂團編制相當特殊,為法國號一部、長號三部、弦樂五 部與管風琴,而法國號更只出現在其中一個樂章。人聲編制為四位獨唱(女高 音、女低音、男高音、男低音各一位)與混聲四部合唱團,惟布魯克納在《D 小 調安魂曲》中亦使用了男聲四部、混聲五部、無伴奏混聲四部等多種合唱聲部配 置,令整體聲響相當多變。
本論文將對於作曲家生平與創作背景進行探究,分析樂曲的曲式架構,並就 所需的指揮技巧與音樂詮釋進行論述,盼能對布魯克納的《D 小調安魂曲》有更 進一步的了解,也希望經由本論文使更多人認識這部作品。
Anton Bruckner (1824-1896) is a well-known composer and organist in the Romantic period. In 1848, to commemorate the death of his friend Franz Seiler, Bruckner composed Requiem in D minor, which is Bruckner’s first large-scale sacred music. As he was exposed to the works of many pre-classical and classical composers in St. Florian Monastery, Bruckner’s early sacred music works were deeply influenced by the style of classical period.
The orchestration of Requiem in D minor consists of one French horn, three trombones, strings and organ, which is unique. The vocal parts consist of SATB soloist and a mixed four-part choir. In Requiem in D minor, however, Bruckner also used a four-part male chorus, a mixed five-part chorus, and an acapella chorus, which makes the sound very intricate.
This thesis will focus on three parts: the background of Requiem in D minor, the analysis of the structure of the musical form, and the conducting interpretation of Requiem in D minor. Through this thesis, the author expects to have an in-depth and comprehensive understanding of Requiem in D minor.
【中文書目】
李振邦。《教會音樂》。台北:世界文物出版社,2002。
楊沛仁。《音樂史與欣賞》。台北:美樂出版,2003。
劉志明。《曲式學》。台北:全音樂譜出版社,2010。
劉志明。《聖樂綜論》。台北:全音樂譜出版社,1995。
廖年賦。《管弦樂指揮研究》。台北:全音樂譜出版社,2001。
【外文書目】
Alwes, Chester L. A History of Western Choral Music, Volume 1. New York: Oxford University Press, 2015.
Burkholder, J. Peter, Grout, Donald Jay and Palisca, Claude V. A History of Western Music (Ninth edition). New York: W. W. Norton, 2014.
Caplin, William E. Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart and Beethoven. New York: Oxford University Press, 1998.
Chase, Robert. Dies Irae: A guide to Requiem Music. Lanham. Maryland: Scarecrow Press, 2003.
Garretson, Robert L. Choral Music: History, Style and Performance Practice. New Jersey: Prentice Hall, 1993.
Green, Elizabeth A. H. and Gibson, Mark. The Modern Conductor (7th Edition). New York: Pearson, 2004.
Hawkshaw, Paul. "Bruckner's Large Sacred Compositions." In The Cambridge Companion to Bruckner, edited by John Williamson, 39-53. Cambridge Companions to Music. Cambridge: Cambridge University Press, 2004.
Rudolf, Max. The Grammar of Conducting: A Comprehensive Guide to Baton Technique and Interpretation (Third Edition). America: Cengage Learning, 1995.
Shrock, Dennis. Choral Repertoire, Volume 1 and 2. Oxford : Oxford University Press, 2009.
【網路資源】
天主教方濟會思高讀經推廣中心。https://www.ccreadbible.org(摘錄於November 7, 2021)。
國家教育研究院雙語詞彙、學術名詞暨辭書資訊網。https://terms.naer.edu.tw/detail/1310418/?index=7 (摘錄於 November 21, 2021)。
Musikwissenschaftlicher Verlag. http://www.mwv.at/english/index.htm (accessed November 29, 2021)
Paul Hawkshaw and Timothy L. Jackson. “Bruckner.” In Grove Music Online. Oxford Music Online, http://doi.org/10.1093/gmo/9781561592630.article.40030 (accessed November 28, 2021)
【樂譜】
Bruckner, Anton. Requiem D-Moll. Wien: Musikwissenschaftlicher Verlag, 1998.