研究生: |
周佑霖 Chou, Yu-Lin |
---|---|
論文名稱: |
運用取樣技術於流行音樂創作之研究與應用-以巴西弓弦琴用於創作專輯《Roda》為例 Research and Application of Sampling Techniques in Pop Music Composition: A Case Study of the Creation Album “Roda” with the Berimbau |
指導教授: |
謝宗翰
Hsieh, Tsung-Han |
口試委員: |
謝宗翰
Hsieh, Tsung-Han 李承育 Lee, Cheng-Yu 董澤平 Dong, Tse-Ping |
口試日期: | 2024/01/01 |
學位類別: |
碩士 Master |
系所名稱: |
音樂學系流行音樂產學應用碩士在職專班 Department of Music_Continuing Education Master's Program of Popular Music Studies and Industrial Applications |
論文出版年: | 2024 |
畢業學年度: | 112 |
語文別: | 中文 |
論文頁數: | 61 |
中文關鍵詞: | 取樣 、採樣 、卡波耶拉 、巴西弓弦琴 、音樂創作 |
英文關鍵詞: | Capoeira, Berimbau, Sample, Sampling, Song-Writing |
DOI URL: | http://doi.org/10.6345/NTNU202400235 |
論文種類: | 學術論文 |
相關次數: | 點閱:64 下載:1 |
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本書面報告研究目的為,使用現代的錄音技術,將巴西弓弦琴的聲響取樣下來後,突破原聲樂器的限制,將取樣後的音樂檔案進行聲音設計,並使用於流行音樂的創作之中。在研究中透過文獻探討了解巴西弓弦琴的歷史、構造及演奏方式,並將取樣技術進行歷史爬梳,結合最新取樣技術及專業錄音空間、器材,將巴西弓弦琴進行錄音取樣。
本書面報告,將實際執行巴西弓弦琴取樣錄音之流程、使用取樣檔案作為軟體樂器使用之流程、及如何運用取樣檔案作為創作素材三個方向作為紀錄,並將執行錄音取樣後才發現的不足之處及問題進行檢討。
《Roda》專輯中的每一首歌,均使用了巴西弓弦琴的取樣,完成專輯後,使筆者了解在創作中使用取樣檔案時,需發揮天馬行空的想像力,不要被任何常識所束縛,持續地在錯誤中進行聲音設計的嘗試。期望本報告中的實務操作及研究,可以作為後續新進在研究上的參考。
The purpose of this written report is to use modern recording techniques to sample the sound of the Brazilian intrument “Berimbau”, breaking through the limitations of the original acoustic instrument. The sampled music files are then subjected to sound design and utilized in the creation of popular music. The research includes a literature review to understand the history, construction, and playing techniques of the berimbau. It also involves a historical overview of sampling techniques, combining the latest sampling technology and professional recording equipment to capture the berimbau's sound.
This written report serves as a record of the process of sampling and recording the berimbau, using the sampled files as software instruments, and how to incorporate these sampled files as creative material. It also includes a review of the shortcomings and issues discovered during the recording and sampling process.
Each song in the “Roda” album incorporates samples of the berimbau. It is hoped that the practical procedures and research outlined in this report can serve as a reference for future researchers and newcomers in the field.
一、 中文資料
Ladle, Jane,《巴西》。繆靜芬 譯。臺北:協和國際多媒體,2002。
黃康寧。《聽,文化:台灣取樣音源與文化保存的第一本書》。臺北市:聲樣創意有限公司,2017。
謝宗翰。〈Taiwan.gig?原住民音樂數位化研究:以「Amis旮亙樂團」為例〉。國立東華大學碩士論文。2008。
二、 外文書目
Glam, Eric A.. The Berimbau: Soul of Brazilian Music, University Press of Mississippi, 2010.
Russ, Martin. Sound Synthesis and Sampling, Third Edition, Focal Press, 2008.
三、 網路資訊
Crab, Simon.《The ‘Camberlin’, Harry Chamberlin, USA, 1951》。〈https://120years.net/wordpress/the-chamberlin-harry-chamberlin-usa-1951/〉(accessed 18 October 2022.)。
Feaster, Patrick.《The First Phonautograph in America (1859)》。〈https://griffonagedotcom.wordpress.com/2016/05/25/the-first-phonautograph-in-america-1859/〉(accessed 18 October 2022.)。
Mixdown Staff.《Musicology: A brief history of the Digital Audio Workstation (DAW)》。〈https://mixdownmag.com.au/features/musicology-a-brief-history-of-the-digital-audio-workstation/〉(accessed 18 October 2022.)。
UNESCO.《Capoeira circle》。〈https://ich.unesco.org/en/RL/capoeira-circle-00892〉(accessed 18 October 2022.)。