1943年六月，普羅高菲夫(1891-1953)來到烏拉山的彼爾姆(Perm)待了幾個月，他受到法籍長笛家喬治‧巴瑞爾的啟發，在此完成了他的《D大調長笛與鋼琴奏鳴曲作品94》。這首長笛奏鳴曲於1943年12月7日由長笛家哈利可夫斯基與鋼琴家李希特在莫斯科進行首演。當時，蘇聯小提琴家歐伊斯特拉赫聽到此曲後，便向普羅高菲夫提議將此曲改寫成小提琴奏鳴曲，而普羅高菲夫也答應了他的提議，於歐伊斯特拉赫的協助之下，在1944年完成了他的《第二號小提琴奏鳴曲》，並在同年6月17日於莫斯科由歐伊斯特拉赫與奧柏林舉行首演。
　　本篇論文總共有六個章節：第一章為緒論，敘述研究之動機與目的，以及研究之方法；第二章為文獻蒐集，首先透過時代背景了解十九世紀末至二十世紀中期俄國的音樂發展，再概述普羅高菲夫之一生、寫作特色與各個時期之重要作品、以及此首長笛奏鳴曲之創作背景及首演；第三章為樂曲分析，以G. Schirmer版本的樂譜作為分析此曲的依據；第四章為鋼琴合作之探討，參考不同有聲資料的詮釋並加上研究生自身的見解，以鋼琴合作的角度作演奏上的詮釋；第五章為版本比較，比較G. Schirmer與Boosey & Hawkes版本之樂譜的差異、比較小提琴版本在改編上與原先的長笛版本的差異，以及比較不同有聲資料來加強演奏上的詮釋；第六章為結論。

In the summer of 1943, Prokofiev traveled to the town of Perm, in the Ural Mountains, inspired by the French flutist Georges Barrère, he finished the Sonata for Flute and Piano, Op. 94. The Sonata received its premiere performance in Moscow on December 7, 1943 with the flutist Nikolai Kharkovsky and pianist Sviatoslav Richter. Later the Soviet violinist David Oistrakh persuaded Prokofiev to arrange the work for violin and piano. With the help of Oistrakh, the violin version was finally finished and the first performance of the Violin Sonata took place on June 17, 1944, played by Oistrakh and Lev Oborin.
　　This thesis contains six chapters. The first chapter describes the research motive and purpose of the author, additionally, the method of the research. The second chapter gives an overview of the development of music in the late nineteenth century to mid-twentieth century Russia, the biography of Sergei Prokofiev, introduces his composition style and crucial works, and illustrates the background of the Sonata for Flute and Piano, Op. 94. The third chapter is the analysis of composition, using sheet music of G. Schirmer’s version as the basis for the analysis of this piece. The fourth chapter is the point of view of collaborative piano to discuss Prokofiev’s Sonata for Flute and Piano, Op. 94, referring to the above audio data interpretation with graduate students own opinion. The Fifth Chapter is the comparison of several versions, to find out the difference between G. Schirmer and Boosey & Hawkes, and the arrangement of the violin version. Besides, listen to various audio data to enhance the interpretation of this piece. The last chapter is the conclusion.

【中文書目】

大衛‧古特曼，《偉大作曲家群像－普羅高菲夫》(Prokofiev)，白裕承 譯。臺北：智庫 股份有限公司，1996。
李燕宜，《鋼琴‧合作：理論與實例》，臺北：五南，2014，77-117。
邵義強，《古典音樂400年－現代樂派樂曲賞析》，臺北：錦繡出版，2000。
音樂之友社編，《作曲家別 名曲解說珍藏版－浦羅高菲夫》，林勝儀 譯。臺北：美樂出 版社，2004。
許鐘榮，《古典音樂400年－國民樂派的舵手》，臺北：錦繡出版，2000，4-7。
楊沛仁，《音樂史與欣賞》，臺北：美樂出版社，2001。

【中文期刊】

簡麗庭，〈馬庫色的文學視野：《美學的面向》中的藝術自主性及其限制〉，《美術學刊》 No. 4 (六月號，2013)，154-157。

【外文書目】

Berger, Melvin. Guide to Sonatas - music for one or two instruments. New York: Doubleday, 1991, 145-153.
P. Morgan, Robert. Twentieth-Century Music - A Norton Introduction to Music History. New York: W. W. Norton & Company, 1923.
Nice, David. Prokofiev - A Biography: From Russia to the West 1891-1935. Yale University Press: New Haven and London, 2003.
Salzman, Eric. Twentieth-Cencurty Music – An Introduction. (third edition). University of Michigan: Prentice-Hall, 1988, 26-32.
Savkina, Natalia. Prokofiev - His Live and Times. New Jersey: Paganiniana Publications, 1984.

【國外論文】

Edward Moellering, Steven. Visions Fugitives, Opus 22: Insights into Sergei Prokofiev’s Compositional Vision. University of Nebraska in Lincoln, 2007, 12-13.
Emily Stevens, Danielle. Sonata for Flute and Piano in D Major, Op. 94 by Sergei Prokofiev: A Performance Guide. Texas State University in San Marcos, 2014.

【國外期刊】

Rifkin, Deborah. A Theory of Motives for Prokofiev's Music. Music Theory Spectrum, Vol. 26, No. 2 (Fall, 2004) 265-290.

【樂譜】

Sergei Prokofiev: Sonata Opus 94 for Flute and Piano. New York, NY: G. Schirmer, Distributed by H. Leonard Corp., 1965.
Serge Prokofieff: Sonata No.2, Op. 94, Flute and Piano. London: Boosey & Hawkes, 1946.

【有聲資料】

James Galway and Martha Argerich. 1975. RCA Red Seal Records.
Emmanuel Pahud and Stephen Kovacevich. 2000. EMI Classics.
Jean-Pierre Rampal and Alfréd Holeček. 2003. Supraphon.
David Oistrakh and Lev Oborin. 1946. Brilliant Classics.

【網路資料】

Program Notes: Vilde Frang (access: Sep 27, 2017)
https://vanrecital.com/2013/09/program-notes-vilde-frang/

Grove Music Online: Rubinstein, Anton (access: Sep 29, 2017)
http://0-www.oxfordmusiconline.com.opac.lib.ntnu.edu.tw/subscriber/article/grove/music/24053?q=anton+rubinstein&search=quick&pos=1&_start=1#firsthit

Grove Music Online: Rachmaninoff, Serge (access: Oct 3, 2017)
http://0-www.oxfordmusiconline.com.opac.lib.ntnu.edu.tw/subscriber/article/grove/music/50146?q=Rachmaninoff+&search=quick&pos=1&_start=1#firsthit

Grove Music Online: Prokofiev, Sergey (access: Oct 6, 2017)
http://0-www.oxfordmusiconline.com.opac.lib.ntnu.edu.tw/subscriber/article/grove/music/22402?q=prokofiev&search=quick&pos=1&_start=1#firsthit

The Oxford Dictionary of Music: Prokofiev, Sergey (access: Oct 10, 2017)
http://0-www.oxfordmusiconline.com.opac.lib.ntnu.edu.tw/subscriber/article/opr/t237/e8170?q=prokofiev&search=quick&pos=2&_start=1#firsthit

The Oxford Companion to Music: Prokofiev, Sergey Sergeyevich (access: Oct 11, 2017)
http://0-www.oxfordmusiconline.com.opac.lib.ntnu.edu.tw/subscriber/article/opr/t114/e5375?q=prokofiev&search=quick&pos=3&_start=1#firsthit