研究生: |
許恬寧 HSU, Tien-ning |
---|---|
論文名稱: |
話本文體英譯研究:以《三言》〈杜十娘怒沉百寶箱〉為例 Chinese Colloquial Short Story and Its Style: A Study of the San-yen English Renditions in Late 19th – Early 21st Centuries |
指導教授: |
賴慈芸
Lai, Tzu-Yun |
學位類別: |
碩士 Master |
系所名稱: |
翻譯研究所 Graduate Institute of Translation and Interpretation |
論文出版年: | 2008 |
畢業學年度: | 96 |
語文別: | 中文 |
論文頁數: | 110 |
中文關鍵詞: | 三言 、話本 、馮夢龍 、翻譯 、文體 |
英文關鍵詞: | Feng Menglong, Chinese short story, Ming novel, style, hua-pen, prompt book |
論文種類: | 學術論文 |
相關次數: | 點閱:268 下載:9 |
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中國話本小說的特色主要包括:一、入話與正話的區隔;二、散韻夾雜;三、使用說書套語與第一人稱敘事;與四、白話口語敘事。由於考量文學傳統的差異以及目標語讀者(target language)讀者接受度的問題,歷來譯者將話本故事翻譯至英文時,面臨是否保留話本格式的抉擇。本文回顧明代馮夢龍《三言》於19世紀末至21世紀初的英文譯本,並依其話本格式的處理方式,區分為「自由型」、「學術型」與「折衷型」三大類型,以探討譯本向來源語(source language)靠近的程度以及不同翻譯策略的效果。
Considering the reading habits of the English readers who are interested in the traditional Chinese short stories, translators of Feng Menglong’s San-yen have adopted various strategies to approach its literary structure and narrative style. The paper has categorized fifteen English renditions of San-yen in the late 19th – early 21st centuries into three groups, “Liberal Style,” “Academic Style,” and “Eclectic Style” in an attempt to analyze their stylistic characters and effects.
中文書目
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馮夢龍編撰,廖吉郎校訂,繆天華校閱:《醒世恆言》,台北市:三民,1989。
馮夢龍編撰,徐文助校注,繆天華校閱:《警世通言》,台北市:三民,1993。
馮夢龍編撰,徐文助校注,繆天華校閱:《喻世明言》,台北市:三民,2003。
譚邦和著:《明清小說史》,上海:上海古籍出版社,2006。
李忠明著:《17世紀中國通俗小說編年史》,安徽:安徽大學出版社,2003
凌濛初原著,劉文助校訂,繆天華校閱:《拍案驚奇》,台北市:三民,1979。
凌濛初原著,劉文助校訂,繆天華校閱:《二刻拍案驚奇》,台北市:三民,1991。
張振玉譯,林語堂著:《中國傳奇小說》,台北市:德華,1980。
常紹民與明毅譯,雷蒙.道森Raymond Dawson著,黃興濤與楊念群主編:《中國變色龍》The Chinese Chameleon: An Analysis of European Conceptions of Chinese Civilization,新竹:理藝,2005。
魯迅:《魯迅小說史論文集:中國小說史略及其他》,台北市:里仁,2006。
賴慈芸編譯,紐馬克Peter Newmark著:《翻譯教程》A Textbook of Translation,台北:朗文,2005。
―――著:〈書評:Patrick Hanan, trans. Falling in Love: Stories from Ming China〉,漢學研究第25卷第1期(民國96年6月),頁503-508。
蔣驍華著:〈“楊譯”的另一面及其對典籍英譯的啟示—英譯《宋明平話選》中“欠譯”現象研究〉,《澳門理工學報》第20期(2005年),頁114-128。
許麗芳著:《古典短篇小說之韻文》,台北:里仁,2001。
熊文華著:《英國漢學史》,北京:學苑,2007。
張保民與吳兆芳合譯,韓南Patrick Hanan著:〈早期的中國短篇小說〉,收入王秋桂編:《韓南中國古典小說論集》,台北:聯經出版事業公司,1979。
莊國剛與吳莉葦著:《啟蒙時代歐洲的中國觀》,上海:上海古籍出版社,2006。
程國賦著:《三言二拍傳播研究》,北京:中國社會科學出版社,2006。
陳美林與皋于厚注譯:《新譯明傳奇小說選》,台北市:三民,2004。
陳俱譯,陳絳校,衛三畏S. Wells Williams著:《中國總論》The Middle Kingdom,上海:上海古籍出版社,2005。
史婉德著:〈現在美國漢學界研究中國小說的概況〉,收入靜宜文理學院中國古典小說研究中心編:《中國古典小說研究專輯1》,台北市:聯經,1979。
楊德山譯,M.G.馬森Mary Gertrude Mason著,《西方的中國及中國人概念:1840-1876》Western concepts of China and the Chinese, 1840-1876,
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楊憲益與戴乃迭譯:馮夢龍與凌濛初編著,《宋明平話選》Selected Chinese Stories of the Song and Ming Dynasties,北京:外文出版社,2001。
吳禮權著:《古典小說篇章結構修辭史》,台北:台灣商務印書館,2005。
王利器輯錄:《元明淸三代禁毀小說戲曲史料》,上海:上海古籍出版社,1981。
王慶華著:《話本小說文體研究》,上海:華東師範大學出版社,2006。
張保民,吳兆芳合譯:〈早期的中國短篇小說〉,收入王秋桂編:《韓南中國古典小說論集》,台北:聯經出版事業公司,1979。
王平編:《明清小說傳播研究》,山東:山東大學出版社,2006。
王麗娜著:《中國古典小說戲曲名著在國外》,上海:學林出版社,1988。
王青平與曾虹譯,韓南Patrick Hanan著:《中國短篇小說》The Chinese Short Story,台北:國立編譯館,1997。
王兆勝著:《林語堂與中國文化》,北京:社會科學文獻出版社,2007。
王爾敏編,中華文化復興運動推行委員會主編:《中國文獻西譯書目》,台北:台灣商務印書館,1975。
〈中國古典文學名著也該讓老外讀讀──訪《三言二拍》英譯者王惠民〉,新民晚報電子版:http://xinmin.news365.com.cn/sdbd/200701/t20070114_1253364.
外文書目
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Acton, Harold and Lee Yi-Hsieh, trans. Four Cautionary Tales, New York: A.A. WYN, INC., 1948.
Balfour, Frederic Henry. Leaves from My Chinese Scrapbook. London: Trübner, 1887.
Birch, Cyril. “Feng Meng-lung and the Ku Chin Hsiao Shou.” Bulletin of the School of Oriental and African Studies 18 (1956): 64-83.
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Bishop, John L. The Colloquial Short Story in China: A study of the San-yen Collections. Cambridge: Harvard University Press, 1956.
Ceserani, Remo and Pierluigi Pellini. “The belated development of a theory of the novel in Italian literary culture.” The Cambridge Companion to the Italian Novel. Eds. Peter Bondanella and Andrea Ciccarelli. New York: Cambridge University Press, 2003.
Crump, James I Jr. “Reviewed Work: Stories from a Ming Collection: Translations of Chinese Short Stories Published in the seventeenth Century. By Cyril Birch.” The Journal of Asian Studies, Vol. 18.4. (Aug., 1959): 499-500.
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Hanan, Patrick. “The Authorship of Some Ku-chin Hsiao-shuo Stories.” Harvard Journal of Asian Studies 29 (1969): 190-200.
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Howell, E. Butts, The Restitution of the Bride and Other Stories from the Chinese, New York: Brentano’s Publishers, 1926.
Lefevere, André. Translating Poetry: Seven Strategies and a Blueprint, Amsterdam: Van Gorcum, Assen, 1975.
Lin, Yutang, trans. Widow, Nun and Courtesan: Three Novelettes from the Chinese. New York: J. Day Co., 1951.
Ma, Y. W., and Joseph S. M. Lau, eds. Traditional Chinese Stories: Themes and Variations. New York: Columbia University Press, 1978.
Martens, Frederick H, trans. The Chinese Fairy Book. Ed. Wilhelm, Richard. NY: Stokes, 1921.
Martens, Frederick H, trans. Chinese Fairy Tales. New York: Dover Publications, 1998.
McLaren, Anne E., trans. The Chinese Femme Fatale: Stories from the Ming Period. Honolulu: University of Sydney, 1994.
Venuti, Lawrence. The Translator's Invisibility: A History of Translation. London; New York: Routledge, 1995.
Waley, Authur. “Preface” in Four Cautionary Tale, New York: A. A. Wyn, Inc., 1948.
Wang, Ted and Chen Chen, trans. The Abbot and the Widow: Tales from the Ming Dynasty. Norwalk: EastBridge, 2004.
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Wang, Chi-Chen, trans. Traditional Chinese Tales. New York: Greenwood Press. 1968, c1944.
West, Stephen H. “Translation as Research: Is There an Audience in the House?” Translating Chinese Literature. Eds. Eugene Eoyang and Lin Yao-fu. Bloomington: Indiana University Press. 1995. 131-155.
Yang, Shuhui. Appropriation and Representation: Feng Menglong and the Chinese Vernacular Story. Ann Arbor: Center for Chinese Studies, University of Michigan, 1998.
Yang, Shuhui, and Yunqin Yang, trans. Stories Old and New. Seattle; London: University of Washington Press, 2000.
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Yang Xianyi, and Gladys Yang, trans. The Courtesan’s Jewel Box: Chinese Stories of the Xth-XVII Centuries. Beijing: Foreign Language Press, 2001, c1981.