研究生: |
余昇叡 Yu, Sheng-Ruei |
---|---|
論文名稱: |
棋語發光-余昇叡靜物油畫創作研究 Chess Piece Metaphors and Illumination: A Study of the Creative Process in Still Life Oil Painting By Yu, Sheng-Reui |
指導教授: |
黃進龍
Huang, Chin-Lung 白適銘 Pai, Shin-Ming |
學位類別: |
碩士 Master |
系所名稱: |
美術學系 Department of Fine Arts |
論文出版年: | 2018 |
畢業學年度: | 106 |
語文別: | 中文 |
論文頁數: | 76 |
中文關鍵詞: | 發光 、靜物畫 、西洋棋 、欺眼法 |
英文關鍵詞: | Light, Still Lifes, Chess, Trompe l’oeil |
DOI URL: | http://doi.org/10.6345/THE.NTNU.DFA.006.2018.A10 |
論文種類: | 學術論文 |
相關次數: | 點閱:245 下載:57 |
分享至: |
查詢本校圖書館目錄 查詢臺灣博碩士論文知識加值系統 勘誤回報 |
摘 要
本研究基於筆者本人生命經驗與創作風格,長年研究於寫實技法與油畫材料,故以敘事寓意的靜物畫為表現題材,從西方繪畫史的脈絡梳理,定位出自身創作核心價值。小說家透過文字寫出自己的內心奇幻故事,真實的意象轉化美感經驗,筆者則透過畫筆一筆一筆地呈現,由內心探尋轉畫出靜物描繪,繪出生命的凝結狀態。
第一章研究目的與動機,從生命歷程及成長背景去帶出對西洋棋的符號動機,並在第二章西方靜物繪畫題材及寓意進行文獻梳理,從17世紀尼德蘭地區靜物畫去釐清藝術史定位,再從靜物畫中的欺眼法、畫家在場等議題,逐漸帶出筆者在創作實踐的研究價值。第三章分析「發光研究」系列的理念,從每件作品的視覺感受與學理思維去尋找自我精神皈依。對筆者來說藝術就是創造的根源,生命短暫與時間永恆的矛盾,讓繪畫繼而變成了一種強大的自我昇華動力,在生命磨練中發光。
第四章深入研究油畫材料,並詳細整理創作實踐的細節,透過此研究論文發表,共享筆者研究油畫材料之技術。第五章總結前四章的學理基礎、文獻分析、定位創作理念、油畫材料的技法解析,並總結本研究論文。
藝術是畫家自我表現、創造活動或對現實的模仿,也是遊戲的本能與內在生命的反映。真誠的自我的凝視、審視、沉思、省思,期盼未來創作中,能更加豐富創作語彙,挖掘人類普遍的人生價值,在藝術承繼脈絡和概念系譜中找到自己的貢獻。
關鍵字: 發光、靜物畫、西洋棋、欺眼法
Abstract
This study is based on my personal life experience, creative style and year-long study of oil painting materials and techniques of realism.Using expressive still lifes as the subject matter of expression, I attempt to find my work’s standing in the sequence of Western art history.
A novelist recreates his inner fantastic stories through words and turns real life scenarios into an experience of beauty. I, on the other hand, lure viewers into my inner world through strokes from my brushes and preserve life as stills in my painting.
In Chapter 1: Purpose of Study and Motivation, the reasoning behind using chess pieces as symbols is explored through personal life experiences and my background growing up. The review of literature is the focus of Chapter 2: The Subject Matter and Signification of Western Still Lifes. The role of still life in the history of art is clarified through still lifes from the Netherlands in the 17th century. The value of this study of the creative process slowly manifests as the topics of trompe l'oeil and “painter presence” in still-life paintings are discussed.
Chapter 3 explains the ideal behind the “study of illumination” series and seeks to find mental belongingness through the visual sensation evoked and scholarly thinking involved in every individual work.For me, art is the source of creation, and the contradiction between the fleetingness of life and eternity of time turns painting into a power force that motivates self-elevation and shines through the hardships of life.
Chapter 4 delves into the study of oil painting materials and thoroughly depicts details of the creative process, sharing my techniques to study oil painting materials through publication of this thesis.
Chapter 5 summarizes the academic basis, analysis of literature, ideals of finding one’s standing through one’s work and breaking down techniques of utilizing oil painting materials in the aforementioned 4 chapters, and concludes the whole thesis.
Art is a means for painters to express themselves, create or imitate reality, but it alsoreflects the instinct to play and is a reflection of inner life. Through sincere self-examination, observation, meditation and reflection, I hope that my future works will expand its creative diversity and discover the common life value of human beings.Then perhaps one day,I could establish myself as a contributor to the still-life genre and leave a mark in the long vast history of art.
Keywords: Light, Chess, Still Lifes, Trompe l’oeil
參考文獻
一、外文專書
Alberti,Leon Battista,On Painting,Translated by J.Spencer, (New Haven:Yale University Press,1970)
Bergeret-Gourbin Anne-Marie ,Monet's Impression Sunrise: The Biography of a Painting,(New Haven: Yale University Press, 2014)
Brusati Celeste, Artifice and Illusion: The Art and Writing of Samuel van Hoogstraten (Chicago: University of Chicago, 1995)
Bird Henry Edward,Chess History and Reminiscences(London:Echo Library, 2005)
Coe,Brian,攝影的誕生故事(The Birth of Photography: The Story of the Formative Years), 1800–1900. (London: Ash & Grant,1976)
Cennini Cennino, A treatise on painting. (1437) 英譯本Trans.Mary Philadelphia Merrifield,(London: Lumley,1844)
Holzwarth H. Werner, Modern Art 1870–2000 (Los Angeles: TASCHEN Books,2011)
James AttleeGuernica,Guernica:Painting the end of the word(London: Head of Zeus Ltd,2017)
Kuhl Isabel ,《Vincent Van Gogh》,(London:Prestel Publishing Ltd,2009).
Pliny the Elder, Natural History: A Selection, John F. Healy, trans (London: Penguin Books, 2004)
Sybille Ebert-Schiffer,Deceptions and Illusions:Five Centuries of Trompe l`Oeil Painting(Washington: National Gallery of Art, 2002)
Turner Joseph Mallord William, Delphi Collected Works of J. M. W. Turner,(Ebook: Delphi Classics, 2014)
Warner Marina,Mythe et culte de la Vierge Marie, (Paris: Edition Rivages,1989)
佐藤治夫,大下孝一,《ニッコール千夜一夜物語: レンズ設計者の哲学と美学》(東京: 朝日ソノラマ,2005)。
二、中文專書
Barbe-Gall Françoise /鄭柯譯,Comprendre les symbols en peinture,.(新北市:閣林文 創,2016)。
Cher Threinen-Pendarvis,《The Painter 11 Wow! Book》(台北市:碁峰出版,2010)。
David Fontana,《象徵的名詞Secret Language》(台北:米娜貝爾出版,2007)。
王曾才,《西洋近世史》(台北:正中書局,2000)。
古偉瀛、王世宗編著,《歷史第三冊》(台北:三民書局,2013)。
安琪拉萊特,《色彩心理學:初學者指南》(新北市:新形象出版,1997)。
李予心,《畫筆上的聖跡: 宗教畫裡的動人故事》(台北:樂果文化,2017)。
沙爾 貝班,《美的救贖:遇見自己的瞬刻》(台北:典藏藝術家出版社,2013)。
林清涼,戴念祖,《電磁學: 宏觀電磁學, 光學和狹義相對論》(台北:五南出版社,2001)。
肯尼士.本迪納(Kenneth Bendiner),《你不可不知道的西洋繪畫中食物的故事》(台北:華滋出版,2016)
馬克斯.韋伯著,彭強等譯,《新教倫理與資本主義精神》(西安:陝西師範大學出 版社,2002)。
陳懷恩,《圖像學:視覺藝術的藝藝與解釋》,(台北:如果出版社,2008)。
威廉.麥克尼爾(William H.McNeill),《世界史》(A World History)/黃煜文譯(台北:商周出版社,2013)。
高千惠,〈圖說vs述繪-東北亞動漫的美學索引〉《風火林泉: 當代亞洲藝術專題 研究》(台北:典藏藝術家庭股份有限公司,2013)。
唐凱麟,《西方倫理學名著題要下》(台北: 昭明出版社,2000)。
翁淑玲等,《用年表讀通世界歷史》(台北: 商周出版社,2013)。
張亞中,《小國崛起—轉捩點上的關鍵抉擇》(台北: 聯經出版社,2008)。
三、學位論文
石雅蘩,《女性族群對手錶造型意象研究》,(嘉義: 南華大學碩士學位論文,2011)。
邱群凱,《台灣海峽鎖館物種組成之季節變動與優勢物種之生活史參數》(基隆:國立臺灣海洋大學碩士學位論文,2015)。
周長億,《裝置發光二極體式集魚燈火誘網漁船之漁獲效能》(基隆:國立台灣海 洋大學碩士學位論文,2014)。
林欽賢,《〈夜巡〉圖像修辭學-理論與實踐》(臺北:國立臺灣師範大學美術系博 士論文,2001)。
四、期刊
江珠綺,〈賽謬爾.凡.胡格斯特拉登的欺眼畫〉《議藝份子》,第20期(2013),頁133-142。
五、網路資料
https://en.wikipedia.org/wiki/Libro_de_los_juegos 西洋棋的歷史(登入日期2017年8月7日)
https://www.youtube.com/watch?v=d932Q6jYRg8 喬治伊士曼博物館(George Eastman Museum) (登入日期2017年11月7日)