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研究生: 祝文威
Man-Wai Chuk
論文名稱: 西遊記角色融合電腦病毒於3D電腦動畫之創作與研究
The research and creation of 3D computer animation by accommodating novel “Journey to theWest”with computer virus
指導教授: 周賢彬
Chou, Shyan-Bin
學位類別: 碩士
Master
系所名稱: 美術學系
Department of Fine Arts
論文出版年: 2009
畢業學年度: 97
語文別: 中文
論文頁數: 132
中文關鍵詞: 西遊記3D電腦動畫電腦病毒後現代
英文關鍵詞: The Journey to the West, 3D computer animation, virus, China craze
論文種類: 學術論文
相關次數: 點閱:243下載:0
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  • 本創作將西遊記中角色設計進行拆解並擺脫原有架構。形式上以後現代與當代的多元化概念將孫悟空與電腦病毒結合。其中,電腦病毒為比擬大鬧天宮的情節,希冀能展現後現代的反思性思維。並以現代人沉迷上網做為批判的出發點,發展出現代與古典、東方與西方之圖像元素的全新組合,期以顛覆觀眾對傳統西遊記的既有印象。這樣的復古並非原封不動的只運用傳統東方繪畫,更帶有舊瓶裝新酒的趣味存在其中,也可以稱為在描繪當代生活的同時卻又在傳統中找到靈感。

    In the recent years, the kinds of wizard and fairytales movies such as Harry Porter and Lords of Rings are fascinated on the world. The famous novel in Chinese, The Journey to the West, is also good in its material and descriptions of its roles like Mind Monkey, Chu Pa-chieh, Bull Demon King, and Pilgrim Sun. However, compared with Harry Porter and Lords of Ring, The Journey to the West is much less famous than them.

    There are many productions that use the Journey to the West as subject matter, but they are still in the same structure with the original material. In the other hand, the cartoons, Dragon Ball Z and Reload Gunlock in Japan used the Journey to the West as subject matter to innovate an unique production and not only famous in Japan, but also in America and Europe.

    Therefore, this matter of design will focus on the subject matter in the Journey to the West, and try to add the new 3D technology to describe the model of the roles. The Mind Monkey will be designed by combining with virus to express an all new style.

    第一章、緒論..............................................................................................................1 第一節 創作背景........................................................................................1 第二節 創作動機與目的............................................................................4 第三節 研究範圍與限制............................................................................6 第四節 名詞釋義........................................................................................7 第五節 研究流程與架構............................................................................9 第二章、文獻探討....................................................................................................10 第一節 3D電腦動畫媒材之探討............................................................10 (一) 3D電腦動畫的製作流程......................................................10 (二) 3D電腦動畫的視覺語言......................................................12 (三) 3D電腦動畫美學理論與相關文獻......................................13 第二節 西遊記角色與電腦病毒之探討..................................................15 (一) 西遊記故事題材...................................................................15 (二) 西遊記角色之探討...............................................................19 第三節 電腦病毒與防毒軟體之探討....................................................23 (一) 電腦病毒...............................................................................23 (二) 防毒軟體...............................................................................27 第四節 列舉相關作品.............................................................................30 第三章、創作方法與過程.......................................................................................38 第一節 創作理念.....................................................................................38 第二節 創作策略.....................................................................................38 (一) 文獻應用.............................................................................38 (二) 故事綱要............................................................................41       (三) 角色、場景美術設計........................................................42 (1) 角色設計....................................................................42     (2) 場景設計....................................................................59 (3) 輔助物件設計............................................................62       (四) 分鏡腳本............................................................................64       (五) 3D製作         (1) 模型製作....................................................................69         (2) 貼圖繪製....................................................................70         (3) 骨架設定與綁點配置................................................71 (4) 表情設定....................................................................72 (5) 角色與場景模型完成................................................73 (6) 角色動態製作與鏡頭設計........................................76 (7) 燈光與輸出................................................................79 (8) 合成與特效製作........................................................80 (9) 剪輯與配樂................................................................86 第四章、創作作品解說與分析創作理念............................................................87 第一節 創作形式....................................................................................87 第二節 腳本流程圖................................................................................88 第三節 作品解說....................................................................................91 (一) 黑猴的誕生.......................................................................91 (二) 遊標犬的逆襲...................................................................92 (三) 黑猴的進化.......................................................................93 (四) 紅佛降臨...........................................................................94 (五) 黑猴降服...........................................................................95 第五章、結論.......................................................................................................97 (一) 創作省思..........................................................................97 (二) 問題分析與解決方法......................................................97 (三) 未來展望..........................................................................99 參考文獻.............................................................................................................100 附錄.....................................................................................................................104

    一、中文書目:
    王錦,《讀西遊善待挫折》,台灣先智出版社,2000
    山口弘勝,《科技與人文對話》,雄獅美術出版社,1999
    卡通六人會 著,安紀芳 譯,《卡通製作入門》,武陵出版,1986
    李賢輝,《多媒體設計的戲劇化與藝術化》,黃玉珊、余為政編,《動畫電影探索》,1997
    李道明,《什麼是動畫》,黃玉珊、余為政編,《動畫電影探索》,1997
    張靜二,《西遊記人物研究》,台灣學生書局,1984
    趙天池,《西遊記探微》,巨流圖書公司, 1983
    蔡鐵鷹,《西遊記之謎》,中州古籍出版社, 1998
    Michael O‘Rourke《3D電腦動畫原理》,旭營,2005
    理查.威廉斯《動畫基礎技法》,龍溪圖書,2005
    陳怡菁《動畫創意現場--台灣動畫導演名作大剖析》,如果出版社,2009
    慕客館《世界各國電腦動畫傑作精選年鑑2007 2008》,日本MOOK,2008
    路易斯.及耐提《認識電影》,遠流出版,2005
    余為政 葉怡蘭 黃景淳《3D電腦動畫及數位特效》,全華科技,2006
    吳權威《電腦動畫概論與實務》,網奕出版,2004
    葉謹睿《數位美學》,藝術家出版社,2008
    葉謹睿《數位藝術概論》,藝術家出版社,2005
    曾啟雄《色彩的科學與文化》,理想生活出版社,1988
    David Harley,Robert Slade,Urs E Gattiker著,陳大任、黃賢麟譯,《病毒聖經》麥格羅希,2002
    Steven D. Katz 著,井迎兆 譯,《電影分鏡概論從意念到影像》,五南出版社,2002

    二、西文書目:
    Michael O’Rourke,《Principles of Three-Dimensional Computer Animation: Modeling, Rendering, and Animating With 3d Computer Graphics》,Published by Norton, 2003
    Gahan, Andrew (EDT)《Game Art Complete, All-in-one: Learn Maya, 3ds Max, ZBrush, and Photoshop Winning Techniques》,Elsevier Science Ltd,2008
    Michael O’Rourke,《Principles of Three-Dimensional Computer Animation: Modeling, Rendering, and Animating With 3d Computer Graphics》,Published by Norton, 2003
    Isaac Victor Kerlow,《The art of 3D computer animation and effects》,Published by John Wiley and Sons, 2003
    Steve Roberts,《Character animation in 3D》,Published by Elsevier, 2004
    Peter Ratner ,《Mastering 3D animation‎》,Published by Allworth Communications, Inc., 2004
    David B. Levy,《Your career in animation: how to survive and thrive‎》,Published by Allworth Communications, Inc., 2006
    Steve Roberts,《Character Animation: 2D Skills for Better 3D‎》,Published by Elsevier, 2007
    Association for Computing Machiinery, SIGGRAPH.,《Electronic art and animation catalog‎》,Published by Association for Computing Machinery, 2002
    Kelly L. Murdock,《3ds Max 2008 Bible‎》,Published by Wiley, 2008
    Michele Bousquet,《How to Cheat in 3ds Max 2009: Get Spectacular Results Fast‎》, Published by Focal Press, 2008
    Dudley Andrew,《Concepts in film theory‎‎》,Published by Oxford University Press US, 1984
    Lincoln F. Johnson,《Film: space, time, light, and sound》,Published by Holt, Rinehart and Winston, 1974
    Marilyn Fabe,《Closely watched films: an introduction to the art of narrative film technique》,Published by University of California Press, 2004
    Louis D. Giannetti,《Masters of the American cinema》,Published by Prentice-Hall, 1981
    Louis D. Giannetti,《Flashback: A Brief History of Film》,Published by Prentice Hall, 1996
    Louis D. Giannetti,《Understanding movies》,Published by Prentice-Hall, 1987
    V. F. Perkins, Foster Hirsch,《Film as film: understanding and judging movies》,Published by Da Capo Press, 1993

    三、論文、期刊:
    朱學恆,《奇怪魔法總動員-奇幻文學的發展》,奇幻基地出版,2002
    吳佩芬,《電腦動畫的視覺語言建構―以3D卡通角色動畫之運動時間為探討》,
    《應用媒體暨動畫藝術理論與實務研討會 2002論文集》,國立台灣藝術大學,2002
    陳啟耀,《3D電腦動畫技術、視覺語言與特質之探討》,國立台灣藝術大學
    簡立人,國立臺北藝術大學戲劇學院 《戲劇學刊》 第二期,《現代戲劇的光影語彙--燈光營造戲劇美學的設計思考》
    李賢輝,〈多媒體設計的戲劇化與藝術化〉,黃玉珊、余為政編,《動畫電影探索》,頁296,台北市:遠流出版社,1997。

    四、網站參考資料:
    楊咸音《圖說西遊》,http://csm01.csu.edu.tw/0286/97-1novel-c/t/picsaycug/allstory.htm
    《大鬧天宮》,http://big5.xinhuanet.com/gate/big5/js.xinhuanet.com/zhuanlan/2005-05/19/content_4256139.htm《鐵扇公主》,http://www.visionunion.com/article.jsp?code=200805060054
    《奇幻魔法城》,http://www.sinobooks.com.tw/fantasy/goose001.htm,(原刊載於《GOLA線上玩瘋誌》91年8月號)
    古書男子的奇幻書櫥,http://yblog.org/archive/index.php/
    博客來網路書店,http://www.books.com.tw/2000author/20011224/2001122401.htm
    中國奇幻文學《山海經》,http://mypaper.pchome.com.tw/news/mrwhat/3/1235779274/20040302210754/
    百度百科,http://baike.baidu.com/view/17131.htm#3
    互動百科,http://www.hudong.com/wiki/%E5%A6%82%E6%9D%A5#1
    樊卡的自留地,http://blog.scol.com.cn/cangxingezhuren/archives/212331.html
    MicrosoftCorporation,http://www.microsoft.com/taiwan/athome/security/viruses/intro_viruses_what.mspx
    維基百科,http://zh.wikipedia.org/w/index.php?title=%E9%98%B2%E6%AF%92%E8%BB%9F%E9%AB%94&variant=zh-tw
    國外網站

    Motionographer
    http://motionographer.com/
    Vimeo
    http://vimeo.com/
    School of Visual Arts
    http://www.schoolofvisualarts.edu/
    ACM SIGGRAPH
    http://www.siggraph.org/
    AWNtv – Animation World tv
    http://www.awntv.com/
    California Institute of the Arts
    http://calarts.edu/
    Annie Awards
    http://www.annieawards.org/
    Annecy Festival
    http://www.annecy.org/home/?Page_ID=1
    Supinfocom
    http://www.supinfocom.org/
    Filmax
    http://www.filmax.com/

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