研究生: |
蘇品瑜 Su, Pin-Yu |
---|---|
論文名稱: |
佛瑞A大調小提琴奏鳴曲作品十三 分析與詮釋 The Analysis and Interpretation of Gabriel Fauré’s Violin Sonata in A Major, Op. 13 |
指導教授: | 路耀祖 |
學位類別: |
碩士 Master |
系所名稱: |
音樂學系 Department of Music |
論文出版年: | 2020 |
畢業學年度: | 108 |
語文別: | 中文 |
論文頁數: | 161 |
中文關鍵詞: | 佛瑞 、小提琴 、奏鳴曲 、法國音樂 |
英文關鍵詞: | Fauré, Violin, Sonata, French music |
DOI URL: | http://doi.org/10.6345/NTNU202000912 |
論文種類: | 學術論文 |
相關次數: | 點閱:177 下載:15 |
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佛瑞 (Gabriel Faure, 1845-1924) 的創作生涯橫跨了十九世紀末的浪漫樂派,以及二十世紀初的現代樂派,因此他早期與晚期的音樂風格會有明顯的不同。但他依然能將不同樂派的創作手法兼容並蓄,發展出屬於自己的獨特風格。《A大調小提琴奏鳴曲》 (Violin Sonata No. 1 in A Major, Op. 13) 為佛瑞早期的第一首室內樂作品,當中使用的旋律與風格,除了符合浪漫樂派的特質,也有豐富的和聲變化,以及大膽的轉調手法。因此本論文將會進一步探討,佛瑞是如何將創新的和聲手法,融入傳統的浪漫樂派作品中。這首作品在單純優美的旋律中,同時蘊含豐富的和聲色彩,而使音色與情感有更細膩的層次,進而增加了演奏者在詮釋樂曲的難度。
本論文將分為五個章節來探討。第一章為研究動機與研究方法,第二章為十九世紀法國的音樂背景,以及佛瑞的生平概述;第三章介紹佛瑞的創作特色與手法,第四章和第五章分別為樂曲分析及演奏詮釋。
Gabriel Fauré (1845-1924) lived in the transition between the late Romanticism and early modern eras in classical music, which makes his musical style various throughout his life of music-making. He not only uses the compositional techniques of different eras but also develops his own unique music languages. Violin Sonata No. 1 in A Major, Op. 13, his first chamber music work, sustains the melodic and harmonic characteristics of Romanticism with innovative techniques of modulations.
This dissertation will emphasize the integration of traditional Romantic music style and novel compositional skills Fauré uses in his works. The Violin Sonata balances the elegant restraint and romantic ardour with rich harmonic variation, which brings a more delicate layer in terms of timbre and emotion and makes it more difficult for performers to interpret.
This essay is divided into five chapters. In the beginning, the author will explain the motivation for choosing this piece and research methods. Later, the background of nineteenth-century French music and the biography of Fauré will be mentioned. In the third chapter, the author will introduce characteristics and techniques in his compositions. Next, the analysis and interpretation of Violin Sonata No. 1 in A Major, Op. 13 will be discussed in the fourth and the fifth chapter, respectively.
中文書目
周同芳。《佛瑞與法國藝術歌曲》。台北:全音出版社,1990。
陳漢金。《您說是印象派音樂?》。台北:音樂時代出版社,2008。
學術論文
陳浩勻。〈佛瑞小提琴奏鳴曲作品十三之分析與詮釋〉。國立台灣師範大學音樂學系在職進修碩士論文,2009。
歐陽光。〈佛瑞A大調小提琴奏鳴曲作品13之樂曲分析與演奏詮釋〉。國立嘉義大學音樂學系研究所碩士論文,2018。
呂悅慈。〈從結構與詮釋風格探討加布里埃爾‧佛瑞鋼琴作品《隨想圓舞曲》〉。輔仁大學音樂學系研究所博士論文,2017。
英文書目
Abraham, Gerald. Romanticism: 1830-1890. London: Oxford University Press, 1990.
Caballero, Carlo. Fauré and French musical aesthetics. Cambridge University Press, 2001.
Longyear, Rey M. Nineteenth-Century Romanticism in Music. 3rd ed. Englewood Cliffs, NJ: Prentice Hall, 1988.
Plantinga, Leon. Romantic Music: A History of Musical Style in Nineteenth-Century Europe. New York: W. W. Norton, 1984.
Rossi, Nick, and Sadie Rafferty. Music Through The Centuries. Boston Bruce Humphries Publishers, 1963.
Taruskin, Richard. The Oxford history of western music: The Nineteenth Century. New York: Oxford University Press, 2005.
網路資料
Nectoux, Jean-Michel. "Fauré, Gabriel." Grove Music Online. 2001; Accessed 23 Sep. 2019. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000009366.
樂譜版本
Faure, Gabriel. Sonata for Violin and Piano in A major op. 13. Germany: Breitkopf & Härtel