研究生: |
簡志剛 Chi-Kang Jian |
---|---|
論文名稱: |
探索伊莉莎白.畢夏詩作中之逾越策略 The Subversive Strategy of Transgression in Elizabeth Bishop's poems |
指導教授: |
高瑪麗
Mary Goodwin |
學位類別: |
碩士 Master |
系所名稱: |
英語學系 Department of English |
論文出版年: | 2006 |
畢業學年度: | 94 |
語文別: | 英文 |
論文頁數: | 158 |
中文關鍵詞: | Transgression 、traveler 、animal image 、female subjectivity 、nature 、monstrosity |
英文關鍵詞: | 逾越, 旅者, 動物意象, 女性主體, 自然, 怪物性 |
論文種類: | 學術論文 |
相關次數: | 點閱:183 下載:10 |
分享至: |
查詢本校圖書館目錄 查詢臺灣博碩士論文知識加值系統 勘誤回報 |
本文主在討論美國詩人伊莉莎白‧畢夏詩作中的逾越性和顛覆策略。畢夏詩作中的顛覆策略揭示詩中隨處可見的逾越性。這項特質使詩人的詩作充滿顛覆力量,也成為她在藝術上的追求和成就不可或缺的要素。有趣的是詩人的成長藍圖、生命歷程和主體意念本身就是顛覆性的展現。我們可以說詩人的生活經驗反映了詩作中隱含的逾越潛力。從這個觀點看來,詩人的生命途徑和她的藝術性彼此交融,相互激盪。本篇論文將深入探索詩人如何藉由不同顛覆性手段來達成逾越策略。例如,詩人利用自己身為旅者的特殊身份、詩作中的怪物性和俯拾即是的動物意象、詩作中處理女性主體和獨特性的呈現都是具有逾越性的顛覆策略之一。 全篇論文分為四章。序言主在探討詩人的獨特旅者身份、女性主體與詩作中展現的顛覆和逾越性之間的相互關係。詩作中的顛覆策略將可視為詩人替弱者發聲的利器。從此觀點看來,強權社會對弱勢的壓抑與控制將可被一覽無疑。第一章專注於詩人的兒時創傷如何影響她後來的追求。簡言之,詩人的創傷塑造詩人未來的旅者身份。而詩作中的旅者不僅逾越疆界的侷限,也展現旅者獨特的洞察力和見解。旅者藉由旅程中找尋靈感,並善加運用想像力,帶領讀者以不同的角度看待事物。旅行因此成為踰越的策略之一。因為旅者獨特的觀點不僅打破了主流文化的思維建構,也深入探討旅者如何藉由旅行策略展開意義追尋和價值探索。第二章剖析詩作中所呈現的動物意象與踰越性的相互連結關係。詩人善用大量的動物意象以達成顛覆主流思維的手段。此外,本章前半部的動物意象也呈現深具踰越性質的「怪物性」。本章指出所謂的「怪物性」其實是詭蹫多變的文化建構,用以打壓異己的手段。後半部的動物意象雖不具「怪物性」,但本身的存在也是一種顛覆性的呈現。它們踰越了宗教教義、人本核心思想和地理環境的阻撓,帶領讀者體驗嶄新的視野和鴻觀。第三章探索詩人如何利用女性主體追尋為主題,達成顛覆策略。本章前部分著重於詩人如何女性化自然,以達成逾越效果。後部分將針對詩人如何利用女性和同性戀主體的追尋,反映自身,抗衡主流文化宰制。
This thesis focuses on the analysis and exploration of the prominent American poet, Elizabeth Bishop’s works. Intriguingly, Bishop has been overwhelmingly obsessed with the power of subversion as a poet as we witness how she regards her poetics as a locus of transgressive power. In fact, we can hardly find any poet whose works have been so prevalent with the theme of transgression in both poetic and intellectual endeavors. Moreover, Bishop’s own life can be viewed as a representation of transgression in herself as well. In this sense, the poet’s own life topography reflects the theme of her artistic expression and vice versa. My research thus aims to expound the strategy of the poet’s aesthetic of transgression. Discussions of Bishop’s subversive strategy of transgression can be perceived through her focus on the poetic identity as a traveler, her investigation into the issue of monstrosity and animal images, and finally her tactics of delving into the issues of female subjectivity.
There are three chapters in the thesis. The Introduction briefly touches upon the correlation between Bishop’s unique identity and her poetic manipulation of transgression shown in her works. And how the poet’s strategy to highlight the voices of the weak can turn out to be a weapon to counterbalance the oppression from the external systems is further explored. Chapter One specifically concentrates on the poet’s childhood traumas in relation to her future identity as a traveler. The power of the traveler who is able to discern subtle differences beyond the surface of phenomena is grasped so as to spotlight the truth that a traveler like Bishop is definitely a transgressor in mind and in the physical boundary for sure. Chapter Two addresses the construction of monstrosity and animal images so as to reveal their power to transgress either social codes or geographical restrictions. Chapter three exposes the tactics utilized by the poet to highlight the specificity of female subjectivity through her feminization of nature and her dealing with female and lesbian position.
Ashcroft, Bill. Post-Colonial Transformation. London: Routledge, 2001.
Atwood, Margaret. Lady Oracle. New York: Anchor Books, 1998.
Axelrod, Steven Gould. “ Elizabeth Bishop: Nova Scotia in Brazil. ” Papers on Language & Literature ( PLL) 37.3 (Summer2001): 279-95.
Bidney, Martin. “ ‘Controlled Panic’: Mastering the Terrors of Dissolution and Isolation in Elizabeth Bishop's Epiphanies.” Style Vol. 34. 3 (Fall 2000): 487-511.
Bishop, Elizabeth. “In the Village.” The Collected Prose. Ed. Robert Giroux. New York: Farrar, Straus and Giroux, 1987.
---. One Art: Letters. Ed. Robert Giroux. New York: Noonday Press, 1995.
---. The Complete Poems 1927-1979. New York: The Noonday Press, 1997.
Bird, Isabella. A Lady’s Life in the Rocky Mountains. Norman: University of Oklahoma Press, 1960. P xvii.
Bloch, Maurice and Jean Bloch. “ Women and the Dialectics of Nature in Eighteenth-Century.” Nature, Culture and Gender. Ed. Carol P. MacCormack and Marilyn Strathern. Cambridge: Cambride University Press, 1980. 25-42.
Braidotti, Rosi. “ Mothers, Monsters, and Machines.” Writing on the Body: Female Embodiment and Feminist Theory, ed. Katie Conboy, Nadia Medina, and Sarah Stanbury (New York: Columbia University Press, 1997), 62.
Brogan, Jacqueline Vaught. “ Elizabeth Bishop: Perversity as Voice.” The Geography of Gender. Ed. Marilyn May Lombardi. Charlottesville: University Press of Virginia, 1993. 175-195.
Brown, Ashley. “ Elizabeth Bishop in Brazil.” Elizabeth Bishop and Her Art. Ed. Lloyd Schwartz and Sybil P. Estess. Ann Arbor: University of Michigan Press, 1983. 231-232.
Buckton, Oliver S. Secret Selves. Chapel Hill and London: The University of North Carolina Press, 1998.
Bush, Ann Marie. “Time and Uncertainty in Elizabeth Bishop’s Poems.” KronoScope Vol. 3.2 ( Fall 2003): 199-215.
Bulter, Judith. Bodies That Matter: On the Discursive Limits of “sex.” New York:Routledge,1993.
---. Gender Trouble: Feminism and the Subversion of Identity. London: Routledge, 1990.
Cantú, Lionel. “ De Ambiente: Queer Tourism and the Shifting Boundaries of Mexican Male Sexualities.” GLQ: A Journal of Lesbian and Gay Studies 8(1-2): 139-166 (2002).
Carter, Erica, James Donald, and Judith Squires, eds. Space and Place: Theories of Identity and Location. London: Lawrence and Wishart, 1993.
Caruth, Cathy. “ Intriduction.” American Imago 48 (1991): 1-12.
---. Unclaimed Experience: Trauma, Narrative, and History. Baltimore: Johns Hopkins, 1995.
Cixous, Helene. “ The Laugh of the Medusa.” New French Feminism. Eds. E. Marks and I. De Courtivorn. Amherst: U of Massachusetts P. 245-64.
Chopin, Kate. The Awakening and Selected Stories. Ed. Sandra M. Gilbert. NY: Penguin, 1983.
---. “ The Storm.” The Heath Anthology of American Literature. Ed. Paul Lauter, et al. 3rd ed. Vol. 2. Boston: Houghton Mifflin, 1998.
Costello, Bonnie. Elizabeth Bishop: Questions of Mastery. Cambridge, Mass. and London: Harvard UP, 1991.
---. “ Elizabeth Bishop's Impersonal Personal.” American Literary History Vol. 15.2 ( Summer 2003 ): 334-66.
Crubrich-Simitis, Iise. “ From Concretism to Metaphors: Thoughts on Some Theoretical and Technical Aspects of the Psychoanalytic Work with Children of Holocaust Survivors. The Psychoanalytic Study of the Child. Vol 39 New Haven: Yale UP, 1984. 301-19.
Cucinella, Catherine. “ Dress Up! Dress up and Dance at Carnival! The Body in Elizabeth Bishop's ‘Pink Dog’.” Rocky Mountain Review of Language and Literature, 2002 56 (1): 73-83.
Debord, Guy. Society of the spectacle. Rev. ed. Detroit: Black & Red, 1977.
Derrida, Jacques. “ Force of Law: the ‘Mythical Foundation of Authority.’ ” Deconstruction and the Possibility of Justice. New York: Routledge, 1992.
Doreski, C.K. Elizabeth Bishop: The Restraints of Language. New York: Publisher: Oxford University Press, 1993.
Edelman, Lee. Elizabeth Bishop: The Geography of Gender. Ed. Marilyn May Lombardi. London: UP of Virginia, 1993.
Éinrí, Piaras Ma. “States of Becoming: Is there a ‘here’ here and a ‘there’ there?” Available at < http://migration.ucc.ie/statesofbecoming.htm >. Accessed on May 9, 2006.
Escobar, Elizam. 1990. “ Art of Liberation: A Vision of Freedom.” In Reimaging America, edited by Mark O’Brien and Craig Little. Philadelphia: New Society Publishers.
Foster, Shirley. Across New Worlds. Southport: BPCC Wheatons Ltd, Exter, 1990.
Foucault, Michel. Abnormal, trans. G.. Burchell. New York: Picador, 2003.
---. Discipline and Punish: The Birth of the Prison. New. York: Vintage, 1979.
Fountain, Gary. “ ‘Closets, Closets, and More Closets!’: Elizabeth Bishop’s
Lesbianism.” Worcester Review 18.1–2 (1997): 101–8.
Fountain, Gary and Peter Brazeau. Elizabeth Bishop: An Oral Biography. Amherst: University of Massachusetts P, 1994.
Goldensohn, Lorrie. “ Lost Poems.” Elizabeth Bishop: The Biography of a Poetry.
New York: Columbia UP, 1992. 278-79.
Grewal, Inderpal. Home and Harem: Nation, Gender, Empire, and the Cultures of Travel. Durham and London: Duke University Press, 1996.
Hammer, Langon. “ The New Elizabeth Bishop.” The Yale Review 82: 135-49.
Harrison, Victoria. Elizabeth Bishop's Poetics of Intimacy. New York: Cambridge UP, 1993.
hooks, bell. 1994. Teaching to Transgress: Education as the Practice of Freedom. New York and London: Routledge.
Jarraway, David. “ O Canada!: The Spectral Lesbian Poetics of Elizabeth Bishop.” PMLA 113.2 (Mar 1998): 243-58.
Jonsson, Stefan. Subject Without Nation: Robert Musil and the History of Modern Identity. Durham: Duke UP, 2000.
Joseph, Suad. “ The Public/Private - The Imagined Boundary in the Imagined Nation/State/Community.” Feminist Review. (57): 75~6 (Autumn 1997).
Kafka, Franz. Metamorphosis. The Complete Short Stories. Ed. Nahum N. Glatzer.
London: Vintage Books, 1999.
Kaplan, Caren. Question of Travel: Postmodern Discourse of Displacement. Durham: Duke UP, 1996.
Labbe, Jacqueline M. Romantic Visualities: Landscape, Gender and Romanticism. London: Macmillan Press, 1998.
Lankford, Ryan. “ Bishop's Sestina.” Explicator. Vol 52.1 ( Fall93 ): 57~9.
Laurens, Penelope. “ ‘Old Correspondences’: Prosodic Transformations in Elizabeth Bishop.” Elizabeth Bishop and Her Art. Ed. Lloyd Schwartz and Sybil P. Estees. Ann Arbor: University of Michigan Press, 1983.
Lawrence, D.H.. “The Spirit of Place.” Studies in Classic American Literature. Ed. Ezra Greespan, Lindeth Vasey and Jogn Worthen. Cambridge: Cambridge
University Press, 2003. 7-55.
Lawrence, Karen R. Penelope Voyages: Woman and Travel in the British Literary
Tradition. Ithaca: Cornell UP, 1994.
Lombardi, Marilyn May. The Body and the Song: Elizabeth Bishop’s Poetics. Carbondale: Southern Illinois UP, 1995.
MacCannell, Dean. The Tourist: A new Theory of the Leisure Class. Berkeley: University of California Press, 1999.
McCabe, Susan. Elizabeth Bishop: Her Poetics of Loss. University Park: Pennsylvania State University Press, 1994.
McElroy, Bernard. Fiction of the Modern Grotesque. New York: St. Martin's, 1989.
Mitchell, M.J.T. Landscape and Power. Chicago and London: The University of Chicago Press, 1994.
Mitrano, Mena. “ Bishop’s ‘Pink Dog.’” Explicator 54:1 (Fall 1995): 33-36.
Monteiro, George Monteiro. Ed. Conversations with Elizabeth Bishop. Jackson: University of Mississippi Press, 1996.
Morrison, Toni. Song of Solomon. New York: Plume, 1987.
Ortner, Sherry B. “Is Female to Male as Nature Is to Culture?” Woman, Culture and
Society. Eds. Michelle Zimbalist Rosaldo and Louise Lamphere. Stanford: Stanford UP, 1974.
Paredes, Americo. Between Two Worlds. Houston: Arte Publico Press,1991.
Paz, Octavio. “Elizabeth Bishop, or the Power of Reticence.” Elizabeth Bishop and Her Art. Eds. Lloyd Schwartz and Sybil P. Estess. Ann Arbor: U of Michigan P, 1983. 211-13.
Ramon Saldivar. Chicano Narrative: The Dialectics of Difference. U of Wisconsin P, 1990.
Rose, Jacqueline. The Haunting of Sylvia Plath. Cambridge: Harvard Up, 1991.
Russo, Mary. The Female Grotesque: Risk, Excess, and Modernity. New York: Routledge, 1995.
Said, Edward W. Culture and Imperialism. New York: Vintage, 1994.
---. Out of Place. New York: Vintage Books, 2000.
Saldivar, Ramon. The Borderlands of Culture: Americo Paredes and the Transnational Imaginary. Duke: Duke University Press, 2006.
Scott-Dixon, Krista. “The Bodybuilding Grotesque: The Female Bodybuilder, Gender
Transgression, and Designations of Deviance.” <http://www.mesomorphosis.com/articles/scott-dixon/grotesque.htm>.
Accessed on April, 26. 2006.
Schur, Edwin. Labeling Women Deviant: Gender, Stigma, and Social Control. New York: McGraw-Hill, 1984.
Simic, Charles. “The Power of Reticence.” New York Review of Books Vol. 53.7 (April 2006):17~19.
Shildrick, Margrit. “Transgressing the Law with Foucault and Derrida: Some Reflections on Anomalous Embodiment.” Critical Quarterly 47.3 (Autumn 2005): 30-46.
Spivak, Gayatri Chakravorty. A Critique of Postcolonial Reason. Cambridge Mass: Harvard University Press, 1999.
Stimpson, Catherine R. “ Zero Degree Deviancy: The Lesbian Novel in English.” Critical Inquiry 8.2 (1981): 363-379. Rpt. in Writing and Sexual Difference. Ed. Elizabeth Abel. Chicago: U of Chicago P, 1982. 243-259.
Striker, Henri-Jacques. A History of Disability. Trans William Sayers. Ann Arbor: The University of Michigan Press, 1999. P 69.
Urry, John. The Tourist Gaze, Second Edition. London: Sage, 2002.
Van den Abbeele, Georges. Travel as Metaphor: From Montaingne to Rousseau.
Minneapolis: U of Minnesota P, 1992.
Warner, Marina. Fantastic Metamorphoses, Other Worlds. New York: Oxford University Press, 2002.
Wilson, Robert. "Feminine Sexuality and Passion: Kate Chopin’s ‘The Storm.’" The University of British Columbia, October 22, 1992. http://www.interchg.obc.ca/rw/eng304-1.htm
Wolff, Janet. Resident Alien: Feminist Cultural Criticism. Cambridge: Polity, 1995.
Wolosky, Shira. “ Representing Other Voices: Rhetorical Perspective in Elizabeth Bishop.” Style 29.1 (Spring 1995): 1-17.
Young, Robert J. C. Colonial Desire: Hybridity in Theory, Culture and Race. London: Routledge, 1995.