二十世紀西方音樂發展變化多端，作曲家們不斷嘗試各種新的創作手法，跳脫傳統的思維、打破舊有的形式，造成各種不同的流派大放異彩。托瑪希為二十世紀之作曲家，仍然選擇以傳統、經典的曲式，為單簧管創作《單簧管協奏曲》(Concerto for Clarinet)，但仍靈活的在既有的框架下，創作出符合時代精神的經典作品。
本論文經由探討托瑪希《單簧管協奏曲》，將之分為四個章節。首先第一章為緒論，闡述研究動機與方法。第二章為作曲家生平及樂曲創作背景，藉由對於作曲家與時空背景的研究，理解其創作風格的緣由。第三章針對《單簧管協奏曲》進行樂曲分析，與樂曲詮釋。第四章整合上述的研究，提出本論文之結論。
希望透過研究與分析，能更深入理解此曲的創作手法與傳統協奏曲的差異，掌握近代作品的語彙及風格特色，也對演奏的詮釋與技巧有所助益。

The twentieth century was a period of time that provided a diverse range for western music development. Composers constantly experimented with creative styles, which broke through tradition ways of thinking and styles. One of the composers during this time was Tomasi, who opted for traditional and classic ways of composing. However, he created a timeless classical piece of “Concerto for Clarinet” through his own interpretation of creativity along with traditions.
This thesis will explore Tomasi’s “Concerto for Clarinet” in four chapters.
The first chapter explains about the research background, research motivation, and research method. In the second chapter, the composer’s background and inspirations will be discussed in detail. Through the discussion of the composer’s backgrounds and the analysis of the time in history, the composer’s creativity and inspirations for the music works will be understood. The third chapter focuses on the analysis of “Concerto for Clarinet” and how it is interpreted. In chapter four, conclusions will be drawn from the analysis and explanations from previous chapters.
In this study, through research and analysis, a profound understanding of “Concerto for Clarinet” will be revealed through the comparisons of this piece and traditional concerto. And it will further grasp contemporary pieces and styles, which will be beneficial for performing techniques and interpretations.

一、中文書籍

于潤洋。《西方音樂通史》。上海：上海音樂出版社，2013。

楊沛仁。《音樂史與欣賞》。台北：美樂出版社，2001。

二、中文期刊

胡麗玲。〈20世紀的法國音樂發展狀況〉。《交響—西安音樂學院學報》第25卷第1期
(三月號，2006)：70-73

劉雙。〈20世紀音樂前後音樂的延續與發展〉。《徐州教育學院學報》第21卷第4期(十
二月號，2006)：145-146

三、學術論文

蔡宛霓〈亨利‧托瑪西《長號協奏曲》之分析與詮釋〉。東海大學碩士論文，2016。

魏滿昀〈托瑪希《小號協奏曲》之分析與詮釋〉。國立臺灣師範大學碩士論文，2013。

四、西文書籍

Gee, Harry R. Clarinet solos de concors, 1897-1980. Bloomington : Indiana University
Press, c1981

五、西文論文

Ink, Hannah Elizabeth Watkins. “The French Three: A Comparison (Performed) of Recital
Music for Clarinet Written by Darius Milhaud, Henri Tomasi and Eugene Bozza.”
D.M.A. diss., Maryland University, 2005.