研究生: |
陳冠穎 Kuan-Yin Chen |
---|---|
論文名稱: |
西薩‧法朗克《前奏曲、聖詠與複格》之詮釋分析 The interpretation of César Franck《Prélude, Chorale et Fugue》 |
指導教授: |
賴麗君
Lai, Li-Chin |
學位類別: |
碩士 Master |
系所名稱: |
音樂學系 Department of Music |
論文出版年: | 2012 |
畢業學年度: | 100 |
語文別: | 中文 |
論文頁數: | 114 |
中文關鍵詞: | 西薩‧法朗克 、前奏曲 、聖詠 、複格 |
英文關鍵詞: | César Franck, Prélude, Choral, Fugue |
論文種類: | 學術論文 |
相關次數: | 點閱:99 下載:24 |
分享至: |
查詢本校圖書館目錄 查詢臺灣博碩士論文知識加值系統 勘誤回報 |
本論文共分為五個章節。第一章為背景探討,以介紹西薩.法朗克( César Franck, 1822-1890 )之音樂成長歷程為主;第二章則藉由曲式、旋律、和聲、節奏與管風琴五個面向探討法朗克之風格特徵;第三章為探討《前奏曲、聖詠與複格》( Prélude, Choral et Fugue )之樂曲架構及其特殊創作手法;第四章為論述筆者在演奏上之詮釋觀點以及最後的結語,為本文作總結。
《前奏曲、聖詠與複格》為法朗克重要鋼琴作品之一,不僅充分展現法朗克的音樂創作,並對許多作曲家造成深遠影響,其重要性不容忽視。
This thesis is organized into five chapters. First of all, I give a briefly introduction of the César Franck’s developmental track of music. Following, I explore Franck’s style of creation by leverage musical form, melody, harmony, rhythm and organ. In the third chapter, I discuss the music structure and unique creative approach of the《Prélude, Choral et Fugue》.Then, I try to elaborate on the view point when performing the music by the author. Finally, I make a conclusion and summarize this thesis.
《Prélude, Choral et Fugue》is one of the important piano works of Frank. This work is not only full of the creativity of Frank, but also giving far-reaching importance on following composers.
狄約芙莉 著。《柯爾托鋼琴演奏解說》。林勝儀 譯。台北:全音樂譜出版社,1987。
陳銘志著。《賦格曲寫作》。上海:上海文藝出版社,1980。
Berman, Boris. 《鋼琴彈奏法》(Notes from the Pianist’s Bench)。廖皎含 譯。台北:五南圖書出版股份有限公司,2009。
Brook, Donald. Five Great French Composers. London: Salisbury Square, 1947.
Bent, Ian. Music theory in the age of Romanticism. New York: Cambridge University Press, 1996
Cadwallader, Allen, and David Gagné. Analysis of Tonal Music. New York: Oxford University Press, 1998.
Cortot, Alfred. French Piano Music. Trans. by Hilda Andrews. New York: Da Capo Press, 1977.
Davies, Laurence. César Franck and His Circle. New York: Da Capo Press, 1977.
Demuth, Norman. César Franck. Ner York: Philosophical Library, 1949.
D’ Indy, Vincent. César Franck. Trans. by Rosa Newmarch. Ner York: Dover Publication, 1965.
Einstein, Alfred. Music in the Romantic Era. New York: Norton, 1947.
Ellis, Katharine. Interpreting the Musical Past: Early Music in Nineteenth-Century France. Oxford University Press, 2008.
Gillespie, John. Five Centuries of Keyboard Music. New York: Norton Company, 1988.
Hamilton, Kenneth. After the Golden Age. Romantic Pianism and Modern Performance. New York: Oxford University Press, 2007
James, Willian Raymond. César Franck’s work for piano and Orchestra. Miami: University of Miami, 1988.
Longyear, Rey. Nineteenth-Century Romanticism in Music. Englewood Cliffs, N.J. : Prentice Hall, 1988.
Mann, Alfred. The Study of Fugue. New York: Dover Publications Inc., 1987.
Newman, Willian. The Pianists Problems. New York: Da Capo Press, 1986.
Plantinga, Leon. Romantic Music. New York: Norton Company, 1984.
外文期刊
Butt, John. “Choral culture and the regeneration of the organ.” The Cambridge history of nineteenth-century music(2002): 522-543.
David Goode and Roy Howat. “Keyboard.” A performer's guide to music of the Romantic period(2002): 29-44.
網路資料
國立編譯館-學術名詞資訊網:http://terms.nict.gov.tw/
Oxford Music Online:
http://0-www.oxfordmusiconline.com.opac.lib.ntnu.edu.tw/subscriber/