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研究生: 李思辰
Li, Sz-Cheng
論文名稱: 杜斯妥也夫斯基短篇小說中的象徵主義
Symbolism in Dostoevsky's Short Fiction
指導教授: 屠名正
Twu, Ming-Jenq
周長彬
Zhou, Chang-Bin
學位類別: 碩士
Master
系所名稱: 英語學系
Department of English
論文出版年: 2017
畢業學年度: 105
語文別: 英文
論文頁數: 82
中文關鍵詞: 符號象徵主義例示
英文關鍵詞: symbol, symbolism, exemplification
DOI URL: https://doi.org/10.6345/NTNU202203324
論文種類: 學術論文
相關次數: 點閱:151下載:14
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  • 本文旨在探討符號如何在杜斯妥也夫斯基的短篇小說中扮演重要的角色,以及符號如何在各作品中建構主題。在杜斯妥也夫斯基的多數作品中,他先知卓見的提出對於社會的批判以及人性的關懷,而這些主題可以從文中充滿豐富象徵意涵的符號(symbol)闡釋而知。本文由符號的角度切入杜式獨特晦澀的各種主題,更以哲學家尼爾遜•古德曼(Nelson Goodman)提出的符號「例示」(exemplification)特性去討論符號在杜式作品中所象徵的意涵。本文所探討的作品皆為杜斯妥也夫斯基的短篇小說,有《死屋手記》(The House of the Dead)、《地下室手記》(Notes from Underground)、《溫順者》(The Meek One)。

    This research discusses how symbols function in short fictions of Fyodor Dostoevsky (1821-1881) with a focus on three works written in his post-Siberian years: The House of the Dead (1862), Notes from Underground (1864), and The Meek One (1876). Symbols provide unlimited opportunities to examine and re-examine the Russian author’s works with varied dimensions to explore his themes. To understand how the symbol is orchestrated in Dostoevsky’s writing system, Nelson Goodman’s concept of exemplification serves as a cognitive and accessible approach to navigate in the Russian writer’s symbolic world.

    Abstract 1-2 Introduction 5-29 Chapter One: Symbolism in The House of the Dead 30-44 Chapter Two: Symbolism in Notes from Underground 45-61 Chapter Three: Symbolism in The Meek One 62-76 Conclusion 77-78 Bibliography 79-82

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