本論文所關注的議題為超現實主義攝影裏的日常場景，透過不同層面的觀視檢驗，筆者希冀發現攝影照片中的奇異景觀。就此觀點發展下，筆者以「異／常場景」為論述主題，並且分成三個不同子題，具體闡釋「異／常場景」的形構歷程，以及透過超現實主義的文本閱讀，再思攝影的運用情境。在第一章中，說明超現實主義者如何藉由影像的再現，促使城市再造神話並召喚鬼魂。在第二章裏，主要探討超現實主義攝影的觀視場域，其如何透過攝影功能的不同樣態，展現時間性的存在。最後，探討日常場景中物件與慾望的關係，則為第三章所欲思索的課題，其中推敲物件如何藉由慾望與影像，進而產生景物變貌的過程。最終本論文所欲闡明的是，超現實主義攝影中的日常場景，透過超現實之眼的驗證，從中展現更為豐富與微妙的觀看向度。

This thesis focuses on the images of commonplace and everyday life in surrealist photography. Through this examination, it is hoped that the meaning of early surrealist photography can be discovered and revealed. The theme of “extra-ordinary scenes” is divided into three chapters. Each part examines and discusses how ordinary scenes reveal themselves in extraordinary ways. Additionally, rethinking certain practices of photography within the context of surrealism will also be considered. In chapter one, I will explain how surrealists used photographic images as their trigger to recreate myths of the city and to recall ghosts from the past. In chapter two, I will discuss the issue of time in surrealist photography. Specifically, the surrealists’ concept about time and how they used photography to represent it. In chapter three, I will show the relationship between ordinary objects and desired conditions. Through this examination, I will argue that the transfiguration of surrealistic objects makes ordinary scenes extraordinary. Ultimately, the thesis provides confirmation that within the surrealist context we change our ways of seeing through the use of the “surreal eye.”

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