研究生: |
林宣佑 Lin, Hsuan-Yu |
---|---|
論文名稱: |
不同學習方法評估街舞基礎律動技巧 Evaluation of Different Skill Learning Style in Street Dance Basic Rhythm |
指導教授: |
李恆儒
Lee, Heng-Ju |
口試委員: |
柯柏任
Ko, Bo-Jen 陳婉菁 Chen, Wan-Chin 李恆儒 Lee, Heng-Ju |
口試日期: | 2023/06/26 |
學位類別: |
碩士 Master |
系所名稱: |
運動競技學系 Department of Athletic Performance |
論文出版年: | 2023 |
畢業學年度: | 111 |
語文別: | 中文 |
論文頁數: | 41 |
中文關鍵詞: | 影片教學 、實際教學 、性別差異 |
英文關鍵詞: | practical teaching, video teaching, gender difference |
研究方法: | 實驗設計法 |
DOI URL: | http://doi.org/10.6345/NTNU202301546 |
論文種類: | 學術論文 |
相關次數: | 點閱:86 下載:12 |
分享至: |
查詢本校圖書館目錄 查詢臺灣博碩士論文知識加值系統 勘誤回報 |
緒論:街舞為現在廣為人知的舞蹈,不論是電視節目、社團活動都可以看到街舞身影。因應疫情,線上學習為近幾年活絡的趨勢,舞蹈課程也不例外。在學習街舞的課程中,基礎律動無疑是最重要的,如果能透過隨手可得的影片,將舞蹈學習最大化,不但在練習其他街舞動作時能更順暢,也能讓不敢進入舞蹈教室的人,先自行練習,降低對學習舞蹈的恐懼感。目的:比較實際教學及影片教學介入後,各組學習的成果、兩組間及性別上的動作差異。方法:本研究招募十五名具有運動習慣的男性女性,隨機分派至實際教學組及影片學習組,以重複量數二因子進行統計分析,來觀察兩組間學習前後的質心垂直位移、矢狀面上的髖、膝、踝關節彎曲角度及胸口移動位置的變化。結果:在不同教學方法的介入後,所呈現出來髖關節活動度皆有差異;兩組學習後胸口前後位移也有明顯的變大;其餘皆無顯著差異。在性別方面,除了髖關節男性在學習後活動度變大,其餘數值在女性較大。結論:影片教學在髖關節活動度有顯著提升,但是運用不正確的方式增加髖關節活動度,這種狀態在男性的資料上也是,可能為運動習慣所造成的。未來在設計影片內容或教學時,可多加注意這髖關節的教學細節,來達成更好的動作準確性。
Introduction: Street dance has gained significant popularity in recent times, with its presence in TV shows and clubs becoming commonplace. The COVID-19 pandemic has prompted a surge in online learning, including street dance classes. Developing a strong foundation in rhythm is essential for mastering street dance, and if video tutorials can effectively facilitate skill acquisition, they could serve as a valuable resource for practicing various dance techniques and alleviating the apprehension associated with attending in-person dance classes. Purpose: This study aims to compare the effectiveness of learning rhythm through watching basic dance videos versus receiving instruction from a teacher, while also exploring potential differences in rhythm learning between genders. Method: Fifteen participants with regular physical activity but no prior dance experience were recruited for this study. The participants were randomly assigned to two groups: one group learned through video tutorials, while the other received guidance from a dance teacher. Biomechanical parameters were measured before and after the learning sessions. These parameters included the range of motion (ROM) of the hip, knee, and ankle joints, as well as the movement of the center of mass and chest during rhythm-based movements. Statistical analysis was conducted using repeated-measures ANOVA. Results: The two learning methods yielded significant differences in hip ROM, with participants who watched videos exhibiting a wider range of motion. However, both learning methods resulted in a significant increase in chest displacement. When considering gender differences, except for hip ROM, females generally exhibited greater values than males across the measured parameters. Conclusion: The group that watched the videos showed an increased hip range of motion (ROM), but they tended to perform the movements incorrectly. This observation was consistent among males as well. It is possible that this discrepancy is due to their exercise habits. When teaching others, it is important to prioritize focusing on the hip joint to enhance the quality of movement.
劉雅文 (2011)。台灣街舞運動的風格、形式與基本舞步之研究。北商學報,(19),43-58。https://doi.org/10.29871/JNTCB.201101.0003
林浩立 (2005)。流行化、地方化與想像:台灣嘻哈文化的形成。人類與文化,(37),7-28。https://doi.org/10.6719/MC.200509_(37).0003
蘇志鵬、王進華 (2008)。Hip Hop-街舞運動的形式與風格. 臺北市立體育學院動態藝術學刊,1期,23-29頁。
王令儀 (2012)。從動態系統之觀點探究跑步動作中的下肢傷害風險。中華體育季刊,26(4),441-447。https://doi.org/10.6223/qcpe.2604.201212.1505
王昊、楊振軍、羅巍 (2003)。體育舞蹈教學方法的探討. 武漢體育學院學報, 37(6), 124-126.
溫怡英 (2001)。有氧舞蹈課程教學法之動作分解與組合技巧。大專體育,(55),110-114。https://doi.org/10.6162/SRR.2001.55.17
黃心怡 (1998)。科學化舞蹈訓練法的探求。大專體育,(40),58-63。https://doi.org/10.6162/SRR.1998.40.18.
李宗芹 (1994)。創造性舞蹈:透過身體動作探索成長的自我,遠流。 .
謝宏榮 (2011)。地面反力與人體慣性參數之誤差對步態分析結果的影響〔博士論文,國立交通大學〕。華藝線上圖書館。https://doi.org/10.6842/NCTU.2011.00109.
黃彩玉、鄭麗霞、王榮全(2009)。影像示範教學在合作學習情境下對大專舞蹈課程學習成效之研究。台南科技大學通識教育學刊,(8),177-188。https://doi.org/10.6780/JGETUT.200904.0177
夏綠荷、林彥男(2019)。強化自主學習的翻轉教室對大專舞蹈課學習成效、任務負荷與學習參與之影響。臺灣運動教育學報,14(2),1-15。https://doi.org/10.6580/JTSP.201911_14(2).01
鍾孟玲 (2005)。舞蹈虛擬博物館設立之探討. 彰化師大體育學報, (5), 89-96.
Bronner, S., Ojofeitimi, S., & Woo, H. (2015). Extreme kinematics in selected hip. hop dance sequences. Medical problems of performing artists, 30(3), 126-134. https://doi.org/10.21091/mppa.2015.3026
Chang, M., O'Dwyer, N., Adams, R., Cobley, S., Lee, K. Y., & Halaki, M. (2019). Whole-body angular momentum in a complex dance sequence: Differences across skill levels. Human Movement Science, 67, 102512. https://doi.org/10.1016/j.humov.2019.102512
Chatfield, S. J., Krasnow, D. H., Herman, A., & Blessing, G. (2007). A descriptive. analysis of kinematic and electromyographic relationships of the core during forward stepping in beginning and expert dancers. Journal of Dance Medicine & Science, 11(3), 76-84. https://www.ingentaconnect.com/content/jmrp/jdms/2007/00000011/00000003/art00003
Dania, A., Hatziharistos, D., Koutsouba, M., & Tyrovola, V. (2011). The use of. technology in movement and dance education: Recent practices and future perspectives. Procedia-Social and Behavioral Sciences, 15, 3355-3361.
Dahlstrom M, Inasio J, Jansson E, Kaijer L. Physical fitness and physical effort in dancers: a comparison of four major dance styles. Impulse 1996; 4: 193–209
Fidler, A., Haddad, J. M., & Gagnon, J. L. (2005). Postural control strategies in. dancers and non dancers. In ISBS-Conference Proceedings Archive.
Jakubowska, H., & Byczkowska-Owczarek, D. (2018).Girls in Football, Boys in Dance. Stereotypization Processes in Socialization of Young Sportsmen and Sportswomen. Qualitative Sociology Review, 14(2), 12–28. https://doi.org/10.18778/1733-8077.14.2.02
Kadel, N. J., Donaldson-Fletcher, E. A., Gerberg, L. F., & Micheli, L. J. (2005). Anthropometric measurements of young ballet dancers examining body composition, puberty, flexibility, and joint range of motion in comparison with non-dancer controls. Journal of Dance Medicine & Science, 9(3-4), 84-90. https://www.ingentaconnect.com/content/jmrp/jdms/2005/00000009/f0020003/art00004
Krasnow, D., & Chatfield, S. J. (2009). Development of the “performance competence evaluation measure”: assessing qualitative aspects of dance performance. Journal of Dance Medicine & Science, 13(4), 101-107. https://www.ingentaconnect.com/content/jmrp/jdms/2009/00000013/00000004/art00002
Lee, A. M., Fredenburg, K., Belcher, D., & Cleveland, N. (1999). Gender differences in children's conceptions of competence and motivation in physical education. Sport, education and society, 4(2), 161-174.
Lelievre, N., Germain, L. S., & Ste-Marie, D. M. (2021). Varied speeds of video. demonstration do not influence the learning of a dance skill. Human Movement Science, 75, 102749 https://doi.org/10.1016/j.humov.2020.102749.
McKean, M. R., Dunn, P. K., & Burkett, B. J. (2010). The lumbar and sacrum movement pattern during the back squat exercise. The Journal of Strength & Conditioning Research, 24(10), 2731-2741.
Miura, A., Fujii, S., Yamamoto, Y., & Kudo, K. (2015). Motor control of rhythmic dance from a dynamical systems perspective: a review. Journal of Dance Medicine & Science, 19(1), 11-21. https://doi.org/10.12678/1089-313X.19.1.11
Miura, A., Kudo, K., Ohtsuki, T., & Kanehisa, H. (2011). Coordination modes in sensorimotor synchronization of whole-body movement: a study of street dancers and non-dancers. Human movement science, 30(6), 1260-1271. https://doi.org/10.1016/j.humov.2010.08.006
Miura, A., Fujii, S., Okano, M., Kudo, K., & Nakazawa, K. (2016). Finger-to-beat. coordination skill of non-dancers, street dancers, and the world champion of a street-dance competition. Frontiers in Psychology, 7, 542. https://doi.org/10.3389/fpsyg.2016.00542
Ofori, E. K., Subramaniam, S., Wang, S., & Bhatt, T. (2019). Kinematic analysis of. dance-based exergaming: effect of song pace on center of mass and joint mobility. Journal of physical therapy science, 31(9), 708-716. https://doi.org/10.1589/jpts.31.708
Rüth, M., & Kaspar, K. (2020). Exergames in formal school teaching: A pre-post longitudinal field study on the effects of a dance game on motor learning, physical enjoyment, and learning motivation. Entertainment Computing, 35, 100372.
Sato, N., Nunome, H., & Ikegami, Y. (2014). Key features of hip hop dance motions affect evaluation by judges. Journal of Applied Biomechanics, 30(3), 439-445. https://doi.org/10.1123/jab.2013-0190
Sato, N., Nunome, H., & Ikegami, Y. (2015). Kinematic analysis of basic rhythmic. movements of hip-hop dance: motion characteristics common to expert dancers. Journal of Applied Biomechanics, 31(1), 1-7. http://dx.doi.org/10.1123/JAB.2014-0027
Sato, N., Nunome, H., & Ikegami, Y. (2016). Key motion characteristics of side-step. movements in hip-hop dance and their effect on the evaluation by judges. Sports Biomechanics, 15(2), 116-127. https://doi.org/10.1080/14763141.2016.1158861Shen, Y., Zhao, Q., Huang, Y., Liu, G., & Fang, L. (2020). Promotion of street-dance. training on the executive function in preschool children. Frontiers in Psychology, 11, 585598. https://doi.org/10.3389/fpsyg.2020.585598
Wyon, M. A., Twitchett, E., Angioi, M., Clarke, F., Metsios, G., & Koutedakis, Y. (2011). Time。motion and video analysis of classical ballet and contemporary dance performance. International journal of sports medicine, 32(11), 851-855.