研究生: |
林之越 Lin, Chih-Yueh |
---|---|
論文名稱: |
厭世隨身聽:台灣青年在串流音樂平台的聆聽與情感 The Society-Weary Radio: Streaming and Listening to Emotionality among Youth in Taiwan |
指導教授: |
蔡如音
Tsai, Eva |
口試委員: |
何東洪
Ho, Tung-Hung 簡妙如 Jian, Miao-ju 蔡如音 Tsai, Eva |
口試日期: | 2023/12/07 |
學位類別: |
碩士 Master |
系所名稱: |
大眾傳播研究所 Graduate Institute of Mass Communication |
論文出版年: | 2024 |
畢業學年度: | 112 |
語文別: | 中文 |
論文頁數: | 139 |
中文關鍵詞: | 串流音樂平台 、厭世 、獨立音樂 、情感研究 、閱聽人研究 |
英文關鍵詞: | Streaming music platform, Society-Weary, Independent music, Emotionality, Audience research |
研究方法: | 深度訪談法 |
DOI URL: | http://doi.org/10.6345/NTNU202400001 |
論文種類: | 學術論文 |
相關次數: | 點閱:171 下載:30 |
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自進入串流音樂平台時代後,音樂透過智慧裝置與人們的連結更加緊密,並中介了他們日常的生活經驗。同時,近年音樂串流平台中,「厭世」曲風的音樂創作逐漸增多,尤以獨立樂團作為代表,此種帶有負面特質的音樂似乎成為了當代年輕人的一種心靈慰藉品。
本研究欲透過閱聽人在串流音樂平台上之使用,深入觀察閱聽人在日常生活中的音樂聆聽實踐,並且關注閱聽人聆聽時之情境與情緒感受,藉以延伸探討閱聽人在聆聽厭世音樂時,厭世情感的需求是受到音樂串流平台的機制所召喚,還是串流平台僅扮演了媒介的角色,而閱聽人主動在音樂中尋找情感共鳴。
研究發現,串流音樂平台非但沒有主導者閱聽人的音樂聆聽,反倒在閱聽人的使用習慣中出現多元化的應用,並成為面對各種生活場景時,調節自身情緒的工具,不僅如此,閱聽人更能夠把個人化的音樂推薦功能當作一種探索音樂的工具。在厭世情感方面,當閱聽人面對現實生活的外在壓力,還有個人獨處時所產生的孤獨感受時,厭世音樂不只是與閱聽人們產生共鳴,而是成為一種處理情緒的媒介。然而,即便聆聽的是相同的歌曲,閱聽人解讀歌曲與消解情緒的方式,卻也會因生命經驗的不同而產生差異。
Since entering the era of streaming music platforms, music has become more closely connected with people through smart devices and mediates their daily life experiences. At the same time, the "Society-Weary" style of music creations have gradually increased on music streaming platforms in recent years, especially represented by independent bands. This kind of music with negative characteristics seems to have become a kind of spiritual solace for contemporary young people.
This study intends to observe the music listening practice of listeners in daily life through their use of streaming music platforms, and focus on the situations and emotional feelings of listeners. What’s more, when these listeners listening to society-weary music, is the need for emotions of society-weary summoned by the mechanism of the music streaming platform, or does the listeners actively seeks emotional resonance in the music, and streaming platform only play the role of a medium.
Research has found that streaming music platforms not only do not dominate people's music listening, but have diversified applications in people's usage habits, and have become a tool to regulate their own emotions when facing various life scenarios. In this way, listeners can use the personalized music recommendation function as a tool for exploring music. In terms of misanthropic emotions, when listeners face the external pressure of real life and the loneliness that occurs when they are alone, society-weary music not only resonates with the listeners, but also becomes a medium for processing emotionality.
However, even if they listen to the same song, the way the listener interprets the song and resolves emotionality will be different due to different life experiences.
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