台灣傳統戲曲的發展脈絡，從輝煌時代到沒落、流失甚至快變成歷史史蹟，身為創作者的我，便開始思考該如何畫出表現對應當代與傳統文化的作品，去真實的反映當代生活及社會大眾的文化現象。
此次創作研究是以自身的體會與經驗及對應內心深處情感投射，觀察現代人在娛樂媒體與傳統戲曲的發展之下生活改變的多種面向，嘗試以自身體會及社會觀者的角色，來記錄現今娛樂媒體與傳統戲曲受到時代的多元化所造成的各種變動及波瀾，創作出自身契合觀者情感與共鳴的創作作品。
以繪畫戲曲為主題，呈現傳統戲曲在科技時代的沒落，讓傳統戲曲文化受到了各種衝擊的情況，如戲曲流失人才、文化沒落、科技的打壓、觀眾逐年減少，希望藉以文化見證者的關懷與美學態度，讓觀者感受如今的戲曲發展。
每個人所經歷的社會經驗及歷練，都會造成自身回應的方式，而藝術家回應社會的呈現方式，便是以創作作品方式來表達想法。本論文主要架構，共分為五章。第一章: 緒論，闡述研究動機與目的、研究範圍與限制、研究方法、名詞解釋。第二章: 傳統戲曲文化生態環境與危機:以自身體會與觀察社會大眾現象與研究，針對影響我的藝術作品進行分析，第三章: 創作理念與形式表現，同時從形式特徵與技法的運用進行論述。第四章: 創作作品解析，共三個系列…「沒落系列」、「流失系列」、「史蹟系列」。第五章:結論，筆者提出自身對未來創作的省思與展望。

The development of traditional Taiwanese opera has evolved from a glorious era to a decline, loss, and even rapid turning into a historical site. As a creator, I have begun to think about how to draw works that reflect contemporary and traditional culture, in order to truly reflect the cultural phenomena of contemporary life and society.
This creative research aims to observe the various aspects of modern people's lives that have changed under the development of entertainment media and traditional Chinese opera, based on their own experiences and corresponding emotional projections from the depths of their hearts. It attempts to record the various changes and waves caused by the diversification of entertainment media and traditional Chinese opera in today's society through their own experiences and the role of social viewers, and create creative works that fit the emotions and resonance of viewers.
Taking painting opera as the theme, this article presents the decline of traditional opera in the era of technology, which has caused various impacts on traditional opera culture, such as the loss of talents, cultural decline, suppression of technology, and a decreasing audience year by year. It is hoped that through the care and aesthetic attitude of cultural witnesses, viewers can experience the current development of opera.
The social experiences and experiences that each person experiences will create their own way of responding to society, and the way artists respond to society is to express their ideas through creating works. The main structure of this paper is divided into five chapters. Chapter 1: Introduction, elaborating on research motivation and purpose, research scope and limitations, research methods, and noun explanations. Chapter 2: Ecological Environment and Crisis of Traditional Chinese Opera Culture: Through personal experience and observation of social phenomena and research, this chapter analyzes the art works that have influenced me. Chapter 3: Creative Concept and Formal Expression, while discussing the application of formal characteristics and techniques. Chapter 4: Analysis of Creative Works, consisting of three series: "Decline Series", "Lost Series", and "Historical Series". Chapter 5: Conclusion: The author puts forward their own reflections and prospects for future creation.

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二、網路來源:
噪音管制法-全國法規資料庫。law.moj.gov.tw/LawClass/LawAll.aspx?pcode=O0030001
(2023-10-8閱覽)
噪音管制標準-全國法規資料庫。law.moj.gov.tw › LawClass › LawAll
(2023-10-8閱覽)
圖片來源《去哪兒旅行》https://travel.qunar.com/poi705839 heishangufengjingqu
(2023-9-1閱覽 )
台灣民俗文化工作室 https://www.folktw.com.tw/drama_view.php?info=22
(2023-8-10閱覽 )