研究生: |
林慧萍 |
---|---|
論文名稱: |
齊塔伊的藝術與猶太游牧情結 |
指導教授: | 王哲雄 |
學位類別: |
碩士 Master |
系所名稱: |
美術學系 Department of Fine Arts |
論文出版年: | 2003 |
畢業學年度: | 91 |
語文別: | 中文 |
論文頁數: | 267 |
英文關鍵詞: | Walter Benjamin, Franz Kafka, Existentialism, Theodor Adorno, Erza Pound, Thomas Eilot, Readymade, Edgar Wind, Erwin Panofsky, Aby Warburg, secular Jews, anti-semitism, Diasporist, Shoah, Auschwitz Concentration Camp, Joe Singer, Germania, Holocaust, Pop Art, Christ Prater, School of London |
論文種類: | 學術論文 |
相關次數: | 點閱:256 下載:21 |
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一九三二年,羅那德.布路克斯.齊塔伊(Ronald Brooks Kitaj)出生於美國俄亥俄州(Ohio)的大城克里夫蘭(Cleveland),為美裔的猶太畫家。其人生大部分的歲月都待在英國,加上猶太人的身分,使其同時生存於不同的種族血脈間,飄泊其中,交織著許多複雜的情感,就某一層觀點來說,他的藝術力量也正萌起於這些相對立的矛盾衝突中。
一位猶太藝術家如何展現他個人的民族風格與特色呢?早年的齊塔伊並不是相當清楚潛藏於個人內在的猶太人性質,直到一九七○年才進入「較有意識的猶太人時期」,在清楚的自我認識後,他更加明確地強調其藝術中的猶太主題,猶太的集體記憶隨著二次世界大戰的大屠殺,使其情感如同十字架的釘刑般愈漸沉重,更督促著他的神聖使命感,運用彩筆以留下歷史的見證。齊塔伊有意識地以倫敦為背景,將自己的繪畫藝術定位為海外的美國猶太人(Jewish-American Diasporist),並透過海外猶太人的複雜心境與心理分析,進行一系列的創作,包括奧許維茲集中營(Auschwitz Concentration Camp)、喬.辛格(Joe Singer)與德意志帝國(Germania)三項主題。
文中第一章先從藝術家的思想著手,探討卡夫卡與班傑明對其猶太身分認定上所帶來的肯定,與受到美國現代詩學的深刻影響,並涵蓋了齊塔伊一生經歷的介紹,以突顯出其漂泊歲月的猶太游牧情結。第二章則是進入齊塔伊畫作的世界,以解其晦澀難懂的藝術風格,並進行圖像的詮釋。第三章即是齊塔伊藝術中的猶太游牧情結,以了解其如何以一步步前進的方式,來親近猶太人的歷史,並展開一系列的創作,來反映出二十世紀猶太人生命的複雜詭異。在第四篇章裡,處理齊塔伊藝術的定位問題。
是故本研究之目的,在於解開齊塔伊藝術中晦澀難解的圖像之謎,經由對藝術家個人生平傳記與繪畫發展之詳盡認識,可了解到其深具猶太人的游牧情節。珍妮德.沃勒弗(Janet Wolff)的分析,認為齊塔伊猶太身分的確立時期,應集中在一九七五至八五年這十年間,然,誠如畫家本人在面對威妮.漢娜(Werner Hanak)的訪問時,回答到他個人藝術的猶太人時期,事實上是沒有終了的一天。可知,猶太身份的認定與猶太藝術的關懷,正是齊塔伊一生中所要面對的最重要課題。
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