研究生: |
高子鈞 Kao, Chih-Chun |
---|---|
論文名稱: |
音樂劇《梅蒂妮》導演詮釋分析 Director's Interpretation Analysis of the Original Musical Medine |
指導教授: |
張仰瑄
Chang, Yang-Shuan |
口試委員: |
張仰瑄
Chang, Yang-Shuan 梁文菁 Liang, Wen-Ching 姜富琴 Chiang, Fu-chin |
口試日期: | 2023/11/17 |
學位類別: |
碩士 Master |
系所名稱: |
表演藝術研究所 Graduate Institute of Performing Arts |
論文出版年: | 2024 |
畢業學年度: | 112 |
語文別: | 中文 |
論文頁數: | 178 |
中文關鍵詞: | 音樂劇 、伊斯蘭教 、土耳其劇作 、榮譽殺人 |
英文關鍵詞: | Musical, Islam, Türkiye’s Play, Honour killing |
研究方法: | 主題分析 、 內容分析法 |
DOI URL: | http://doi.org/10.6345/NTNU202401062 |
論文種類: | 代替論文:作品連同書面報告(藝術類) |
相關次數: | 點閱:53 下載:0 |
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《梅蒂妮》講述中東地區的「榮譽殺人」事件,故事主角梅蒂妮因私奔被父親活埋,而她的靈魂陷入迴圈當中,在故事中梅蒂妮會經歷三次的故事重演,但梅蒂妮最後的結局都還是死去,傳達女性在中東文化中沒有選擇的權益。此劇本是純戲劇改編音樂劇,原劇有著獨特的「迴圈式架構」,與傳統音樂劇的劇本架構不同,在改編上有著其困難度。筆者將以導演的角度分析,如何將純戲劇文本內容,改編成歌詞並加入音樂、舞蹈成為音樂劇。
第一章節為筆者自身的創作背景以及創作此齣作品的動機;第二章節是對原劇本的劇作家、角色、伊斯蘭文化的研究;第三章節針對劇情做深入的研究及分析;第四章節為筆者對於此劇的導演詮釋以及改編;第五章節將針對改編後的作品進行的結論。
"Medine" depicts honor killings in the Middle East. The protagonist, Medine, is buried alive by her father for eloping, and her soul becomes trapped in a loop. In the story, Medine experiences three repetitions of her tale, but she ultimately dies each time, conveying the lack of choice for women in Middle Eastern culture. This script is a purely dramatic adaptation into a musical, featuring a unique "loop structure" that differs from traditional musical scripts, posing challenges in adaptation. This paper will analyze, from a director's perspective, how to adapt the purely dramatic text into lyrics and incorporate music and dance to create a musical.
The first chapter details the author's creative background and motivation for creating this work; the second chapter explores the original playwright, characters, and Islamic culture; the third chapter conducts an in-depth study and analysis of the plot; the fourth chapter presents the author's directorial interpretation and adaptation; and the fifth chapter concludes the adapted work.
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