研究生: |
伍暘 Wu, Ian |
---|---|
論文名稱: |
華文原創音樂劇《校園生存守則》 音樂創作理念暨分析報告 Music Composition Concept and Analysis on Original Mandarin Musical “On the SIDELINES” |
指導教授: |
賴家慶
Lai, Jia-Ching |
口試委員: |
蘇志鵬
Su, Chih-Peng 吳義芳 Wu, I-Fang 賴家慶 Lai, Jia-Ching |
口試日期: | 2023/11/29 |
學位類別: |
碩士 Master |
系所名稱: |
表演藝術研究所 Graduate Institute of Performing Arts |
論文出版年: | 2024 |
畢業學年度: | 112 |
語文別: | 中文 |
論文頁數: | 169 |
中文關鍵詞: | 音樂劇 、歌曲創作 、樂曲功能 、音樂與文本 |
英文關鍵詞: | musical, songwriting, musical function, music and text |
DOI URL: | http://doi.org/10.6345/NTNU202400231 |
論文種類: | 代替論文:作品連同書面報告(藝術類) |
相關次數: | 點閱:68 下載:1 |
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本篇分析報告為華文原創音樂劇《校園生存守則》之音樂創作理念暨分析報告,第一章為緒論,第一節為筆者創作本音樂劇音樂之動機與目標;第二節為筆者過去之音樂劇創作經驗。第二章為音樂劇歌曲與音樂設計邏輯,音樂劇第一節為音樂劇之文本與音樂之關係,筆者將條列講述兩者之間之關係並加以分類;第二節為音樂劇歌曲之功能,筆者將音樂劇歌曲功能分類為八個種類並加以敘述。第三章為《校園生存守則》創作內容架構,共分為四節,第一節《校園生存守則》第一場至第六場劇本脈絡及分場大綱;第二節為主要角色設計概念,與角色之聲部分配;第三節筆者將探討國外類似題材之音樂劇音樂設計與使用;第四節為筆者如何設計《校園生存守則》之音樂及發想過程與方式。第四章為《校園生存守則》音樂創作與分析,共分為六節,而每一節均為一首歌曲,筆者也將在每一節介紹歌曲段落、架構以及歌曲目的,並分析歌曲創作之過程、細節、編排與統整,透過筆者之分析來了解筆者如何設計《校園生存守則》之音樂創作。
This analysis report pertains to the music composition concept and analysis of the original Chinese musical " On the SIDELINES." Chapter one serves as the introduction, with the first section discussing the author's motivation and goals for creating the music for this musical, and the second section covering the author's past experiences in musical theater composition. Chapter two focuses on the logic of the musical's songs and music design. The first section delves into the relationship between the musical's text and its music, categorizing and elaborating on the connections between the two. The second section explores the functions of the musical's songs, classifying them into eight categories and providing descriptions. Chapter three outlines the content structure of "On the SIDELINES " and is divided into four sections. The first section provides an overview of the script and scene outline from the first to the sixth scene of the musical. The second section covers the concept of character design and vocal allocation for the main characters. The third section discusses the music design and usage of similar international musicals with comparable themes. The fourth section details the author's thought process and methods for designing the music for "On the SIDELINES." Chapter four is dedicated to the music composition and analysis of "On the SIDELINES" and is divided into six sections, with each section focusing on an individual song. The author introduces the song's sections, structure, and purpose, while also analyzing the song's creative process, details, arrangement, and integration. This analysis provides insights into how the author crafted the music for " On the SIDELINES."
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