研究生: |
嚴唯菁 |
---|---|
論文名稱: |
愛德華.伯恩-瓊斯(Edward Burne-Jones, 1833-1898)的藝術及其觀者群與唯美主義(Aestheticism) |
指導教授: | 王哲雄 |
學位類別: |
碩士 Master |
系所名稱: |
美術學系 Department of Fine Arts |
論文出版年: | 2003 |
畢業學年度: | 91 |
語文別: | 中文 |
論文頁數: | 279 |
中文關鍵詞: | 愛德華.伯恩-瓊斯 、拉斐爾前派 、文藝復興 、唯美主義 、葛洛斯凡納藝廊 、私人藝術贊助收藏 、舊水彩協會 、為藝術而藝術 |
英文關鍵詞: | Edward Burne-Jones, Pre-Raphaelite, Renaissance, Aestheticism, Grosvenor Gallery, private art partorn and collector, Old Water-Colour Society, art for art's sake |
論文種類: | 學術論文 |
相關次數: | 點閱:642 下載:35 |
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愛德華‧伯恩-瓊斯(Edward Burne-Jones, 1833-1898)受到拉斐爾前派(Pre-Raphaelite)靈魂人物羅賽蒂(Dante Gabriel Rossetti)的藝術啟蒙,而成為拉斐爾前派第二代的佼佼者。伯恩-瓊斯本身並未接受長期正統美術訓練,藉著觀摩羅賽蒂作畫、臨摹義大利古代畫作展開藝術生涯,雖然初期藝術創作風格不被傳統學院中人所接受,於 1870年退出舊水彩協會(Old Water-Colour Society)展覽場域並蟄伏於個人創作,1877年再度受邀參與葛洛斯凡納藝廊(Grosvenor Gallery)開幕展,一夕之間成為藝壇矚目的焦點而被視為「唯美主義的領航者」。學界普遍認為拉斐爾前派後繼者,已將其原創精神轉變為唯美主義(Aestheticism)。伯恩-瓊斯早期承襲羅賽蒂的藝術特質,而後融合古典雕刻、義大利文藝復興等多樣藝術風格,與拉斐爾前派第一代所追求的自然寫實主義有著不同的藝術面貌,藉由伯恩-瓊斯個人藝術風格的並置排比,以檢視唯美主義藝術特質及其理念乃為本文首要之焦點。伯恩-瓊斯於1870年退出公開展覽之後,繪畫多為其藝術贊助者所委託製作。藝術家與贊助者兩造之間的關係,將述及贊助者如何看待藝術品,擴及當代審美觀點與審視藝術品的角度。再者,伯恩-瓊斯於1877年後再度於葛洛斯凡納藝廊公開展覽,該藝廊在伯恩-瓊斯藝術生涯中扮演關鍵性的角色,因此本文意欲探討的另一面向,便是透過伯恩-瓊斯私人藝術贊助者,瞭解唯美主義觀者群的視覺品味,並擴及伯恩-瓊斯於葛洛斯凡那藝廊公開展覽所獲得之評論與迴響,以獲悉觀者對於唯美藝術特質的觀感。然而鑑於唯美主義乃為一抽象的藝術思潮,是維多利亞整體變遷發展下的時代產物,在論述之時,不先行界定唯美主義的理念特質,而是著眼於伯恩-瓊斯具體風格呈顯,及其藝術觀者群的藝術品味與價值觀,逐步抽絲剝繭以瞭解唯美思潮的實質表現,歸結檢視唯美主義的具體成果。
I. 書籍
(一)伯恩-瓊斯與拉斐爾前派
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Bill, Waters. Sir Edward Burne-Jones: Laus Veneris (Newcastle upon Tyne: Laing Art Gallery, 1973)
Bullen, J. B., The Pre-Raphaelite Body: Fear Desire in Painting, Poetry, and Criticism (Oxford: Clarendon Press, 1998)
Burne-Jones, Georgiana. Memorials of Edwards Burne-Jones (London: Macmillan & Co., 1904)
Bryden, Inga. ed. The Pre-Raphaelites Writings and Sources (London: Routledge/ Thoemmes Press, 1998)
Casters, Susan P. & Faxon, Alicia Craig. eds. Pre-Raphaelite Art in its European Context (London: Associated University Presses, 1995)
Cecil, David. Visionary and dreamer: two poetic painters: Samuel Palmer and Edward Burne-Jones (New Jersey: Princeton University Press, 1979)
Christian, John. ed. Burne-Jones: The Paintings, Graphic, and Decorative Work of Sir Edward Burne-Jones, 1833-98 (London: The Arts Council of Great British, 1975)
Christian, John. & Stevens, Mary Anne. eds. The Last Romantics- the Romantics Tradition in British Art: Burne-Jones to Stanley Spencer (London: Barbican Art Gallery, 1993)
Dean, Ann S. Edward Burne-Jones (London: Pitkin Guldes Ltd, 1998)
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Lago, Mary. ed. Burne-Jones Talking: His Conversations 1895-1898 preserved by his studio assistant Thomas Rooke (Columbia: University of Missouri Press, 1981)
Mancoff, Debra N. Burne-Jones (California: Pomegranate, 1998)
Marsh. Jan. Pre-Raphaelite Women: Images of Femininity in Pre-Raphaelite Art (London: Weidenfeld and Nicolson Ltd, 1987)
Nahum, Peter. ed. Burne-Jones, the Pre-Raphaelites and their century (London: Peter Naham Ltd, 1989)
Parris, Leslie. ed. Pre-Raphaelite Papers (London: Tate Gallery, 1984)
Pointon, Marcia. ed. Pre-Raphaelites Re-viewed (London: Manchester University Press, 1989)
Prettejohn, Elizabeth. ed. After the Pre-Raphaelites (Manchester: Manchester University Press, 1999)
, Rossetti and his Circle (London: Tate Gallery, 1997)
Rossetti, Dante Gabriel.The Rossetti-Leyland Letters: The Correspondence of an Artist and his Patron Francis ed. by L. Fennell Jr., (Ohio: Ohio University Press, 1978)
Waters, William. Laus Veneris: Sir Edward Coley Burne-Jones (Laing Art Gallery, Newcastle upon Tyne 1973)
Watson, Margaretta Frederick. ed. Collecting the Pre-Raphaelites: the Anglo-American enchantment. (London: Ashgate Publishing Limited, 1997)
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Wildoman, Stephen. and Christian, John. Edward Burne-Jones, Victorian artist-dreamer(New York, The Metropolitan Museum of Art, 1998)
Wood, Christopher. Burne-Jones (London: Orion Publishing Group Ltd, 1998)
(二)其他相關資料
Archambault, Michele. The Grosvenor Gallery, 1877-1890 (London: Courtauld Institute of Art, 1978)
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Casters, Susan P. & Denney, Colleen. eds. The Grosvenor Gallery: A Palace of Art in Victorian England.(New Haven: Yale University Press, 1996)
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II. 期刊論文
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