研究生: |
李詠萱 Lee, Yung-Hsaun |
---|---|
論文名稱: |
羅伯特・舒曼《聯篇歌曲集,作品二十四》之樂曲分析與鋼琴合作詮釋探討 The Analysis and Collaborative Piano Performance Interpretation of Robert Schumann’s Liederkreis, Op.24 |
指導教授: | 張詩欣 |
學位類別: |
碩士 Master |
系所名稱: |
表演藝術研究所 Graduate Institute of Performing Arts |
論文出版年: | 2019 |
畢業學年度: | 107 |
語文別: | 中文 |
論文頁數: | 225 |
中文關鍵詞: | 舒曼 、海涅 、《聯篇歌曲集,作品二十四》 、浪漫樂派 、德文藝術歌曲 、鋼琴合作 |
英文關鍵詞: | Robert Schumann, Heinrich Heine, Liederkreis, Op.24, Romantic music, Lieder, Collaborative Piano |
DOI URL: | http://doi.org/10.6345/NTNU201900371 |
論文種類: | 學術論文 |
相關次數: | 點閱:179 下載:1 |
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羅伯特・舒曼(Robert Schumann, 1810-1856)為十九世紀德國浪漫派作曲家, 以德文藝術歌曲與鋼琴曲留名音樂史。本文之研究主題為舒曼的第一部聯篇歌曲 作品《聯篇歌曲集,作品二十四》,此作品完成於 1840 年,舒曼將九首詩作按照 原序譜曲,由於各詩中講述詩人對愛慕對象的思念與等待,並藉由與其他人物如 小鳥、船夫對話,表露其深切情感,舒曼於是透過不同調性及動機變換來強化詩 人情緒、建立氛圍。此部作品寫於 1839 至 1840 年,期間舒曼與克拉拉正準備要 結婚,原詩中對於愛人的思念與渴望皆透過舒曼真摯的音樂表露無遺。
本文涵蓋五個章節:第一章為緒論,說明研究動機與目的、研究方法及架
構;第二、三章皆為文獻探討,整理出分析本作品之前應具備的基本相關知識,如作曲家與詩人的生平背景和創作特點,著重於作曲家舒曼成長背景與藝術歌曲特質,第三章則為以詩人海涅為重,先概述生平,進而介紹其代表詩作與創作風格;第四章為《聯篇歌曲集,作品二十四》之樂曲分析鋼琴合作詮釋探討,首先介紹詩作及樂曲的創作歷程,再經筆者實際演奏及與歌者合作,並搭配樂譜及有聲資料參考,深入分析樂曲結構、詩詞意境與探討鋼琴合作詮釋,進而以鋼琴合作者角度給予練習及演奏上的建議;第五章為全文結語。
Robert Schumann (1810-1856) was one of the famous Romantic German Lieder composers in the 19th century. His first song cycle, "Liederkreis, Op.24", was composed in 1840. Schumann chose nine poems in the original order and composed this song cycle. All poems are love poems telling the poet's yearning and waiting for his lover, revealing his yearning by talking with other characters such as birds and boatmen. Schumann extended the poet's mood and established poetry’s atmosphere through different tonal and motivic changes. Since this work was written between 1839 and 1840, while Schumann and Clara were preparing for marriage, all longings and desires for love were thus also clearly revealed in Schumann's sincere writing.
There are five chapters in total: Chapter One is the introduction, revealing the motivation and the purpose of the author as well as explaining the methodology of this research; Chapter Two which is literature review, focuses on the composer Schumann’s background and the characteristics of his art songs, and Chapter Three reviews the poet Heine’s background summarizing his life experiences, then introducing his representative works, Chapter Four comes to the music-analysis and collaborative-piano performance interpretation of "Liederkreis, Op.24", firstly introducing the composing background of the poetry and music, then from the actual experience of collaborating with singer, the author analyzes all songs in details, and give recommendations for the pianist to collaborate efficiently; the final chapter is the conclusion for the whole thesis.
【中文書目】
王曾才。《西洋近代史》。南京:正中書局,2003。
朱秋華。《西方音樂史》。香港:中文大學出版社,2002。
余匡復。《德國文學史》。臺北:志一出版社,1996。
金慶雲。《舒曼藝術歌曲》。臺北:天同出版社,1975。
林鬱。《海涅語錄》。臺北:智慧大學出版社,1991。
李映荻編譯。《德國文學入門》。臺北:志文出版社,1975。
張玉書。《海涅選集》。北京:人民文學出版社,1983。
陳曉南。《海涅抒情詩選》。臺北:志文出版社, 1978。
梁友梅。《舒曼的音樂生活》。 臺北: 天同出版社, 1974。
錢春綺譯。《海涅詩選》。臺北:桂冠圖書股份有限公司,1995。
Chissell, Joan. 《舒曼評傳》(The Master Musicians: Schumann)。吳曉姮 譯。臺北:商務印刷館印行,1968。
Ostwald, Peter F. 《魔鬼的顫音:舒曼的一生》。張海燕 譯。臺北:高談文化,2006。
Dowley, Tim.《偉大作曲家羣像:舒曼》 (The Illustrated Lives of the Great Composers : Schumann)。朱健慧 譯。臺北:智庫文化,1995。
Marcuse, Ludwig. 《海涅》(Heinrich Heine)。顧正祥 譯。中國:陝西人民出版社,1987。
【外文書目】
Dieskau, Dietrich Fischer. Robert Schumann Words and Music: The Vocal Composition, Translated by Reinhard G. Pauly. Portland: Amadeus Press, 1988.
Sams, Eric. The Songs of Robert Schumann. London: Faber and Faber Ltd, 2008. Spencer, Hanna. Heinrich Heine. Boston: Twayne Publishers, 1982.
Sammons, Jeffrey L. Heinrich Heine: A Modern Biography. Princeton: Princeton University Press, 2014.
Gillespie, John. Five Centuries of Keyboard Music. revised. New York: Dover Publications, 1972.
Gorrell, Lorraine. The Nineteenth-century German Lied. Portland: Amadeus Press, 1993.
Steen, Michael. The Lives and Times of the Great Composers. London: Icon Books Ltd, 2011.
Jens, Walter. Kindlers Neues Literatur Lexikon Band.7. Stuttgart: Kindler Verlag, 1990.
【中文期刊】
邱映潔。〈舒曼:繾綣二百年的敏感與浪漫〉,《PAR 表演藝術雜誌》(2010):26-28。
李燕宜。〈琴意與詩意交會之浪漫-舒曼與他的藝術歌曲〉,《聲協會訊》(第一期,2013 年)。
【外文期刊】
Nicholas Temperely, Eric Sams, Ian Parrot and Malcolm Boyd. "Schumann and the Cipher". The Musical Times, Vol. 106, No. 1472 (Oct., 1965), 767-771.
Sams, Eric. "Did Schumann Use Ciphers?”. The Musical Times, Vol. 106, No. 1470 (Aug, 1965), 584-591 .
Sams, Eric. "The Schumann Ciphers”.The Musical Times, Vol. 107, No. 1479 (May, 1966), 392-400.
Sams, Eric. "The Tonal Analogue in Schumann's Music”. Royal Musical Association, Vol. 96 (1969 - 1970), 103-117.
【樂譜】
Robert Schumanns Werke, Serie XIII: Für eine Singstimme, mit Begleitung desPianoforte (Leipzig: Verlag von Breitkopf & Härtel, 1882.), 3-23.
Robert Schumann Selected songs for Solo Voice and Piano. Edited by Clara Shumann (New York: Dover Publications, 1981), 1-18.
【網路資訊】
Grove Music Online, Robert Schumann(February 27, 2017):
http://0-www.oxfordmusiconline.com.opac.lib.ntnu.edu.tw/subscriber/article/grove/music/4070 4pg9#S40704.9 .
【有聲資料】
Schumann: Liederkreis Op. 24 & Op. 39 / Fischer-Dieskau, Moore, Klust. EMI: 62771 ,2004.
Robert Schumann, Dietrich Fischer-Dieskau, Christoph Eschenbach, Jörg Demus – Liederkreis Op. 24 + Op. 39 Dichterliebe Op. 48 Lieder. Deutsche Grammophon: 474 466-2, 2003.
Schumann- Ian Bostridge, Julius Drake – Liederkreis Op.24, Dichterliebe Op.48 & 7 Lieder. EMI: 7243 5 56575 2 7, 1998.