簡易檢索 / 詳目顯示

研究生: 方雨婷
Finney, Taylor Marikey
論文名稱: 迪奧與凱魯亞克的多模態之旅:探究迪奧 2022 秋季男裝系列中的翻譯現象
Dior and Kerouac, A Multimodal Adventure: Exploring Translational Phenomena in Dior Men's Fall 2022 Fashion Collection
指導教授: 李根芳
Lee, Ken-Fang
口試委員: 鄭靜宜
Cheng, Ching-Yi
胡宗文
Hu, Daniel
李根芳
Lee, Ken-Fang
口試日期: 2023/07/12
學位類別: 碩士
Master
系所名稱: 翻譯研究所
Graduate Institute of Translation and Interpretation
論文出版年: 2023
畢業學年度: 111
語文別: 英文
論文頁數: 146
中文關鍵詞: 翻譯改編符際翻譯符內翻譯多模態翻譯多模態性以時尚為翻譯媒介文化中介
英文關鍵詞: adaptational translation, intersemiotic translation, intrasemiotic translation, multimodal translation, multimodality, fashion as translation, cultural intermediary
研究方法: 個案研究法
DOI URL: http://doi.org/10.6345/NTNU202301310
論文種類: 學術論文
相關次數: 點閱:125下載:15
分享至:
查詢本校圖書館目錄 查詢臺灣博碩士論文知識加值系統 勘誤回報
  • 近年來,不少翻譯研究開始探討各類新媒體如何被用作翻譯媒介。雖然時尚在 新媒體中無處不在,但只有少數研究分析時尚媒體如何被用作翻譯媒介。迪奧 2022 秋季男裝系列時裝秀以傑克凱魯亞克的作品為主題。通過分析此時裝秀, 本研究旨在探討設計師如何運用時尚元素翻譯「垮掉的一代」(Beat Generation)的作品和精神,並以布迪厄(Bourdieu)文化中介者的角度審視 迪奧設計團隊,探究設計師如何扮演譯者角色。本文援引兩位學者的理論分析 迪奧設計團隊的翻譯策略:(1)嘉登(Gottlieb)的翻譯分類模型:嘉登提出 的模型挑戰以語言學為中心的翻譯研究方法,並激發翻譯非語言題材的討論。 (2)卡因德爾(Kaindl)的多模態翻譯理論:卡因德爾的理論以模態、媒介和 類型之轉變分析翻譯。考慮到迪奧的設計過程相對不透明,筆者首先借鑑自身 對時尚行業的認識,識別此時裝秀元素對應的原文(STs)可能為何、有哪些內 容被翻譯以及如何被翻譯。本研究接著探討符號的轉變,並比較原文和時裝秀 上的符號多寡。研究結果發現,該時裝秀應用了嘉登翻譯分類模型中的六種翻 譯類型。本研究同時也分析了跨模態、同模態間、跨媒介、同媒介間、以及跨 類型翻譯的例子。最後,筆者將檢視時尚作為翻譯媒介的潛在優勢與侷限。

    A growing body of translation studies research is drawing attention to the translational capacities of diverse, nonconventional media. Despite fashion's ubiquity and visibility in new media, little research has analyzed the capacities of fashion-related media to translate. This study examines Dior Men's Fall 2022 fashion show, an event organized to promote the collaboration between Dior and the estate of Jack Kerouac, to discover how event components act as translations of Beat Generation works and values. This research looks at Dior's creative team from the perspective of Bourdieu's theory of cultural intermediaries to consider how designers act as translators. The taxonomy of translation types proposed by Gottlieb also guides analysis of the translation process. Gottlieb developed the model to challenge translation studies' linguistics-centered approach and open discussions of translations involving nonlinguistic text types. This study pairs Gottlieb's taxonomy with Kaindl's theory of multimodal translation, which analyzes translations based on changes in mode, medium, and genre. Accounting for the relative opacity of the corporate design process and drawing from the author's own industry knowledge, the analysis identifies show components' potential source texts (STs), what content is translated, and how. The study discusses changes in semiotic mode and the show components' semiotic loads relative to their STs. The study finds translations belonging to six categories of Gottlieb's taxonomy and identifies examples of intramodal, intermodal, intramedial, intermedial, and intergeneric translation. Finally, the study considers potential advantages and limitations of fashion as a medium of translation.

    Abstract ii 摘要 iii List of Figures vi Chapter 1: Introduction 1 1.1 Intersemiotic Translation & Multimodality 2 1.2 Exploring the Designer as Translator 9 1.2.1 Fashion as Communication 9 1.2.2 Exploring the Designer as Translator 13 1.3 The Texts 20 1.3.1 Kerouac and the Beat Generation 22 1.3.2 Kim Jones and Dior 24 1.4 Significance & Motivation 26 1.5 Structure 29 Chapter 2: Literature Review 32 2.1 Complicating the Source Text 32 2.2 Fashion as Translation 37 2.3 Methodology & Research Questions 43 Chapter 3: Translating Values & Desires 46 3.1 The Exhibition 48 3.1.1 A Brief History of the Fashion Show 48 3.1.2 The Rare Book Exhibition 49 3.1.3 Summary of Findings 59 3.2 Model Selection & The Body 61 3.2.1 Model Selection 62 3.2.2 Hair Styling 67 3.3 Translating the Travel Bug 72 3.4 Conclusion 74 Chapter 4: Translating the Beats' Legacy 76 4.1 The Runway 76 4.1.1 Translation Types 81 4.2 The Soundtrack 82 4.2.1 Translation Types 86 4.3 Clothing and Accessories 87 4.3.1 Translating Peritexts 88 4.3.2 Quoting the Narrative 104 4.3.3 Translating Beat Dress 108 4.4 Conclusion 118 Chapter 5: Conclusion 122 Works Cited 126 Figures Cited 136 Appendix 1: Introductory Panel Text 141 Appendix 2: Gottlieb's Translation Types 143 Appendix 3: Soundtrack Lyrics 145

    “1958-1960: The Dior Years.” Musée Yves Saint Laurent Paris, museeyslparis.com/en/biography/les-annees-dior. Accessed 30 Sep. 2022.
    “2021 Winners.” The Fashion Awards. https://fashionawards.com/2021-Winners. Accessed 27 Sep. 2022.
    Alexander, Ella. “Fashion Awards 2019: The Full Winners List.” Harper’s Bazaar, 3 Dec. 2019, www.harpersbazaar.com/uk/fashion/a30100563/fashion-awards-2019-winners/. Accessed 27 Sep. 2022.
    Anderson, Jaanika, and Maria-Kristiina Lotman. “Intrasemiotic Translation in the Emulations of Ancient Art: On the Example of the Collections of the University of Tartu Art Museum.” Semiotica, vol. 2018, no. 222, 2018, pp. 1-24. doi: 10.1515/sem-2016-0118
    Anderson, James. “13 Things You Need to Know About Kim Jones’ Debut Show for Dior Men.” i-D, 2 Jul. 2018, i-d.vice.com/en/article/neka37/13-things-you-need-to-know-about-kim-jones-debut-show-for-dior-men?utm_source=stylizedembed_i-d.vice.com&utm_campaign=paxd7g&site=i-d. Accessed 27 Sep. 2022.
    ---. “33 Things You Need to Know About Kim Jones, Dior Homme’s New Director.” i-D, 22 Mar. 2018, i-d.vice.com/en/article/paxd7g/kim-jones-dior-homme-creative-director. Accessed 27 Sep. 2022.
    “Authentic.” Merriam-Webster, www.merriam-webster.com/dictionary/authenticity. Accessed 6 Aug. 2023.
    Barnard, Malcolm. “Fashion as Communication.” Fashion Theory: A Reader, edited by Malcolm Barnard, Routledge, 2007, pp. 137-41.
    ---. “Fashion Statements: Communication and Culture.” Fashion Theory: A Reader, edited by Malcolm Barnard, Routledge, 2007, pp. 170-81.
    Barthes, Roland. Elements of Semiology. 1964. Translated by Annette Lavers and Colin Smith, Hill and Wang, 1977.
    ---. The Fashion System. 1967. Translated by Matthew Ward and Richard Howard, University of California Press, 1990.
    ---. The Language of Fashion. 2004. Translated by Andy Stafford, edited by Andy Stafford and Michael Carter, Berg, 2006.
    Baudot, Francois. Fashion: The Twentieth Century. Universe, 2006.
    Blumberg, Paul. “The Decline and Fall of the Status Symbol: Some Thoughts on Status in a Post-Industrial Society.” Social Problems, vol. 21, no. 4, 1974, pp. 480-98. doi:10.2307/799987
    “Book Sales Up, Readership Down.” The Author’s Guild, 25 Jan. 2022, authorsguild.org/news/book-sales-up-readership-down/. Accessed 22 Feb. 2023.
    Bourdieu, Pierre. Distinction: A Social Critique on the Judgment of Taste. 1979. Translated by Richard Nice, Routledge & Kegan Paul, 1984.
    Brosnan, Beth. “Bringing It All Back Home.” UMass Lowell Alumni & Friends, 19 Jun. 2020, www.alumni.uml.edu/s/1355/22/interior.aspx?pgid=8485&gid=4&cid=11874. Accessed 22 Feb. 2023.
    Brown, Susan, et al. Fashion: The Definitive History of Costume and Style. DK Publishing, 2012.
    “Christian Dior.” LVMH. www.lvmh.com/houses/fashion-leather-goods/christian-dior/. Accessed 6 May 2023.
    “Civil Rights Era (1950-1963).” Library of Congress, www.loc.gov/exhibits/civil-rights-act/civil-rights-era.html. Accessed 4 Aug. 2023.
    Corinth, Kay. Fashion Showmanship: Everything You Need to Know to Give a Fashion Show. Wiley, 1970.
    Corrigan, Peter. The Sociology of Consumption. Sage, 1997.
    Dawidoff, Nicholas. “The Man Who Saw America: Looking Back with Robert Frank, the Most Influential Photographer Alive.” The New York Times Magazine, 2 Jul. 2015, www.nytimes.com/2015/07/05/magazine/robert-franks-america.html. Accessed 18 Jan. 2023.
    De la Garza, Armida. “STEAM at Work: ‘Translating’ Science into Dress.” Textile, vol. 0, no. 0, 2021, pp. 1-17. doi: 10.1080/14759756.2021.1963118
    De la Garza, Armida et al. “Embroidery as Activist Translation in Latin America.” Textile, vol. 0, no. 0, 2021, pp. 1-14. doi: 10.1080/14759756.2021.1962697
    Diderich, Joelle. “Exclusive: Dior Men’s Collection Will Pay Tribute to ‘On the Road’ Author Jack Kerouac.” Women’s Wear Daily, 9 Dec. 2021, wwd.com/fashion-news/fashion-features/dior-men-pre-fall-show-london-tribute-jack-kerouac-on-the-road-beat-generation-1235013034/. Accessed 16 Jun. 2022.
    “The Dior Fall 2022 Men’s Show.” Youtube, uploaded by Christian Dior, 10 Dec. 2021, www.youtube.com/watch?v=T4RrVMWw2-U.
    “Dior Mens Necklace by Victoire de Castellane and Kim Jones.” Something About Rocks. somethingaboutrocks.com/article/dior-mens-necklace/. Accessed 20 Mar. 2023.
    “Dior: The Secrets of the Jack Kerouac Collection by Kim Jones! By Loic Prigent.” Youtube, uploaded by Loic Prigent, 5 Feb. 2022, www.youtube.com/watch?v=9fYtjpnrTcE.
    “Dior’s UK Menswear Line is ‘Inspired’ by Jack Kerouac. Another Appropriation, Another Win for Consumerism.” The Indian Express, 11 Dec. 2021, indianexpress.com/article/opinion/editorials/diors-uk-menswear-jack-kerouac-consumerism-7666828/. Accessed 16 Jun. 2022.
    Eco, Umberto. “Social Life as a Sign System.” Fashion Theory: A Reader, edited by Malcolm Barnard, Routledge, 2007, pp. 143-47.
    Eicher, Joanne B., and Mary E. Roach-Higgins. “Definition and Classification of Dress: Implications for Analysis of Gender Roles.” Dress and Gender: Making and Meaning, edited by Ruth Barnes and Joanne B. Eicher, Berg, 1992, pp. 8-28.
    Elleström, Lars. “The Modalities of Media: A Model for Understanding Intermedial Relations.” Media Borders, Multimodality and Intermediality, edited by Lars Elleström, Palgrave MacMillan, 2010, pp. 11-48.
    ---. “Transfer of Media Characteristics Among Dissimilar Media.” Palabra Clave, vol. 20, no. 3, 2017, pp. 663-85.
    English, Bonnie. A Cultural History of Fashion in the 20th and 21st Centuries: From Catwalk to Sidewalk. 2nd ed., Bloomsbury, 2013.
    Fearon, Faye. “Kim Jones Has Designed Custom Dior Stage Wear for BTS’ Worldwide Tour.” GQ, 14 May 2019, www.gq-magazine.co.uk/article/dior-kim-jones-bts. Accessed 27 Sep. 2022.
    Fiore, Ann Marie. Understanding Aesthetics for the Merchandising and Design Professional. 2nd ed., Fairchild Books, 2010.
    Fisher, Lauren A. “Kim Jones Named New Artistic Director at Dior Homme.” Harper’s Bazaar, 19 Mar. 2018, www.harpersbazaar.com/fashion/designers/a19479743/kim-jones-dior-homme/. Accessed 27 Sep. 2022.
    Fiske, John. Introduction to Communication Studies. Routledge, 1990.
    Frank, Robert. The Americans. Grove Press, 1959.
    Frankel, Susannah. “The Saint: Yves Saint Laurent.” Dazed & Confused, no. 63, Mar. 2000, www.dazeddigital.com/fashion/article/19339/1/the-saint-yves-saint-laurent. Accessed 30 Sep. 2022.
    Gair, Christopher. The Beat Generation. Oneworld, 2008.
    Gallagher, Brenden. “On the Road: Jack Kerouac and the Beat Generation’s Style.” Grailed, 29 Jun. 2018, www.grailed.com/drycleanonly/jack-kerouac-style-history. Accessed 28 Sep. 2022.
    Ginsberg, Allen. “Footnote to Howl.” Collected Poems: 1947-1980, Harper & Row, 1984. NSTC Humanities & Social Sciences Research Resources, huso.stpi.narl.org.tw/husoc/husokm?0016492A000000000000000000000C8000000000000000000%5EF30%5E1831~~68@@. Accessed 8 May 2023.
    ---. Howl and Other Poems. 1956. City Lights Books, 1959.
    ---. “Neal Cassady and His Love of That Year the Star-Cross'd Natalie Jackson Conscious of Their Roles in Market Street Eternity.” LensCulture, www.lensculture.com/articles/allen-ginsberg-beat-memories. Accessed 21 Feb. 2023.
    Gottlieb, Henrik. “Multidimensional Translation: Semantics turned Semiotics.” Challenges in Multidimensional Translation, Marie Curie Euroconferences, 2-6 May 2005, Saarbrücken, MuTra, www.euroconferences.info/proceedings/2005_Proceedings/2005_proceedings.html. Accessed 7 Mar. 2022.
    ---. “Semiotics and Translation.” The Routledge Handbook of Translation Studies and Linguistics, edited by Kirsten Malmkjær, Routledge, 2018, pp. 45-63.
    Grace, Nancy M. Jack Kerouac and the Literary Imagination. Palgrave Macmillan, 2007.
    Halliday, Rebecca. “Introduction.” The Fashion Show Goes Live: Exclusive and Mediatized Performance, Bloomsbury Visual Arts, 2022, pp. 1-26.
    Hicks, Jack. “Kerouac, Jack.” 20th Century American Literature, edited by James Vinson, St. Martin's Press, 1980, pp. 315-17.
    Hine, Samuel. “How Kim Jones Engineers Hype at Dior Men.” GQ, 18 Aug. 2022, www.gq.com/story/kim-jones-eli-russell-linnetz-dior-men. Accessed 27 Sep. 2022.
    Holmes, John C. “This Is the Beat Generation.” Zott, vol. 1, pp. 3-6. Originally published in New York Times Magazine, 16 Nov. 1952, pp. 10-22.
    Huggard, Emily. “The Role of the Fashion Communicator as a Cultural Intermediary.” Communicating Fashion Brands: Theoretical and Practical Perspectives, edited by Emily Huggard and Jon Cope, Kindle ed., Routledge, 2020, pp. 39-56.
    Hungerford, Amy. “Jack Kerouac, On the Road.” ENGL 291: The American Novel Since 1945, Open Yale Courses, Lecture, oyc.yale.edu/english/engl-291/lecture-8. Accessed 5 Jun. 2022.
    ---. “Jack Kerouac, On the Road (Cont.).” ENGL 291: The American Novel Since 1945, Open Yale Courses, Lecture, oyc.yale.edu/english/engl-291/lecture-9. Accessed 8 Jun. 2022.
    Jakobson, Roman. “On Linguistic Aspects of Translation.” The Translation Studies Reader, edited by Lawrence Venuti, 1st ed., Routledge, 2000, pp. 113-18.
    Jewitt, Carey, et al. Introducing Multimodality. E-book, Routledge, 2016.
    Jonas, Nick. “Kim Jones.” Interview, 9 May 2016, www.interviewmagazine.com/fashion/kim-jones-1. Accessed 27 Sep. 2022.
    Jones, Leroi. “Letter to the Editor of Partisan Review.” Zott, vol. 1, pp. 19-21. Originally published in Partisan Review, vol. 25, no. 3, 1958, pp. 472-73.
    Kaindl, Klaus. “A Theoretical Framework for a Multimodal Conception of Translation.” Translation and Multimodality: Beyond Words, edited by Monica Boria et al., Routledge, 2020, pp. 49-70.
    Kass, Jason. “The Symbolic Value of Fashion Brand Collaboration.” Communicating Fashion Brands: Theoretical and Practical Perspectives, edited by Emily Huggard and Jon Cope, Kindle ed., Routledge, 2020, pp. 141-55.
    Kent, Sarah. “Fashion’s Long Road to Inclusivity.” The Business of Fashion, 7 Oct. 2019, www.businessoffashion.com/articles/news-analysis/fashions-long-road-to-inclusivity/. Accessed 4 Aug. 2023.
    Kerouac, Jack. On the Road. 1957. Penguin, 1999.
    ---. On the Road: The Original Scroll, edited by Howard Cunnell, Penny Vlagopoulos, George Mouratidis, and Joshua Kupetz, Viking, 2007.
    ---. “The Origins of the Beat Generation.” Zott, vol. 1, pp. 21-5. Originally published in Playboy, vol. 6, no. 6, Jun. 1959, pp. 31-32, 42, 79.
    ---. Visions of Cody. 1972. Kindle ed., Penguin, 1993.
    Kourdis, Evangelos. “Spatial Composition as Intersemiotic Translation: The Journey of a Pattern Through Time from a Translation Semiotics Theory Perspective.” Semiotica, vol. 2018, no. 222, 2018, pp. 1-12. doi: 10.1515/sem-2016-0169
    Kress, Gunther, and Theo van Leeuwen. Multimodal Discourse: The Modes and Media of Contemporary Communication. Arnold / Oxford University Press, 2001.
    ---. Reading Images: The Grammar of Visual Design. 2nd ed., Routledge, 2006.
    Liao, Lorry, and Dustin. “專訪藝術總監 Kim Jones,關於以經典小說《On The Road》為背景的「Dior 22 秋冬男裝大秀」!” [An Interview with Creative Director Kim Jones: On Dior Men’s FW22 Show Based on the Classic Novel On the Road!]. GQ Taiwan, 14 Dec. 2021, www.gq.com.tw/fashion/article/kim-jones-on-the-road-dior. Accessed 13 May 2023.
    Mbonu, Ezinma. Fashion Design Research. Laurence King Publishing Ltd., 2014.
    McClendon, Alphonso D. Fashion and Jazz: Dress, Identity and Subcultural Improvisation. Bloomsbury, 2015.
    Millán-Varela, Carmen. “Exploring Advertising in a Global Context: Food for Thought.” The Translator, vol. 10, no. 2, 2004, pp. 245-67. doi: 10.1080/13556509.2004.10799179
    Moore, Jennifer Grayer. Street Style in America: An Exploration. ABC-Clio, 2017.
    “Nowhere to Go but Everywhere | Dior Menswear Fall 2022.” Peter Harrington, www.peterharrington.co.uk/blog/dior-beat-generation/. Accessed 19 Mar. 2022.
    “Nowhere to Go but Everywhere | Dior Menswear Fall 2022.” Youtube, uploaded by Peter Harrington, 14 Dec. 2021, www.youtube.com/watch?v=nocrA_d8B8U&list=PLP97Uw0ut64sM_H5GxIZNHfpLd7TcqyCg&index=3.
    O’Hagan, Sean. “The Open Road: Photography and the American Road Trip Review – a Survey of Photographers’ Journeys.” The Guardian, 30 Nov. 2014, www.theguardian.com/books/2014/nov/30/open-road-photography-america-david-campany-review. Accessed 18 Jan. 2023.
     “On the Road Quotes.” Goodreads, www.goodreads.com/work/quotes/1701188-on-the-road. Accessed 21 Jan. 2023.
    Pappas, Kali. “Beatnik Fashion.” Finery, 1 Sep. 2014, gbacg.org/finery/2014/beatnik-fashion/. Accessed 28 Sep. 2022.
    Parkinson, Thomas. “Phenomenon or Generation.” Zott, vol. 1, pp. 25-32. Originally published in A Casebook on the Beat, Thomas Y. Crowell Company, 1961, pp. 276-90.
    “Peirce's Theory of Signs.” Stanford Encyclopedia of Philosophy, revised 4 Aug. 2022, plato.stanford.edu/entries/peirce-semiotics/. Accessed 21 Nov. 2022.
    “Pneumonia of Unknown Cause – China.” World Health Organization, 5 Jan. 2020, www.who.int/emergencies/disease-outbreak-news/item/2020-DON229. Accessed 9 May 2023.
    Podhoretz, Norman. “The Know-Nothing Bohemians.” Zott, vol. 1, pp. 13-19. Originally published in Partisan Review, vol. 25, no. 2, 1958, pp. 305-11, 313-16, 318.
    Rich, Motoko, and Melena Ryzik. “Still Vital, ‘On the Road’ Turns 50.” The New York Times, 15 Aug. 2007, www.nytimes.com/2007/08/15/books/15kero.html. Accessed 15 Jun. 2022.
    Rocamora, Agnès. “Mediatization and Digital Media in the Field of Fashion.” Fashion Theory, vol. 21, no. 5, 2017, pp. 505-22. doi: 10.1080/1362704X.2016.1173349
    Rogers, Sam. “5 Things to Know About Kim Jones, the Designer Who Reinvented Louis Vuitton’s Menswear.” Vogue, 19 Mar. 2018, www.vogue.fr/vogue-hommes/fashion/story/5-things-to-know-about-kim-jones-the-designer-who-reinvented-louis-vuittons-menswear/890. Accessed 27 Sep. 2022.
    Salles, Walter, director. On the Road. IFC Films, 2012.
    Sante, Luc. “On the Road Again.” The New York Times, 19 Aug. 2007, www.nytimes.com/2007/08/19/books/review/Sante2-t-1.html. Accessed 15 Jun. 2022.
    “Semiotics: Study of Signs.” Encyclopedia Britannica, www.britannica.com/science/semiotics. Accessed 21 Nov. 2022.
    Skidmore, Maisie. “How Beatnik Style Made the Underground Mainstream.” AnOther, 18 Feb. 2016, www.anothermag.com/fashion-beauty/8395/how-beatnik-style-made-the-underground-mainstream. Accessed 28 Sep. 2022.
    Smith Maguire, Jennifer, and Julian Matthews. The Cultural Intermediaries Reader. SAGE, 2014.
    Stansfield, Ted. “Exploring Gucci’s Hidden Inspirations.” Dazed, 17 Mar. 2016, www.dazeddigital.com/fashion/article/30413/1/exploring-gucci-s-hidden-inspirations. Accessed 1 Mar. 2023.
    Stecconi, Ubaldo. “Semiotics.” The Routledge Encyclopedia of Translation Studies, edited by Mona Baker and Gabriela Saldanha, 2nd ed., Routledge, 2009, pp. 260-63.
    Su, Zhuang, and Siyan Song. “Translating Tigers: The Visual Rhetoric of Fashion Communication in Kenzo’s Logo.” Textile, vol. 0, no. 0, 2021, pp. 1-18. doi: 10.1080/14759756.2021.1963567
    Torresi, Ira. “Advertising.” The Routledge Encyclopedia of Translation Studies, edited by Mona Baker and Gabriela Saldanha, 2nd ed., E-book, Routledge, 2009, pp. 6-10.
    Toury, Gideon. “Translation: A Cultural-Semiotic Perspective.” Encyclopedic Dictionary of Semiotics, edited by Thomas A. Sebeok, vol. 2, Mouton de Gruyter, 1986, pp. 1111-124.
    Triana, Melinda. “On the Road.” Dior. www.dior.com/en_my/fashion/mens-fashion/shows/folder-fall-2022/on-the-road. Accessed 19 Mar. 2022.
    Tucker, David. Introduction. “To Secure These Rights: The Report of the President’s Committee on Civil Rights.” Teaching American History, Dec. 1947, teachingamericanhistory.org/document/to-secure-these-rights-the-report-of-the-presidents-committee-on-civil-rights/. Accessed 4 Aug. 2023.
    Uggla, Henrik. “The Brand Association Base: A Conceptual Model for Strategically Leveraging Partner Brand Equity.” Journal of Brand Management, vol. 12, no. 2, 2004, pp. 105-23.
    “What Robert Frank Learned from the Beats.” The Allen Ginsberg Project, 27 Jun. 2019, allenginsberg.org/2019/06/t-j-27/. Accessed 6 May 2023.
    Wilson, Sophie. “How the Beat Generation Created the Uniform for Disaffected Youth.” Literary Hub, 1 Mar. 2022, lithub.com/how-the-beat-generation-created-the-uniform-for-disaffected-youth/. Accessed 28 Sep. 2022.
    Woodward, Daisy. “In His Latest Menswear Offering for the French Fashion House, Kim Jones Delivers a Dazzling Ode to Jack Kerouac and the Beats, Re-Spun for a New Generation of Fashion-Forward Free Spirits.” The Face, 10 Dec. 2021, theface.com/style/dior-fall-2022-aw22-kim-jones-menswear-jack-kerouac-beat-generation-1950s. Accessed 16 Jun. 2022.
    Zhang, Rong-Xi. “Dior FW22男裝向Jack Kerouac致敬 認識垮掉的一代次文化風韻” [Dior Men FW22 Pays Tribute to Jack Kerouac: Get Acquainted with the Subcultural Style of the Beat Generation]. Hong Kong 01, 15 Dec. 2021, www.hk01.com/一物/712605/dior-fw22男裝向jack-kerouac致敬-認識垮掉的一代次文化風韻?utm_source=01webshare&utm_medium=referral&utm_campaign=non_native. Accessed 13 May 2023.
    Zott, Lynn M., editor. The Beat Generation: A Gale Critical Companion. The Gale Group, 2003. 3 vols.

    下載圖示
    QR CODE