簡易檢索 / 詳目顯示

研究生: 曾煒昕
Tseng, Wei-Hsin
論文名稱: 丹·佛瑞斯特《給在世者的安魂曲》之指揮詮釋研究
The Conducting Interpretation of Dan Forrest's Requiem for the Living
指導教授: 孫愛光
Sun, Aikuang
口試委員: 廖嘉弘
Liao, Chia-Hong
陳麗芬
Chen, Li-Fen
孫愛光
Sun, Aikuang
口試日期: 2023/07/02
學位類別: 碩士
Master
系所名稱: 音樂學系
Department of Music
論文出版年: 2023
畢業學年度: 111
語文別: 中文
論文頁數: 164
中文關鍵詞: 丹·佛瑞斯特給在世者的安魂曲指揮詮釋
英文關鍵詞: Dan Forrest, Requiem for the Living, conducting interpretation
研究方法: 內容分析法
DOI URL: http://doi.org/10.6345/NTNU202300647
論文種類: 學術論文
相關次數: 點閱:50下載:3
分享至:
查詢本校圖書館目錄 查詢臺灣博碩士論文知識加值系統 勘誤回報
  • 本篇論文旨在透過指揮者的角度研究美國當代作曲家丹·佛瑞斯特 (Dan Forrest, 1978-) 於2013年初完成的大型合唱—管弦樂作品《給在世者的安魂曲》(Requiem for the Living)。丹·佛瑞斯特目前為在國際上逐漸打開知名度的中生代作曲家;作為一位全職作曲家,佛瑞斯特至今已有為數可觀受歡迎的各式音樂作品問世;身為一個基督徒,宗教性作品更是佔了他眾多的創作當中的絕大多數,而《給在世者的安魂曲》便是其中最傑出且受歡迎的代表性作品之一。對此,本文將針對《給在世者的安魂曲》一曲其相關的創作背景、樂章與歌詞安排、樂曲架構,以及樂曲的指揮詮釋等內容進行分析探討。期望透過本文的研究,可將這首藝術性及欣賞價值兼具的傑出當代基督教合唱作品有系統地介紹給廣大合唱音樂與基督教聖樂的愛好者。

    This paper aims to examine the large-scale choral-orchestral work Requiem for the Living, completed in early 2013 by contemporary American composer Dan Forrest (1978-), through the lens of a conductor. Dan Forrest is a mid-generation composer who is gradually establishing his reputation internationally. As a full-time composer, Forrest has released a considerable number of diverse music works to date, which have been well received. As a Christian, religious pieces make up the vast majority of his numerous creations, among which Requiem for the Living is one of the most outstanding and popular representative works. This study will focus on analyzing the creative background, arrangement of movements and lyrics, musical structure, and the conducting interpretation related to Requiem for the Living. It is hoped that through this research, this remarkable contemporary Christian choral work, which holds both artistic and appreciative value, can be systematically introduced to a broad base of enthusiasts of choral music and Christian sacred music.

    第一章 緒論 1 第一節 研究動機與目的 1 第二節 研究範圍與內容 3 第三節 研究方法與步驟 4 第二章 作曲家生平與樂曲創作背景 7 第一節 作曲家生平 7 第二節 樂曲創作背景 13 第三章 音樂風格與樂曲探究 17 第一節 安魂曲簡介 17 第二節 歌詞探究 23 第三節 版本運用 30 第四節 樂曲結構與配器 34 第四章 指揮詮釋 71 第一節 第一樂章〈進堂曲–垂憐曲〉 72 第二節 第二樂章〈虛空〉 87 第三節 第三樂章〈上帝的羔羊〉 107 第四節 第四樂章〈聖哉〉 116 第五節 第五樂章〈永恆之光〉 133 第五章 排練與展演回顧 141 第一節 音樂會籌備與排練 141 第二節 音樂會演出回顧 150 第六章 結論 153 參考書目 156 附錄 162

    王沛綸。《指揮學》。臺北:全音樂譜出版社,1971。
    吳祖強。《曲式與作品分析》。臺北:全音樂譜出版社,1994。
    李振邦。《教會音樂》。臺北:世界文物出版社,2002。
    麥愛鄰。《教會音樂史》。臺南:人光出版社,1993。
    楊嘉仁。《指揮法》。楊大經 編。上海:上海音樂出版社,1999。
    劉志明。《中世紀音樂史》。臺北:全音樂譜出版社,2001。
    劉志明。《聖樂綜論》。臺北:全音樂譜出版社,2000。
    馬革順。《合唱學新編》。上海:上海音樂出版社,2002。
    鄭方靖。《當代五大音樂教學法》。高雄:復文圖書出版社,2020。
    Atherton, Leonard.《指揮手冊》(The Conductor's Handbook)。呂淑玲、蘇索才譯。臺北:揚智文化,2002。
    Gaebelein, Frank E.《當代基督徒人文素養》(The Christian, the Art, and Truth: Regaining the Vision of Greatness)。D. Bruce Lockerbie 編。蘇茜 譯。臺北:校園書房出版社,1998。
    Hustad, Donald P.《當代聖樂與崇拜》(Jubilate II: Church Music in Worship and Renewal)。謝林芳蘭 譯。臺北:校園書房出版社,1998。
    Johnson, Terry L.《改革宗敬拜:根據聖經的敬拜》(Reformed Worship: Worship that is According to Scripture)。卓君威 譯。臺北:改革宗出版有限公司,2015。
    Saliers, Don E.《音樂與神學》(Music& Theology)。陳永財 譯。香港:浸信會出版社(國際)有限公司,2011。
    Scherchen, Hermann.《指揮教程》(Lehrbuch des Dirigierens)。王方元 譯。北京:人民音樂出版社,2000。
    石淑棻。〈安魂曲〉。《議藝份子》。200012,123-132。
    林勁亨。〈丹.弗雷斯特《天堂之語》作品分析與合唱排練建議〉。國立中山大學音樂學系碩士班解說音樂會報告。2020。
    康基祐。〈艾爾撤《安魂曲》之指揮詮釋研究〉。國立臺灣師範大學音樂學院音樂學系音樂碩士在職專班士論文。2020。
    陳欣愉。〈浦契尼《光榮彌撒》之探究與指揮詮釋〉。國立臺灣師範大學音樂學系碩士班指揮組碩士論文。2018。
    劉曉書。〈海斯《光榮頌》室內樂版本之指揮詮釋研究〉。國立臺灣師範大學音樂學系研究所指揮組碩士論文。2016。
    Agricola, Johann Friedrich. Introduction to the Art of Singing. Ed. and trans. Julianne C. Baird. Cambridge: Cambridge University Press, 1995.
    Berry, Wallace. Form in Music. 2nd ed. Upper Saddle River: Pearson Education, Inc., 1986.
    Berry, Wallace. Structural Functions in Music. New York: Dover Publications, Inc., 1987.
    Bowen, José Antonio. ed. The Cambridge Companion to Conducting. Cambridge: Cambridge University Press, 2003.
    Brinson, Barbara. Choral Music: Methods and Materials. New York: Schirmer Books, 1996.
    Cadwallarder, Allen, and Gagné, David. Analysis of Tonal Music: A Schenkerian Approach. 3rd ed. New York and Oxford: Oxford University Press, 2011.
    Christensen, Thomas. The Cambridge History of Western Music Theory. Cambridge: Cambridge University Press, 2002.
    Fux, Johann Joseph. The Study of Counterpoint. Trans. And ed. Alfred Mann. New York and London: W. W. Norton & Company, 1971.
    Garretson, Robert L. Choral Music: History, Style, and Performance Practice. Englewood Cliffs: Prentice-Hall, Inc., 1993.
    McElheran, Brock. Conducting Technique: For Beginners and Professionals. 3rd ed. New York and Oxford: Oxford University Press, 2004.
    Miller, Kenneth E. Vocal Music Education: Teaching in the Secondary School. Englewood Cliffs: Prentice-Hall, Inc., 1988.
    Narmour, Eugene. The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model. Chicago and London: The University of Chicago Press, 1990.
    Robinson, Ray. and Winold, Allen. The Choral Experience: Literature, Materials and Methods. Long Grove: Waveland Press, Inc., 1992.
    Rudolf, Max. The Grammar of Conducting: A Comprehensive Guide to Baton Technique and Interpretation. 3rd ed. Boston: Thomson Schirmer, 1995.
    Salzman, Eric. Twentieth-Century Music: An Introduction. 3rd. ed. Englewood Cliffs: Prentice-Hall, Inc., 1988.
    Scruton, Roger. Understanding Music: Philosophy and Interpretation. London: Continuum International Publishing Group, 2009.
    Stolba, K. Marie. The Development of Western Music: A History. New York: McGraw-Hill, 1998.
    Strimple, Nick. Choral Music in the Twentieth Century. Portland: Amadeus Press, 2002.
    Tischler, Barbara L. An American Music: The Search for An American Music Identity. New York and Oxford: Oxford University Press, 1986.
    Turabian, Kate L. A Manual for Writers of Research Papers, Theses, and Dissertations: Chicago Style for Students and Researchers. 9th ed. Chicago and London: The University of Chicago Press, 2018.
    Wis, Ramona M. The Conductor as Leader: Principles of Leadership Applies to Life on the Podium. Chicago: GIA Publications, Inc., 2007.
    Young, Percy M. The Choral Tradition. Rev. ed. New York and London: W. W. Norton & Company, 1981.
    Combs, William Steven. A Survey of Selected Early Twenty-First Century American Sonatas for Tenor Trombone and Piano. DMA. Dissertation, University of Colorado Boulder, 2019.
    Cope, Lindsey Lanee´. “The Power of Three in Dan Forrest’s Requiem for the Living.” M.Mus. Thesis, The University of Tennessee, Knoxville, 2015.
    Phillips, Nathan Gregory. “ Dan Forrest’s Sonata for Trombone and Piano (2005): A Performance Guide.” DMA. Dissertation, The University of North Carolina at Greensboro, 2019.
    王生台。〈【福音ㄅㄆㄇ】聖經中的數目〉。
    https://www.luke54.org/view/25/2686.html。摘綠於 April 23 2022。
    Hubble Deep Fields - Hubblesite.Org. Accessed September 15, 2022. https://hubblesite.org/contents/articles/hubble-deep-fields.
    "The French Horn." Timusic.net. Accessed April 8, 2023. https://www.timusic.net/debreved/the-french-horn/.
    Forrest, Dan. “The Music of Dan Forrest: Composer. Pianist. Educator.” Accessed February 2, 2022. https://danforrest.com/.
    McKee, Wendy. “Choral Conversations: Dan Forrest.” Cued In. Last modified February 26, 2021. Accessed November 25, 2022. https://blogs.jwpepper.com/choral-conversations-dan-forrest/.
    Williams, Paul D. “Choral Music Review: Dan Forrest and Bel Canto - Who Knew There Could Be a “Requiem for the Living?” CVNC. Last modified August 2, 2013. https://cvnc.org/article.cfm?articleId=6309.
    Forrest, Dan. Requiem for the Living. Ensemble Score. Chapel Hill: Hinshaw Music Inc., 2014.
    Forrest, Dan. Requiem for the Living. Vocal Score. Chapel Hill: Hinshaw Music Inc., 2014.
    “Https://Soundcloud.com/Danforrestmusic/Wwfm-Sounds-Choral-Interview-Dan-Forrest-Nov-22-2015?utm_source=Danforrest.com&utm_campaign=Wtshare&utm_medium=Widget&utm_content=Https%253A%252F%252Fsoundcloud.Com%252Fdanforrestmusic%252Fwwfm-Sounds-Choral-Interview-Dan-Forrest-Nov-22-2015.” Other, n.d.
    Baylor Center for Christian Music Studies. “Alleluia 2014 Dan Forrest Creative Piano Arranging & Performing - Part I.” July 23, 2014. YouTube video. 57:16. https://www.youtube.com/watch?v=Cna8XE5pgBE.
    Baylor Center for Christian Music Studies. “Alleluia 2014 Dan Forrest Creative Piano Arranging & Performing - Part II.” July 24, 2014. YouTube video. 1:00:40. https://www.youtube.com/watch?v=cD2XeDQpzqY.
    Bob Jones University. ““Requiem for the Living” by Dan Forrest COMPLETE performance by Bob Jones University Chorale.” April 30, 2014. YouTube video. 38:51. https://www.youtube.com/watch?v=GTsqM7CDYgc.
    Cook, Warren. “Requiem for the Living – Dan Forrest – COMPLETE – Rivertree Singers & Friends.” Rivertree Singers. January 9, 2015. YouTube video. 40:54. https://www.youtube.com/watch?v=yQ9KLpWMGx8.
    Forrest, Dan. “Requiem for the Living - Dan Forrest- COMPLETE.” September 3, 2013. YouTube video. 40:51. https://www.youtube.com/watch?v=uG0cbu5vsmM.
    J.W. Pepper. “Dan Forrest - Choir, The Music Is Simply Worth It.” Jwpepper1876. January 26, 2016. YouTube video. 2:51. https://www.youtube.com/watch?v=J4tTTzChOdc.
    J.W. Pepper. “Dan Forrest - Every Composer Has A Season.” Jwpepper1876. January 26, 2016. YouTube video. 2:11. https://www.youtube.com/watch?v=spsi1441sOY.
    J.W. Pepper. “Dan Forrest - Requiem for the Living.” Jwpepper1876. January 26, 2016. YouTube video. 6:04. https://www.youtube.com/watch?v=OLUcL88g40E.
    J.W. Pepper. “Dan Forrest - The Permission to Fail, the Freedom to Progress.” Jwpepper1876. January 26, 2016. YouTube video. 5:08. https://www.youtube.com/watch?v=2thFk30xwYM.
    Nelson, Eric. “Spirited Conversations with Dan Forrest - October 4, 2021.” Atlanta Master Chorale. October 5, 2021. YouTube video. 54:44. https://www.youtube.com/watch?v=to9pXRvj0IM&list=RDto9pXRvj0IM&start_radio=1.
    Tramm, Jason. “Dan Forrest “Composer on Music in Troubled Times.”” Music Matters. October 30, 2020. YouTube video. 52:30. https://www.youtube.com/watch?v=_Bvz7VyJWnA.

    下載圖示
    QR CODE