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研究生: 錢毅姍
Qian, Yi-shan
論文名稱: 從《改編理論》看舞台劇《春眠》的跨文化行旅
An Analysis on Sleep in Spring from the Perspective of A Theory of Adaptation
指導教授: 胡宗文
Hu, Daniel
口試委員: 李根芳
Lee, Ken-Fang
張金櫻
Chang, Chin-Ying
胡宗文
Hu, Daniel
口試日期: 2024/01/29
學位類別: 碩士
Master
系所名稱: 翻譯研究所
Graduate Institute of Translation and Interpretation
論文出版年: 2024
畢業學年度: 112
語文別: 中文
論文頁數: 90
中文關鍵詞: 熊過山來了春眠愛麗絲·孟若簡莉穎西方經典在地化
英文關鍵詞: The Bear Came Over the Mountain, Sleep in Spring, Alice Munro, Chien Li-Ying, Indigenization
研究方法: 內容分析法
DOI URL: http://doi.org/10.6345/NTNU202400392
論文種類: 學術論文
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  • 1999年,孟若(Alice Ann Munro)的小說《熊過山來了》於《紐約客》雜誌發表,並於2001年收錄於一部小說集中;2011年,啟發自《熊過山來了》,台灣劇作家簡莉穎創作了舞台劇《春眠》,於2012年首演。這一部戲劇從加拿大的土壤,歷經時空、文化的移轉,跨越傳達的媒介,來到風景迥異的台灣,不是單純的「拿來主義」,而是在對原作人物關係、社會背景、主題的理解上,重新構建的本土化故事。
    本篇論文以赫其恩(Linda Hutcheon)的《改編理論》為基,旨在探討文化背景如何影響二部作品,而作品又如何還原「彼時世代」之樣貌;此外,探討台灣劇作家對加拿大作品的詮釋,以及舞台演出對劇本的詮釋及呈現方式;最後,總結二者在主題上的共通與差異之處。

    In 1999, Alice Ann Munro's short story "The Bear Came Over the Mountain" was published in The New Yorker magazine. In 2001, a collection containing this short story was published. In 2011, inspired by "The Bear Came Over the Mountain", Taiwanese playwright Chien Li-Ying created the stage play Sleep in Spring, which premiered in 2012. This theatrical production, originated from the Canadian soil, traversed through time, culture, and different medium, arriving in Taiwan with a distinct landscape. It is not a mere act of appropriation but a localized reconstruction of the story, reinterpreting the characters' relationships, social background, and themes within the Taiwanese context.
    This thesis is grounded in Linda Hutcheon's A Theory of Adaptation and aims to explore how cultural contexts influence two literary works and how these works reconstruct their 'bygone era'. Additionally, it explores the interpretations of Canadian works by the Taiwanese playwright as well as the ways in which the scripts are interpreted and presented in stage performances. Lastly, it seeks to summarize the thematic commonalities and differences between the two works.

    第一章 緒論 1 第一節 研究背景與目的 1 第二節 文本與作者 2 壹、《熊過山來了》(The Bear Came Over the Mountain) 2 貳、《春眠》 5 第三節 文獻回顧 10 第二章 理論架構與研究方法 16 第一節 赫其恩之改編理論 16 第二節 章節架構 23 第三章 互參成文:社會、歷史、文化 25 第一節《熊》的加拿大社會文化背景 25 壹、女性解放熱潮 27 貳、左派政治運動 33 參、身份認同的轉變 37 第二節《春眠》對台灣社會文化背景的適應 42 壹、女性解放熱潮 44 貳、政治運動和身份認同轉變 46 第三節 小結 50 第四章 表現手法 53 第一節 敘述視角 53 壹、《熊》的敘述視角 55 貳、《春眠》的視角 56 第二節 內在與外在 58 壹、內在 58 貳、外在 60 第三節 時間表達 63 壹、以敘事者的講述 63 貳、演員衣著與表演 64 參、光線 65 第四節 文學性 67 第五節 小結 74 第五章 結語與建議 77 參考文獻 81 附錄 90 著作權 literary property 90

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