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研究生: 吳心如
Wu Hsin- Ju
論文名稱: 班哲明‧布瑞頓 《民歌改編第四冊 ─ 莫爾愛爾蘭歌曲集》之探討
Benjamin Britten (Folksong Arrangements: Volume 4- Moore’s Irish Melodies)
指導教授: 陳榮貴
Chen, Rong- Kwei
學位類別: 碩士
Master
系所名稱: 音樂學系
Department of Music
論文出版年: 2008
畢業學年度: 96
語文別: 中文
論文頁數: 141
中文關鍵詞: 班哲明‧布瑞頓湯瑪士‧莫爾莫爾愛爾蘭歌曲集英國民歌英文歌曲發音
英文關鍵詞: Benjamin Britten, Thomas Moore, Moore’s Irish Melodies, Folksong Arrangements
論文種類: 學術論文
相關次數: 點閱:179下載:28
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  • 班哲明‧布瑞頓(Benjamin Britten, 1913-1976)為英國二十世紀最著名、最重要的作曲家。其一生創作作品數量與種類繁多,其中又以聲樂作品特為傑出,在歌劇、藝術歌曲方面皆為英國締造了音樂創作的新里程碑。但除創作外,布瑞頓亦有相當數量的民歌改編作品,雋永有味,為人所傳唱。本論文特選其民歌作品《民歌改編第四冊 ─ 莫爾愛爾蘭歌曲集》,分別為《復仇與明亮》(AVENGING AND BRIGHT)、《航行,航行 》(SAIL ON, SAIL ON)、《多甜美的回聲》(HOW SWEET THE ANSWER)、唱遊男孩》(THE MINSTREL BOY)、《午夜時分》(AT THE MID HOUR OF NIGHT)、《富麗和珍貴》(RICH AND RARE)、《我國珍貴的豎琴!》(DEAR HARP OF MY COUNTRY!)、《常在靜謐的夜裡》(OFT IN THE STILLY NIGHT)、《夏日最後玫瑰》(THE LAST ROSE OF SUMMER)、《喔令人狂喜的景象》(O THE SIGHT ENTRANCING)共十首歌曲,從旋律、和絃、歌詞語韻及演唱詮釋方法等角度切入,對於該作品的演唱方法加以研究,並佐以譜例及註記,嘗試尋找出最能適切表達此作品意境的形與神,期能對國內布瑞頓作品之研究,盡一份綿薄之力。

    目錄 前言...5 第一章 音樂家布瑞頓與詩人莫爾...6 第一節 布瑞頓的生平與重要作品...6 第二節 布瑞頓的歌曲風格與特色...15 第三節 莫爾生平簡介...17 第二章 《民歌改編 ─ 第四冊莫爾愛爾蘭歌曲集》... 22 第一節 英國的民歌復興運動...22 第二節 《愛爾蘭歌曲集》...28 第三節 英文發音...30 第四節 英式英文與美式英文...32 第三章 各曲分析...36 第一節《復仇與明亮》(AVENGING AND BRIGHT)...36 第二節《航行,航行 》(SAIL ON, SAIL ON)...50 第三節《多甜美的回聲》(HOW SWEET THE ANSWER)...59 第四節《唱遊男孩》(THE MINSTREL BOY)...68 第五節《午夜時分》(AT THE MID HOUR OF NIGHT)...76 第六節《富麗和珍貴》(RICH AND RARE)...83 第七節《我國珍貴的豎琴!》(DEAR HARP OF MY COUNTRY!)...92 第八節《常在靜謐的夜裡》(OFT IN THE STILLY NIGHT)...99 第九節《夏日最後玫瑰》(THE LAST ROSE OF SUMMER)...109 第十節《喔令人狂喜的景象》(O THE SIGHT ENTRANCING)...117 第十一節 總結...125 結論...138 參考書目...139

    中文參考書目:

    丁韻真。〈羅傑.奎爾特之三組依莉莎白時期詩歌研究〉。國立台灣師範大學碩士論文,2007。

    馬清。《二十世紀歐美音樂風格》。台北:揚志文化,2000。

    康美鳳。《英文藝術歌曲精選》。台北:世界文物出版社,2004。

    艾文思(Ifor Evans)。《英國文學史略》。呂建忠譯。台北:書林出版有限公司,1985。

    麥可肯尼第(Michael Kennedy)。〈威廉‧華爾頓、邁可‧提佩特與班傑明‧布烈頓〉。《西洋音樂史百科全書第八冊 二十世紀音樂(下)》。陳澄和譯。台北:台灣麥克公司,1994。

    黎翁大林(Leon Dalin)。《二十世紀作曲法》。康謳譯。台北:全音樂譜出版社,1977。

    Karl R. Twohig。《英式英語生活小酒館》。詹慕如譯。台北:眾文圖書股份有限公司,2006。

    外文參考書目:

    Banfield, Stephen. Sensibility and English Song: Critical Studies of the Early 20th Century. Cambridge: Cambridge Universuty Press, 1985.

    Brett, Philip. Music and Sexuality in Britten. London England: University of California Press, Ltd, 2006.

    Boaz, Virginia Lile. A Performer’s Guide to Benjamin Britten’s On This Island, Opus 11. DMA diss. The Southern Baptist Theological Seminary, 2000.

    Caldwell, John. The Oxford History of English Music, v.Ⅱ. From c. 1715 to The Present Day. New York: Oxford Universuty Press Inc, 1999.

    Carpenter, Humphrey. Benjamin Britten: A Biography. New York: C. Scribner’s Sons, 1992.

    Cooke, Mervyn. The Cambridge Companion to Benjamin Britten. New York: Cambridge Universuty Press, 1999.

    Donald, Motchell and Hans Keller, Benjamin Britten: a commentary on his works from a group of specialists. Greenwood Press: 1972.

    Evans, John, Philip Reed, and Paul Wilson. A Britten Source Book. Aldeburgh: The Britten- Pears Library, 1987.

    Evens, Peter. The Music of Benjamin Britten. Oxford: Clarendon Press, 1996.

    Flannery, James. W. Dear Harp of My Country: The Irish Melodies of Thomas Moore. Nashville, TN: J. S. Sanders & Company, 1995 & 1997.

    Hodgson, J. Peter. Benjamin Britten A Guide to Research. NY and London: Garland Publishing, Inc. 1996.

    Károlyi, Ottó. The Second British Musical Renaissance – from Elgar to P. Maxwell Davies. London and Toronto: Associated University Press, 1994.

    Károlyi, Ottó. Introducing Modern Music. London: Penguin Books, 1995.

    Kennedy, Michael. Britten. London: J. M Dent and Sons, 1981.

    Kimball, Carol. Song. A Guide to Style and Literature. Pst. Inc, 2000.

    Krans, Horatio S. Thomas Moore. Stephen Gwynn’s New Biography of The Author of “ Lalla Rookh” And The “ Irish Melodies. ” The New York Times, 1905.

    McVeagh, Diana, Anthony Payne, Hugh Ottaway, Imogen Holst, Ian Kemp, and Peter Evans. English 20th- century Masters: Elgar, Delius, Vaughan Williams, Holst, Walton, Tippett, Britten. New York: Norton& Company, 1986.

    Morgan, Robert P. Twentieth- Century Music: A History of Musical Style in Modern Europe and America. New York: Norton, 1990.

    Motchell, Donald and Hans Keller, Benjamin Britten: a commentary on his works from a group of specialists. Greenwood Press, 1972.

    Roseberry, Eric. Britten’s Purcell Realizations and Folksong Arrangements. Tempo New Ser. No. 57. New York: Cambridge Universuty Press, 1961.

    Weliver, Phyllis ed. The Figure of Music in 19th - Century British Poetry. Ashgate Publishing,2005.

    White, Eric Walter. Benjamin Britten: His Life and Operas, 2d ed. London: Faber & Faber, 1983.

    Whittal, Arnold. The Music of Britten and Tippett: Studies in Themes and Techniques, 2d ed. Cambridge, UK: Cambridge Universuty Press, 1990.

    樂譜:

    Britten, Benjamin. Folk Song Arrangements, Volume 4, Moore’s Irish Melodies. London: Boosey & Hawkes, 1960.

    Stevenson, Sir John. Irish Melodies with Symphonies and Accompaniments By Sir John Stevenson and Characteristic Words By Thomas Moore New Edition Edited By J.W.Clover. James Duffy & Co, 1859.

    影音資料:

    Britten: Folk Song Arrangements, performed by Felicity lott, Soprano, Philip Langridge, Tenor, Graham Johnson, Piano, and Carlos Bonell, Guitar. NAXOS, ASIN: B0007ORDUE, Audio Compact Disc, 2005.

    Britten- Complete Folksong Arrangements, performed by Lorna Anderson, Soprano, Regina Nathan, Soprano, Jamie MacDougall, Tenor, Malcolm Martineau, Piano, Bryn Lewis,
    Harp, and Craig Ogden, Guitar. London: Hyperion Records, ASIN: B000050X9N, Audio Compact Disc, 2000.

    Pears, Peter, and Tony Palmer. A time there was…a profile of Benjamin Britten. Long Branch, NJ: Kultur International Films, Videotape, 1980.

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