研究生: |
邱鉦耀 CHIU, CHENG-YAO |
---|---|
論文名稱: |
電吉他詮釋鋼琴獨奏曲之分析以《被隱藏的音》專輯製作為例 An Analysis of Electric Guitar Interpretation of Solo Piano Pieces: A Case Study of 《The Hidden Note》 |
指導教授: |
林真宇
Lin, Chen-Yu |
口試委員: |
白紀齡
BAI, JI-LING 陳子鴻 CHEN, ZI-HONG 林真宇 Lin, Chen-Yu |
口試日期: | 2023/12/25 |
學位類別: |
碩士 Master |
系所名稱: |
音樂學系流行音樂產學應用碩士在職專班 Department of Music_Continuing Education Master's Program of Popular Music Studies and Industrial Applications |
論文出版年: | 2024 |
畢業學年度: | 112 |
語文別: | 中文 |
論文頁數: | 121 |
中文關鍵詞: | 電吉他 、鋼琴獨奏曲 、電吉他詮釋 、效果器應用 |
英文關鍵詞: | Electric Guitar, Piano Solos, Electric Guitar Interpretation, Effects unit |
研究方法: | 主題分析 、 內容分析法 |
DOI URL: | http://doi.org/10.6345/NTNU202400049 |
論文種類: | 代替論文:作品連同書面報告(藝術類) |
相關次數: | 點閱:107 下載:10 |
分享至: |
查詢本校圖書館目錄 查詢臺灣博碩士論文知識加值系統 勘誤回報 |
在音樂的世界中,不同樂器之間的交互和詮釋一直都是一個引人注目的議題,也是樂人常見尋找靈感的手段。而隨著現代科技的進步和音樂表演藝術的提升與多樣化,演奏樂器所受到的侷限也減少了許多,許多以前無法呈現的音色,現今都能藉由科技輕鬆地呈現給聽眾,其中,電吉他詮釋鋼琴獨奏曲的實踐在近年來受到了越來越多人的關注。本研究旨在通過分析《被隱藏的音》專輯中的範例,探討電吉他如何詮釋鋼琴獨奏曲,以及這種詮釋在音樂表現上的影響。《被隱藏的音》專輯是一個有著多首鋼琴獨奏曲重新演繹的專輯,並使用電吉他作為詮釋的主要樂器。筆者希望這張專輯能給更多電吉他演奏家更多啟發。電吉他其特有的音色和技巧,重新詮釋了原本只為鋼琴設計所創作的曲目,呈現出一種全新的聲音風格。此論文的研究宗旨為藉由詮釋鋼琴獨奏曲提升吉他技巧的開發與創新,以及執行時所遇到的問題如何克服並提出解決方式。除了幫助讀者了解兩樂器音質上的差異性,也試著探討以電吉他演奏時能夠如何補足在鋼琴上無法發揮的特性,解釋電吉他如何在演奏鋼琴獨奏曲當中使用效果器,以便提升樂器演奏的表現力與如何更接近鋼琴獨奏曲所呈現的量能,並為未來的音樂表演藝術和研究方向提供參考。
In the world of music, the interaction and interpretation between different instruments have always been a captivating subject, also serving as a means for musicians to seek inspiration. With the advancement of modern technology and the enhancement and diversification of musical performance art, the limitations imposed on playing instruments have also been greatly reduced. Many tones that were previously difficult to reproduce can now be easily presented to audiences through technology. In recent years, the practice of electric guitar interpreting piano solos has garnered increasing attention. This study aims to explore how electric guitars interpret piano solos and the impact of such interpretations on musical performance, using examples from the album "Hidden Melodies". This album reinterprets multiple piano solo pieces, utilizing the electric guitar as the primary instrument of interpretation. The author hopes that this album will inspire more electric guitar players. With its unique timbre and techniques, the electric guitar reinterprets pieces originally composed for the piano, presenting a fresh sonic style. The research objective of this paper is to enhance the development and innovation of guitar skills through the interpretation of piano solos and to address challenges encountered during execution by proposing solutions. Apart from helping readers understand the differences in tonality between the two instruments, the study also attempts to explore how the electric guitar can compensate for characteristics that cannot be showcased on the piano. It explains how the electric guitar employs effects while performing piano solos, aiming to enhance the expressiveness of instrument performance and approach the dynamic qualities presented by piano solos. This research also provides a reference for future directions in music performance art and research.
Derek Bailey《即興其本質與音樂實踐》。金运丰 譯 中國:美術學院出版 1980
王嬿喬. 德布西《 貝加馬斯克組曲》 之探討. 2009.
坂本龍一 《音樂使人自由》。何啟宏 譯2010.
艾力克.克萊普頓自傳。張靖之 譯 2020.