本論述以「不存在的存在」為主軸，探討筆者在多國旅行中所經歷的文化衝擊、大自然壯麗、與古文明遺跡對心靈震撼的經歷，啟發了筆者對時間與空間交錯的思考，聯想宇宙中可見與不可見的存在。在旅行中以第三者視角觀察宇宙萬物，進而思考異次元空間、外星生物，以及他們與地球的關係。將旅途感受與聯想轉化為作品，以隱喻方式探討那些看似不存在卻又彷彿存在的景象。作品展出得到許多觀後反思的回饋，成功的引發觀賞者的思考與想像。本論文分五個章節：第一章「緒論」講述研究動機與目的，因旅行與大自然景觀、古今建築文化遺產對話所產生的感受與聯想，闡述創作的研究方法及架構，並對關鍵詞進行詮釋；第二章「創作學理與文獻分析」梳理相關的文獻資料和藝術家作品，分析探討其表現與詮釋；第三章「創作理念與創作歷程」論述創作理念、內容與形式，記錄個人創作經驗，詳述各階段創作步驟和媒材技法供參考；第四章「不存在的存在作品解析」就作品說明其創作論述；第五章「結論」總結創作歷程回顧執行成效與展望未來創作。

This paper is centered on the theme of "the existence of non-existence," exploring how the author's travels across various countries and experiences of cultural differences, natural grandeur, and ancient civilization relics have inspired reflections on the intersection of time and space and the contemplation of the visible and invisible within the universe. During these journeys, the author observed the world from an outsider’s perspective, contemplating multidimensional space, extraterrestrial life, and their potential relationship with Earth. These travel impressions and associations were then transformed into artworks, metaphorically depicting scenes that may seem nonexistent yet somehow appear to exist. Feedback received from exhibitions suggests the works effectively stimulated viewers' thoughts and imagination, encouraging a broader reflection on these themes. The thesis is structured into five chapters: an introduction to the research motivation and framework; a literature review on extraterrestrial-related art; a discussion of creative concepts and processes; an analysis of the artworks; and a conclusion summarizing the creative journey and outlook.

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