在民族意識興起的時代，許多作曲家開始將民間音樂素材加入鋼琴音樂創作中，而匈牙利因其地理位置特殊，經歷多次的侵略與統治，由眾多民族所組成，因此擁有豐富多樣的民間音樂材料，然而這些作曲家並沒有注意到這些民歌的來源與區別，直到巴爾托克等民族學家鄉野調查整理後，將匈牙利的民歌區分為「流行藝術音樂」與「農民音樂」兩種類型討論。
而本文主要探究匈牙利「農民音樂」風格在鋼琴作品中之體現，以李斯特《第十三號匈牙利狂想曲》(Hungarian rhapsody in a minor No.13, S.244 )、杜南伊《匈牙利民歌主題變奏曲，作品29》(Variations on a Hungarian Folk Song op. 29)及巴爾托克《八首匈牙利農民即興曲，作品20》(Improvisations on Hungarian Peasant Songs op. 20)三首民歌風格之鋼琴作品為例，他們皆有使用到匈牙利農民歌風格的曲調。藉由了解李斯特、杜南伊與巴爾托克在鋼琴創作上的個人風格特色之後，探究匈牙利農民音樂風格在不同的作曲家筆之運用有何異同。例如分析作品中的曲調、節奏特徵、或調式等與農民歌之關聯性；以及在演奏上的技巧、速度、節奏、力度運音法等詮釋風格，讓讀者對匈牙利民農歌風格有更深一層的認識，使演奏詮釋能更貼近其風格韻味。
本文共分為七章，第一章為緒論，說明研究動機、目的、範圍與研究方法；第二章分為兩節，第一節以巴爾托克對農民歌之定義，統整農民音樂風格與發展，並說明流行藝術音樂與農民音樂區別之看法，第二節提出農民音樂風格對鋼琴作品的影響與應用。第三至五章為本文所選的三首匈牙利作品之探討與樂曲分析，首先提出作曲家風格與特色，針對每首不同特色加以說明其創作之手法並分析樂曲。第六章為詮釋探討，針對速度、樂曲性格、節奏特色與力度層次等提出說明，給予讀者詮釋上的建議。第七章為結論，總結以上三位匈牙利籍作曲家，他們在詮釋匈牙利民歌上有許多不同的面向及手法，透過創作風格的整理及樂曲分析，了解民歌素材與使用手法及風格韻味要如何展現在自己的音樂中。

In the era of the rise of national consciousness, many composers began to add folk music materials into their works. Due to its special geographical location, Hungary has experienced many invasions and dominations. It is composed of many ethnic groups and has rich and diverse folk music materials. These composers did not pay attention to the origin and difference of these folk songs until Bartok and other ethnologists conducted field investigations and classified Hungarian folk songs into two types: "Popular Art Music" and "Peasant Music".
This article mainly explores the Hungarian "Peasant Music" style in the piano works, taking Liszt's “Hungarian Rhapsody in a minor No.13, S.244”, Dohnányi 's “Variations on a Hungarian Folk Song op. 29” and Bartók's “Improvisations on Hungarian Peasant Songs op. 20” three piano works in the style of folk songs as examples, They all used tunes in the style of Hungarian peasant songs. After understanding the personal style characteristics of Liszt, Dohnányi and Bartók in piano creation, explore the similarities and differences in the use of Hungarian peasant music styles by different composers.
For example, analyze the relationship between the tune, rhythm feature, mode, etc. in the work and the peasant song, readers can have a deeper understanding of the style of Hungarian folk songs. so that the interpretation of the performance can be closer to its style and charm.
This paper is divided into seven chapters. The first chapter is the introduction, which explains the motivation, purpose, scope and research methods of the research; The second chapter is divided into two sections. The first section uses Bartók 's definition of peasant songs to unify the style and development of peasant music, and explains the difference between Popular Art Music and Peasant Music. The second section proposes the influence and application of peasant music style on piano works.
The third to fifth chapters are the discussion and music analysis of the three Hungarian works selected in this paper. First, the composer's style and characteristics are proposed, and the composition of each song is explained and the music is analyzed. Chapter 6 discusses interpretation, and provides explanations for speed, musical character, rhythm characteristics and dynamic levels, and gives readers interpretive suggestions. Chapter 7 is the conclusion, summarizing the above three Hungarian composers. They have many different aspects and techniques in the interpretation of Hungarian folk songs. Through the arrangement of the composition style and the analysis of the music, we can understand how the folk song materials, usage techniques and style and charm should be displayed. in your own music.

樂譜版本
Béla, Bartók. Improvisations on Hungarian Peasant Songs, Op. 20 for Solo Piano. Ed. László Somfai.(G. Henle Verlag, München and Editio Musica Budapest), 2018.
Ernö Dohnányi. Variations on a Hungarian Folk Song Op. 29 for Solo Piano. Ed. Gyula Rózsavölgyi ( Editio Musica Budapest), 1921.
Liszt, Franz, Hungarian rhapsody in a minor No.13, S.244. Ed. Peter Raabe. (Breitkopf & Härtel), 1926.

中文書目
謝俊逢，《民族音樂論：理論與實證》台北：全音出版社，1998。
周力行。《匈牙利史：一個來自亞洲的民族》台北：三民出版社，2003年。
張美惠。《巴爾托克作品研究》。台北：大陸書局，2004。

中文論文
鄒佩真。〈李斯特《匈牙利狂想曲》第 12 號《超技練習曲》第 9 號〉。臺灣師範大學音樂學系碩士論文，2005。
陳梅君。〈杜南易小提琴奏鳴曲作品2 1之音樂詮釋報告〉。臺北藝術大學碩士論文，2008。
施佩君，〈杜南伊《四首狂想曲》作品11〉。臺灣師範大學音樂學系碩士論文，2013。
兵思恩，〈巴爾托克《八首農民歌曲即興曲》主題素材之運用〉。中山大學音樂系碩士論文，2011。
陳又寧。〈多赫南尼升 C 小調小提琴與鋼琴奏鳴曲詮釋報告〉。臺灣師範大學音樂學系碩士論文，2013。
李欣怡。〈匈牙利吉普賽文化對匈牙利作曲家影響—以李斯特、達普勒與巴爾托克品為例〉。東海大學音樂系碩士論文，2013。

中文期刊
曾士珍、Tseng, Shih-Chen 「巴爾托克：民謠採集及十五首匈牙利農民歌曲」，美育，(民104)，頁20-35。

翻譯專書
巴爾托克。《巴托克論文書信選》。人民音樂出版社編輯部湖北藝術學院作曲系編輯。臺北:世界文物出版社，1993。

外文書目
Antokoletz, Elliott. Twentieth-Century Music. New Jersey: Prentice-Hall, Inc.1992.
Benjamin, Suchoff ed. Béla Bartók Essays. London: Faber and Faber,1976.
Burge, David. Twentieth-Century Piano Music. New York: Schirmer Books, 1990.
Grymes, James A. and Dohnányi, Ilona Von. Ernst Von Dohnányi: A Song of Life. Bloomington: Indiana University Press, 2002.
___________. Perspectives on Ernst von Dohnányi. Lanham, Maryland: Scarecrow Press, 2005.
___________. Ernst Von Dohnányi: A Bio-Bibliography. West Port: Greenwood Press, 2001.
Saffle, Michael and Deaville, James A. ed. New Light on Liszt and His Music: Essays in Honor of Alan Walker’s 65th Birthday. Franz Liszt Studies Series No.6. Stuyvesant and New York: Pendragon Press, 1997.
Schneider, David E. Bartók, Hungary, and the Renewal of Tradition :Case Studies in the Intersection of Modernity and Nationality. Ltd. London: California University of California Press, 2006.
Searle, Humphrey. The Music of Liszt. New York: Dover Publications, Inc, 1966.
Somfai, László. Béla Bartók: Composition, Concepts, and Autograph Sources. Berkeley: University of California Press, 1996
Walker, Alan. Franz Liszt: The Virtuoso Years, 1811-1847. Revised edition. Ithaca and New York: Cornell University Press, 1987.
___________. Franz Liszt: The Weimar Years, 1848-1861. Ithaca and New York: Cornell University Press, 1989.

___________. Reflections on Liszt. Ithaca and London: Cornell University Press, 2005.
Waston, Derek. Liszt. New York: Schirmer Books, 1989.
William W. Austin. Music in the 20th Century, from Debussy Through Stravinsky. New York: Vail-Ballou Press, Inc, 1966.

外文論文
Hill, David B.. "The Hungarian Rhapsodies and the 15 Hungarian Peasant Songs: Historical and ideological parallels between Liszt and Bartók". James Madison University, Dissertations, 2015.
Scheibert, Helga. "Hungarian Elements in Selected Piano Compositions of Liszt, Dohnanyi, Bartok, and Kodaly". West Virginia University, Graduate Theses, Dissertations, and Problem Reports, 2017 .

外文期刊
Schneider, David E.. “Gypsies, Verbunkos, and Bartók's Debt to the Nineteenth Century”, International Journal of Musicology , Vol. 9 (2000), 137-163.

網路資料
Bellman, Jonathan. "Verbunkos." Grove Music Online. 2001; Accessed 21 Jul. 2022. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000029184.
Pegg, Carole. "Folk music." Grove Music Online. 2001; Accessed 21 Jul. 2022. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000009933.
Szendrei, Janka, Dezső Legány, János Kárpáti, Melinda Berlász, Péter Halász, Bálint Sárosi, and Irén Kertész Wilkinson. "Hungary." Grove Music Online. 2001; Accessed 21 Jul. 2022. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000013562.
Wilkinson, Irén Kertész. "‘Gypsy’ [Roma-Sinti-Traveller] music." Grove Music Online. 2001; Accessed 21 Jul. 2022. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000041427.