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研究生: 洪偉馨
Hong, Wei-Xin
論文名稱: 海頓詼諧曲寫作發展之研究─以《弦樂四重奏作品二十》與《弦樂四重奏作品三十三》為例
Development of Haydn’s Scherzo: A Case Study of Compositions by String Quartets op. 20 and String Quartets op. 33
指導教授: 陳漢金
學位類別: 碩士
Master
系所名稱: 音樂學系
Department of Music
論文出版年: 2019
畢業學年度: 107
語文別: 中文
論文頁數: 281
中文關鍵詞: 海頓弦樂四重奏詼諧曲
英文關鍵詞: Franz Joseph Haydn, String Quartet, Scherzo
DOI URL: http://doi.org/10.6345/NTNU201900050
論文種類: 學術論文
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  • 海頓(Franz Joseph Haydn, 1732-1809)一生中共創作六十八首弦樂四重奏,對於弦樂四重奏的發展影響甚鉅,於1781年發表的《弦樂四重奏作品三十三》,為其經過音樂風格的轉變時期後,所淬煉出的成熟之作,海頓宣示此組作品,是以「全新、完全不同的的形式」寫作而成,在這組作品中,海頓將原有小步舞曲樂章,全面以詼諧曲取而代之。本文的研究重點,將著重於分析詼諧曲的音樂特徵,並與前作《弦樂四重奏作品二十》相較,觀察兩者不同之處。
    本論文分為五章,第一章研究詼諧曲發展,以及十八世紀的音樂風格及弦樂四重奏,第二章為海頓生平以及弦樂四重奏之探討,第三及第四章,為《弦樂四重奏作品三十三》詼諧曲的樂曲架構以及音樂素材之分析,第五章將歸納《弦樂四重奏作品二十》小步舞曲樂章的各項特點,與《弦樂四重奏作品三十三》相互參照比較,望能了解海頓在小步舞曲與詼諧曲在創作上的不同。

    Franz Joseph Haydn (1732-1809) wrote 68 string quartet pieces in his whole life, which had a huge impact on the development of string quartets. The String Quartets, Opus 33 was released in 1781, which is a mature work that had been refined after his transition period of music style. Haydn declared that this work was written in a "new, completely different form". In this set of work, Haydn replaced every Minuet movement with Scherzo. The focus of this dissertation will emphasize on the analysis of the musical characteristics of the Scherzo, and compare it with the previous work The String Quartets, Opus 20 to observe the difference between the two.
    This dissertation is divided into five chapters, the first chapter studies the development of scherzo, as well as the music style and string quartets of the eighteenth century. The second chapter is the discussion of Haydn's life and his string quartet. The third and fourth chapters are the analysis of the music structure and elements of the The String Quartets Opus 33. The fifth chapter will summarize the characteristics of the Minuet in The String Quartets Opus 20, and compare it with The String Quartets, Opus 33. The author hopes that the readers could have a better understanding on the difference that Haydn made between the Minuet and Scherzo in his creation.

    緒論1 第一章 詼諧曲與古典時期弦樂四重奏 5 第一節 詼諧曲之起源與發展 5 第二節 十八世紀古典時期的音樂風格 12 第三節 十八世紀弦樂四重奏的發展 24 第二章 海頓生平與弦樂四重奏 41 第一節 海頓之生平與風格 41 第二節 海頓之弦樂四重奏 53 第三節 作品二十與作品三十概述 72 第三章 作品三十三詼諧曲樂章架構特點分析 92 第一節 曲式與結構 92 第二節 和聲與主題 108 第三節 聲部間主從關係之互動 131 第四章 作品三十三詼諧曲樂章節奏、表情記號及運音手法分析 153 第一節 節奏特徵 153 第二節 強弱變化與對比 174 第三節 運音手法 196 第五章 作品二十與作品三十三小步舞曲與詼諧曲樂章創作手法比較 215 第一節 和聲與主題 215 第二節 節奏特徵 236 第三節 聲部互動手法 253 結論 268 參考書目 274

    一、中文書籍

    林勝儀譯,音樂之友編。《莫札特II》。台北:美樂出版社,2000。

    林勝儀譯,音樂之友編。《海頓》。台北:美樂出版社,2010。

    劉志明。《古典時代音樂史》。台北:全音樂譜出版社,2005。

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    三、網路資料

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    四、樂譜

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    Richter, Franz Xaver. Six Quartets, op. 5. http://t.cn/ESUisVD

    五、有聲資料

    Haydn, Franz Joseph. Haydn: String Quartets Op. 33. Performed by Borodin Quartet.
    ONYX4069. Onyx Classics, 2019.

    Haydn, Franz Joseph. Joseph Haydn String Quartets: Vol. 6 of 14 op. 33, no. 1-6. Performed
    by Auryn Quartet. TACET168. TACET, 2011.

    Haydn, Franz Joseph. Joseph Haydn String Quartets: Vol. 5 of 14 op. 20, no. 1-6. Performed
    by Auryn Quartet. TACET187. TACET, 2011.

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