簡易檢索 / 詳目顯示

研究生: 洪偉馨
Hong, Wei-Xin
論文名稱: 海頓詼諧曲寫作發展之研究─以《弦樂四重奏作品二十》與《弦樂四重奏作品三十三》為例
Development of Haydn’s Scherzo: A Case Study of Compositions by String Quartets op. 20 and String Quartets op. 33
指導教授: 陳漢金
學位類別: 碩士
Master
系所名稱: 音樂學系
Department of Music
論文出版年: 2019
畢業學年度: 107
語文別: 中文
論文頁數: 281
中文關鍵詞: 海頓弦樂四重奏詼諧曲
英文關鍵詞: Franz Joseph Haydn, String Quartet, Scherzo
DOI URL: http://doi.org/10.6345/NTNU201900050
論文種類: 學術論文
相關次數: 點閱:225下載:0
分享至:
查詢本校圖書館目錄 查詢臺灣博碩士論文知識加值系統 勘誤回報
  • 海頓(Franz Joseph Haydn, 1732-1809)一生中共創作六十八首弦樂四重奏,對於弦樂四重奏的發展影響甚鉅,於1781年發表的《弦樂四重奏作品三十三》,為其經過音樂風格的轉變時期後,所淬煉出的成熟之作,海頓宣示此組作品,是以「全新、完全不同的的形式」寫作而成,在這組作品中,海頓將原有小步舞曲樂章,全面以詼諧曲取而代之。本文的研究重點,將著重於分析詼諧曲的音樂特徵,並與前作《弦樂四重奏作品二十》相較,觀察兩者不同之處。
    本論文分為五章,第一章研究詼諧曲發展,以及十八世紀的音樂風格及弦樂四重奏,第二章為海頓生平以及弦樂四重奏之探討,第三及第四章,為《弦樂四重奏作品三十三》詼諧曲的樂曲架構以及音樂素材之分析,第五章將歸納《弦樂四重奏作品二十》小步舞曲樂章的各項特點,與《弦樂四重奏作品三十三》相互參照比較,望能了解海頓在小步舞曲與詼諧曲在創作上的不同。

    Franz Joseph Haydn (1732-1809) wrote 68 string quartet pieces in his whole life, which had a huge impact on the development of string quartets. The String Quartets, Opus 33 was released in 1781, which is a mature work that had been refined after his transition period of music style. Haydn declared that this work was written in a "new, completely different form". In this set of work, Haydn replaced every Minuet movement with Scherzo. The focus of this dissertation will emphasize on the analysis of the musical characteristics of the Scherzo, and compare it with the previous work The String Quartets, Opus 20 to observe the difference between the two.
    This dissertation is divided into five chapters, the first chapter studies the development of scherzo, as well as the music style and string quartets of the eighteenth century. The second chapter is the discussion of Haydn's life and his string quartet. The third and fourth chapters are the analysis of the music structure and elements of the The String Quartets Opus 33. The fifth chapter will summarize the characteristics of the Minuet in The String Quartets Opus 20, and compare it with The String Quartets, Opus 33. The author hopes that the readers could have a better understanding on the difference that Haydn made between the Minuet and Scherzo in his creation.

    緒論1 第一章 詼諧曲與古典時期弦樂四重奏 5 第一節 詼諧曲之起源與發展 5 第二節 十八世紀古典時期的音樂風格 12 第三節 十八世紀弦樂四重奏的發展 24 第二章 海頓生平與弦樂四重奏 41 第一節 海頓之生平與風格 41 第二節 海頓之弦樂四重奏 53 第三節 作品二十與作品三十概述 72 第三章 作品三十三詼諧曲樂章架構特點分析 92 第一節 曲式與結構 92 第二節 和聲與主題 108 第三節 聲部間主從關係之互動 131 第四章 作品三十三詼諧曲樂章節奏、表情記號及運音手法分析 153 第一節 節奏特徵 153 第二節 強弱變化與對比 174 第三節 運音手法 196 第五章 作品二十與作品三十三小步舞曲與詼諧曲樂章創作手法比較 215 第一節 和聲與主題 215 第二節 節奏特徵 236 第三節 聲部互動手法 253 結論 268 參考書目 274

    一、中文書籍

    林勝儀譯,音樂之友編。《莫札特II》。台北:美樂出版社,2000。

    林勝儀譯,音樂之友編。《海頓》。台北:美樂出版社,2010。

    劉志明。《古典時代音樂史》。台北:全音樂譜出版社,2005。

    二、外文書籍

    Abraham, Gerald. Concert Music: 1630-7850. Oxford: Oxford University Press, 1998.

    Agawu, V. Kofi. Playing with Signs A Semiotic Interpretation of Classic Music. United States:
    Princeton University Press, 2016.

    Antokoletz , Elliott. And ‎ Susanni, Paolo. Béla Bartók: A Research and Information Guide.
    London : Routledge, 2011.

    Apel, Willi. Harvard Dictionary of Music. Cambridge: Harvard University Press, 1961.

    Barrett-Ayres, Reginald. Joseph Haydn and the string quartet. New York: Schirmer Books,
    1975

    Barry, R. Barbara. The Philosopher's Stone: Essays in the Transformation of Musical
    Structure. New York: Pendragon Press, 2000.

    Berger, Melvin. Guide to Chamber Music. United States: Dover Publications, 2001.

    Bloechl, Olivia., Lowe, Melanie. And Kallberg, Jeffrey. Rethinking Difference in Music
    Scholarship. Cambridge: Cambridge University Press, 2005.

    Boer, van Bertil. Historical Dictionary of Music of the Classical Period: Historical
    Dictionaries of Literature and the Arts. New Jersey: Scarecrow Press, 2012.

    Burkholder, J. Peter., Grout, Jay Donald. And Palisca, V. Claude. A History of Western Music.
    New York: W. W. Norton & Company, 2014.

    Caplin, Earl William. Classical Form: A Theory of Formal Functions for the Instrumental
    Music of Haydn, Mozart, and Beethoven. Oxford: Oxford University Press, 1998.

    Caplin, Earl William. Analyzing Classical Form: An Approach for the Classroom. Oxford:
    Oxford University Press, 2013.

    Chandler, Howard. And Landon, Robbins. Haydn: Chronicle and Works Vol. 2. United States:
    Indiana University Press, 1980.

    Clark, Caryl. The Cambridge Companion to Haydn. Cambridge: Cambridge University Press,
    2005

    Cobbett, Willson Walter. Cobbett's Cyclopedic Survey of Chamber Music. Oxford: Oxford
    University Press, 1923.

    Drabkin, William. A Reader's Guide to Haydn's Early String Quartets. United States:
    Greenwood Press, 2000.

    Geck, Martin. Johann Sebastian Bach: Life and Work. United States: Harcourt, 2006.

    Geiringer, Karl. Haydn: A Creative Life in Music. New York: W. W. Norton & Company,
    1982.

    Gleason, Harold. And Becker, Warren. Chamber Music from Haydn to Bartok. California:
    Alfred Pub Co, 1988.

    Glover, Daniel. The Baroque Spirit (1600-1750), Bk 1: 21 Early Intermediate to Intermediate
    Piano Solos Reflecting Baroque Society, Style and Musical Trends, Book & CD. United
    States: Alfred Music, 1999.

    Gjerdingen, Robert. Music in the Galant Style. Oxford: Oxford University Press, 2007.

    Grave, Floyd. And Grave, Margaret. The String Quartets of Joseph Haydn. Oxford: Oxford
    University Press, 2008.

    Heartz, Daniel. Haydn, Mozart and the Viennese School: 1740-1780. New York: W. W.
    Norton & Company, 1994.

    Heartz, Daniel. Mozart, Haydn and Early Beethoven: 1781-1802. New York: W. W. Norton &
    Company, 2008.

    Hepokoski, James. And Darcy, Warren. Elements of Sonata Theory: Norms, Types, and
    Deformations in the Late-Eighteenth-Century Sonata. Oxford: Oxford University Press,
    2011.

    Hill, David. And Hardin, N. James. Literature of the Sturm und Drang. United States :
    Camden House, 2002.

    Hinson, Maurice. Guide to the Pianist's Repertoir. Unites States: Indiana University Press,
    2001.

    _____. Haydn: The Complete Piano Sonatas. United States: Alfred Pub Co, 1995.

    Hoffer, Charles. Western Music Listening Today. United States: Cengage Learning, 2009.

    Hughes, Rosemary. Haydn: The Master Musicians series. New York: Farrar, Strauss, and
    Giroux, 1970.

    Irving, John. Mozart, the “Haydn” Quartets. New York: Cambridge University Press, 1998.

    Isaac, Merle J. Isaac. String anthology: a compendium of articles on string playing and
    teaching from The instrumentalist from 1946 to 1997 Vol. 7. United States: Instrumentalist Pub. Co., 1997.

    Jacob, Heinriche. Joseph Haydn: His Art, Times, and Glory. United States: Greenwood, 1971.

    Jones, D. P. Richard. The Creative Development of Johann Sebastian Bach, Volume I: 1695-
    1717: Music to Delight the Spirit. Oxford: Oxford University Press, 2015.

    Keller, Hans. The Great Haydn Quartets: Their Interpretation. Oxford: Oxford University
    Press, 1995.

    Kinderman, William. Beethoven. Oxford: Oxford University Press, 2009.

    Landon, Robbins H. C. Haydn at Eszterháza 1766-1790. Great Britain: Thames and Husdon,
    1994.

    Landon, Robbins H. C. Haydn: The Late Years, 1801-1809. Great Britain: Thames and
    Husdon, 1994.

    McCalla, James. Twentieth-Century Chamber Music. London: Routledge, 2003.

    McClelland, Ryan. And Dorff, Daniel. Brahms and the Scherzo: Studies in Musical Narrative,
    London: Routledge, 2010.

    Mirka, Danuta. Metric Manipulations in Haydn and Mozart: Chamber Music for Strings,
    1787-1791. Oxford: Oxford University Press, 2014.

    Murray, Miller Lucy. Chamber Music: An Extensive Guide for Listeners. United States:
    Rowman & Littlefield Publishers, 2015.

    Nicholson, Stuart. Jazz and Culture in a Global Age. Boston: Northeastern University Press,
    2014.

    Parker, Mara. String Quartets: A Research and Information Guide. United Kingdom:
    Routledge, 2010.

    Paxman, Jon. A Chronology Of Western Classical Music 1600-2000. United Kingdom:
    Omnibus Press, 2014.

    Ratner, G. Leonard. Classic Music: Expression, Form, and Style. London: Schirmer Books,
    1980.

    Reynolds , Christopher. And Lockwood, Lewis. Beethoven Forum, Volume 1. United States:
    University of Nebraska Press, 1992.

    Rosen, Charles. The Classical Style: Haydn, Mozart, Beethoven. New York: W. W. Norton &
    Company, 1972.

    Rosenstiel, Léonie. And Griffel, Ross Margaret. Schirmer history of music. New York:
    Schirmer Reference, 1982.

    Rushton, Julian. Classical Music: A Concise History from Gluck to Beethoven. United States:
    Thames and Huston , 1986.

    Seaton, Douglass. Ideas and Styles in the Western Musical Tradition. California: Mayfield
    Publishing Company, 1991.

    Schroeder, P. David. Haydn and The Enlightenment: The Late Symphonies and their
    Audience. Oxford: Clarendon Press, 1990.

    Spring, Glenn. And Hutcheson, Jere. Musical Form and Analysis. United States: Brown and
    Benchmark, 1995.

    Stedman, Allison. Rococo Fiction in France, 1600-1715: Seditious Frivolity. United States:
    Bucknell University Press, 2014.

    Stein, Leon. Anthology of Musical Forms - Structure & Style (Expanded Edition): The Study
    and Analysis of Musical Forms. United States: Alfred Music, 1999.

    Stolba, K. Marie. The Development of Western Music: A History. Boston: McGraw Hill, 1998.

    Stowell, Robin. And Cross, Jonathan. The Cambridge Companion to the Cello. Cambridge:
    Cambridge University Press, 1999.

    Stowell, Robin. The string quartet and society. London: Cambridge University Press, 2003.

    Stowell, Robin. The Early Violin and Viola: A Practical Guide, Cambridge: Cambridge
    University Press, 2001.

    Sutcliffe, Dean W. Haydn: String Quartets, Op. 50. Cambridge: Cambridge University Press, 1992.

    Szigeti, Joseph. Szigeti on the Violin. United States: Dover Publications, 1979.

    Tomlinson , Gary. Monteverdi and the End of the Renaissance. California: University of
    California Press, 1990.

    Wheelock, A. Gretchen. Haydn's Ingenious Jesting with Art: Contexts Of Musical Wit And
    Humor. New York: Schirmer Books, 1992.

    White, David John. Understanding and Enjoying Music. New York: Dodd, Mead & Co, 1968.

    Yang, Yaokun. An Analytical Study on Performance Practices. United States: Abbott Press,
    2014.

    三、網路資料

    Budden, Julian. “Stretta” in Grove Music Online, Oxford Music Online. http://t.cn/E6qdSK9
    Accessed March 15, 2019.

    Eisen, Cliff. Baldassarre, Antonio. And Griffiths, Paul. “String Quartet” in Grove Music
    Online, Oxford Music Online. http://t.cn/Eaj69uL. Accessed December 2, 2018.

    Feder, Georg. And Websterin, James. ”Joseph Haydn” in Grove Music Online, Oxford Music
    Online. http://t.cn/EaCgWuS. Accessed December 15, 2018.

    Gardner, Mark. “Transition” in Grove Music Online, Oxford Music Online.
    http://t.cn/E6Gdl2V. Accessed March 13, 2019.

    Heartz , D. And Brown, B. A. “Classical” in Grove Music Online, Oxford Music Online.
    http://t.cn/Eajipdl. Accessed December 2, 2018.

    Heartz , D. And Brown, B. A. “Empfindsame” in Grove Music Online, Oxford Music Online.
    http://t.cn/Eajx1ic. Accessed December 2, 2018.

    Rushton , Julian. “Resolution” in Grove Music Online, Oxford Music Online.
    http://t.cn/E6GI7zO. Accessed March 13, 2019.

    Russell, A. Tilden. And Macdonald, Hugh. “Scherzo” in Grove Music Online, Oxford Music
    Online. http://t.cn/Ea9rxqP. Accessed December 1, 2018.

    Tilmouth, Michael. “Minore” in Grove Music Online, Oxford Music Online.
    http://t.cn/E6GpSxK. Accessed March 13, 2019.

    Walker, M. Paul. “Codetta” in Grove Music Online, Oxford Music Online.
    http://t.cn/E6Ngx67. Accessed March 15, 2019.

    四、樂譜

    Bach, Carl Philipp Emanuel. “Prussian Sonata” No. 1 in F Major H. 24. http://t.cn/ESUJKTJ

    Gassmann, Florian Leopold. String Quartets, op. 1. http://t.cn/ESUa1Xz

    Haydn, Franz Joseph. Piano Sonata in D Major, XVI. 19. http://t.cn/ESUoV4n

    Haydn, Franz Joseph. Piano Sonata in c Minor, XVI. 20. http://t.cn/ESUopYj

    Haydn, Franz Joseph. String Quartets op. 1. http://t.cn/ESU6FzG

    Haydn, Franz Joseph. String Quartets op. 3. http://t.cn/ESU9KSV

    Haydn, Franz Joseph. String Quartets op. 20 and 33. New York: Dover Publications, 1985.

    Haydn, Franz Joseph. String Quartets op. 64. http://t.cn/ESUKqII

    Haydn, Franz Joseph. String Quartets op. 74. http://t.cn/ESUKO3b

    Haydn, Franz Joseph. String Quartets op. 76. http://t.cn/ESUStYA

    Mozart, Wolfgang Amadeus. Piano Sonata in C Major K. 545. http://t.cn/ESUxiMw

    Mozart, Wolfgang Amadeus. String Quartets in C Major, K. 465. http://t.cn/ESUSgE3

    Mozart, Wolfgang Amadeus. Symphony no. 25 in g minor. http://t.cn/ESUiV6G

    Richter, Franz Xaver. Six Quartets, op. 5. http://t.cn/ESUisVD

    五、有聲資料

    Haydn, Franz Joseph. Haydn: String Quartets Op. 33. Performed by Borodin Quartet.
    ONYX4069. Onyx Classics, 2019.

    Haydn, Franz Joseph. Joseph Haydn String Quartets: Vol. 6 of 14 op. 33, no. 1-6. Performed
    by Auryn Quartet. TACET168. TACET, 2011.

    Haydn, Franz Joseph. Joseph Haydn String Quartets: Vol. 5 of 14 op. 20, no. 1-6. Performed
    by Auryn Quartet. TACET187. TACET, 2011.

    無法下載圖示 電子全文延後公開
    2024/12/31
    QR CODE