斯克里亞賓(Alexander Scriabin, 1876-1915)為俄國作曲家，同時身為一傑出的鋼琴演奏家，為鋼琴創作了豐富的曲目；在追逐狂喜、色彩與聲響的一生中，從浪漫主義過渡到二十世紀音樂的音樂創作，斯克里亞賓扮演了承先啟後的角色。
他縱貫一生前奏曲的創作幾乎是他作曲理念最好的體現，早期至晚期的發展脈絡中，從傳統和聲中的三度關係，導向以四度為基礎的和絃聲響，最終晚期創作確立了他個人特殊的和聲語法，調性和聲功能已不復存在；自由地在八音音階與神祕和絃中融合各種音程、聲響組合的可能性。
本文從斯克里亞賓的各期作品挑選為研究曲目，探討斯克里亞賓之一生的鋼琴風格轉變、個人哲學思想與音樂的創作聯結，最終將研究成果導入筆者自身詮釋應用。本文共分六個章節，第一章為緒論；第二章探討俄羅斯當代背景文化與斯克里亞賓所接受的文化衝擊，並將斯克里亞賓作品分為三期，分別討論各期的鋼琴作品特色，包含了節奏、和聲與織度等等的音樂構成元素。三至五章為針對各研究曲目之樂曲分析，以及詮釋的討論，最終於第六章做綜合整理。

樂譜
Scriabin, Alexander. Mazurkas, Poèmes, Impromptus and other Works for Piano. US: Dover,
1973.

Scriabin, Alexander. The Complete Preludes and Etudes for Pianoforte Solo. US: Dover,
1973.

_______. Ausgewählte Klavierwerke. Leipzig: Edition Peters, 1967.

外文期刊
Abraham, Gerald. “The Whole-Tone Scale in Russian Music.” The Musical Times, Vol. 74,
No. 1085 (July 1933): 602-604.

Baker, James M. “Scriabin's Implicit Tonality.” Music Theory Spectrum, Vol. 2, (Spring
1980): 1-18

Bass, Richard. “Half-Diminished Functions and Transformations in Late Romantic
Music.” Music Theory Spectrum, Vol. 23, No. 1 (Spring 2001): 41-60.

Burgmer, Brigitte. “Chromatic Notation of Music: Transforming Bach and Webern into
Color and Light.” Leonardo Music Journal, Vol. 5, (1995): 5-10.

Callender, Clifton. “Voice-Leading Parsimony in the Music of Alexander Scriabin.” Journal
of Music Theory, Vol. 42, No. 2, Neo-Riemannian Theory (Autumn 1998): 219-233

Cooper, Martin. “Scriabin's Mystical Beliefs.” Music & Letters, Vol. 16, No. 2 (April 1935):
110-115.

Garcia, Susanna. “Scriabin's Symbolist Plot Archetype in the Late Piano Sonatas.”
19th-Century Music, Vol. 23, No. 3 (Spring, 2000): 273-300.

Hull, Arthur E. “A Survey of the Pianoforte Works of Scriabin.” The Musical Quarterly, Vol.
2, No. 4 (October 1916): 601-614.

Hull, Arthur E. “Scriabin's Scientific Derivation of Harmony versus Empirical
Methods.” Proceedings of the Musical Association, 43rd Sess., (1916 - 1917): 17-28.

Macdonald, Hugh. “'Words and Music by A. Skryabin'.” The Musical Times, Vol. 113, No.
1547 (January 1972): 22-25

Matlaw, Ralph E. “Scriabin and Russian Symbolism.” Comparative Literature, Vol. 31, No. 1
(Winter 1979): 1-23.

Morgan, Robert P. “Symmetrical Form and Common-Practice Tonality.” Music Theory
Spectrum, Vol. 20, No. 1 (Spring 1998): 1-47

Myers, Rollo H. “Scriabin: A Reassessment.” The Musical Times, Vol. 98, No. 1367 (January
1957): 17-18.

Newmarch, Rosa. “Alexander Scriabin.” The Musical Times, Vol. 56, No. 868 (June 1915):
329-330.

Perle, George. “Scriabin's Self-Analyses.” Music Analysis, Vol. 3, No. 2 (July 1984): 101-122.

Sabaneev, Leonid. “Liszt and Russian Music.” The Musical Times, Vol. 77, No. 1122 (August
1936): 689-692.

Sabaneev, Leonid. “Scriabin and the Idea of a Religious Art.” The Musical Times, Vol. 72, No.
1063 (September 1931): 789-792.

Taruskin, Richard. “The Music of Alexander Scriabin by James M. Baker; Scriabin: Artist and
Mystic by Boris de Schloezer, Nicolas Slonimsky.” Music Theory Spectrum, Vol. 10,
10th Anniversary Issue (Spring 1988): 143-169

Väisälä, Olli. “Prolongation of Harmonies Related to the Harmonic Series in Early
Post-Tonal Music.” Journal of Music Theory, Vol. 46, No. 1/2 (Spring – Autumn 2002): 207-283.

Wai-Ling, Cheong. “Orthography in Scriabin's Late Works.” Music Analysis, Vol. 12, No. 1
(March 1993): 47-69.

外文專書
Adamenko, Victoria. Neo-Mythologism in Music: From Scriabin And Schoenberg to
Schnittke And Crumb. New York: Pendragon Press, 2006.

Downes, Stephen C. Music and decadence in European modernism : the case of
Central and Eastern Europe. Cambridge : Cambridge University Press, 2010.

Hull, A. E.. A Great Russian Tone-Poet: Scriabin. New York: AMS Press, 1970.

Leikin, Anatole. The Performing Style of Alexander Scriabin. London: Ashgate. 2011.

Sabbagh, Peter . The Development of Harmony in Scriabin´s Works. New York:
Universal Publisher, 2003.

Schoezer, Boris de. Scriabin : artist and mystic. New York: Oxford University Press,
1987.

Taruskin, Richard. Defining Russia Musically. New Jersey: Princeton University Press, 2001.

中文期刊
任真慧。《探討史克里亞賓的音樂理念與實踐─以鋼琴作品為例》。關渡音樂學
刊，2004。

中文專書
狄約芙莉。《柯爾托鋼琴演奏解說》。台北：全音樂譜出版社，1987。

李明濱。《俄羅斯文化史》。台北：亞太圖書，2000。

阿蘭諾夫斯基。《俄羅斯作曲家與20世紀》。張洪模 譯。北京：中央音樂學院，
2005。

潘惜蘭。《鋼琴演繹指南》。湯亞汀 譯。台北：財團法人國際鋼琴學術文教基金
會，1993。

Schnabel, K. U.《現代鋼琴踏板技巧》。盧昭洋 譯。台北：全音樂譜出版社，1991。

有聲資料
Scriabin, Alexander. The Composer as Pianist- His Recordings for M. Welte& Soehne (The
Caswell Collection, Vol. 5: Piano Roll Recordings). US: Pierian Recording Society,1926.

線上資訊
JSTOR Arts & Sciences III Collection
www.jstor.org/

Naxos Music Online
www.naxosmusiclibrary.com/

Oxford Music Online
www.oxfordmusiconline.com/