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研究生: 吳凱琦
Wu, Kai-Chi
論文名稱: 舒曼《晨歌》與《森林情景》之演奏探討
Performance Interpretation of Schumann’s Gesänge der Frühe and Waldszenen
指導教授: 賴麗君
Lai, Li-Chin
學位類別: 碩士
Master
系所名稱: 音樂學系
Department of Music
論文出版年: 2021
畢業學年度: 109
語文別: 中文
論文頁數: 101
中文關鍵詞: 舒曼《晨歌》《森林情景》
DOI URL: http://doi.org/10.6345/NTNU202100019
論文種類: 學術論文
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  • 在本論文中,筆者以羅伯特‧舒曼(Robert Schumann, 1810-1856)之鋼琴作品《晨歌,作品一三三》(Gesänge der Frühe Op.133, 1853)為主要研究。本文共分成五章,第一章為舒曼杜塞朵夫時期,共可以分成兩小節,第一節為舒曼杜塞朵夫時期指揮工作,第二節為舒曼健康狀況與感情生活,藉此兩個面向,來剖析舒曼此時期的創作心境;第二章為本篇論文核心,探究《晨歌,作品一三三》之創作背景,與各小曲之樂曲分析與詮釋;第三章為《森林情景,作品八十二》(Waldszenen, Op.82, 1848)選曲之樂曲分析與詮釋,探究《森林情景》之創作背景,與六首選曲之樂曲分析與詮釋;第四章為《晨歌》與《森林情景》之比較,藉由將《森林情景》與《晨歌》互相比對,對照筆者在第二章《晨歌》分析中提出的論點;第五章為全文結語。

    In this thesis, the author mainly focuses on Robert Schumann's piano work Gesänge der Frühe, Op.133(1853). This article is divided into five chapters. The first chapter introduces Schumann’s Düsseldorf period. It can be divided into two sections. The first section deals with Schumann’s period as a conductor in Düsseldorf, and the second section with Schumann's health and emotional life. These two aspects are used to analyze Schumann's creative mood during this period. The second chapter constitutes the core of this thesis. Here the author explores the creative background of Gesänge der Frühe and provides analysis and interpretation of the music of each piece. In the third chapter, the author explores the creative background of Waldszenen, Op. 82 (1848) and provides analysis and interpretation of the music of selected pieces. The forth chapter is a comparison between Gesänge der Frühe and Waldszenen. By contrasting Gesänge der Frühe with the Waldszenen, the author offers another perspective supporting the previously mentioned arguments in the second chapter. The fifth chapter brings the whole text to a conclusion.

    目錄 中文摘要 i 英文摘要 ii 目錄 iii 圖表目錄 iv 譜例目錄 v 前言 1 第一章 舒曼杜賽朵夫時期(1850-1854) 4 第一節 杜塞朵夫時期指揮工作 4 第二節 舒曼健康狀況與感情生活 8 第二章《晨歌,作品一三三》曲式分析與樂曲詮釋 11 第一節 創作背景 11 第二節 樂曲分析與詮釋 13 第三章 《森林情景,作品八十二》選曲之樂曲分析與詮釋 49 第一節 創作背景 49 第二節 樂曲分析與詮釋 50 第四章《晨歌》與《森林情景》之比較 84 第五章 結語 97 參考書目 100

    一、譜例樂譜

    Schumann, Robert. Geänge der Frühe. Edited by Clara Schumann. Leipzig: VEB Breitkopt & Härtel Musikverlag, 2002.

    Schumann, Robert. Waldszenen. Edited by Ernst Herttrich. G. Henle Verlag, 2009.

    二、西文專書

    Burnham, Scott. “Late Style.” In Rethinking Schumann, ed. Roe-Min Kok and Laura Tunbridge, New York: Oxford University Press, 2011.

    Botstein, Leon. “History, Rhetoric, and the Self: Robert Schumann and Music Making in German-Speaking Europe,1800-1860.” In Schumann and His World, ed. R. Larry Todd, pp.3-46, Princeton University Press, 1994.

    Daverio, John. “Madness or prophecy? Schumann’s Geänge der Frühe, Op.133.” In Nineteenth-Century Piano Music: Essays in Performance and Analysis, ed. David Witten, pp.187-204. New York and London: Garland Publishing, 1997.

    . Robert Schumann: Herald of a "New Poetic Age.” New York: Oxford University Press, 1997.

    . “Songs of Dawn and Dusk: Coming to Terms with the Late Music.” In The Cambridge Companion to Schumann. Cambridge: Cambridge University Press, 2007.

    Jensen, Eric Frederick. Schumann. Second edition, Oxford University Press, New York, 2012.

    Lowe, Melanie. “Amateur Topical Competencies.” In The Oxford Handbook of Topic Theory. New York: Oxford University Press, 2014.

    Newcomb, Anthony.” Schumann and the Marketplace: From Butterflies to Hausmusik,” in Nineteenth-century piano music, ed. Todd. R. Larry, 258-315, New York: Routledge, 2004.

    Ostwald, Peter. The Inner Voices of a Musical Genius. Boston: Northeastern University Press, 1985.

    Plantinga, Leon. Romanic Music: A History of Musical Style in Nineteenth Century Europe. New York: W. W. Norton, 1984

    Rosen, Charles. The Romantic Generation. Harvard University Press, Cambridge, Massachusetts, 1995.

    Sams, Eric. The songs of Robert Schumann. Faber and Faber, London, 2008.

    Stein Leon. Structure and Style: the study and analysis of musical forms. Summy-Birchard Inc.,1979.

    Todd, R. Larry. Schumann and His World. Princeton University Press, 1994.

    三、 網路資訊

    Walker, Paul M. "Pedal point." Grove Music Online. 2001; Accessed 27 Oct. 2019. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000021181.

    Fitzpatrick, Horace, and Peter Downey. "Jagdmusik." Grove Music Online. 2001; Accessed 23Oct.2019.https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000014096.

    Meucci, Renato, and Gabriele Rocchetti. "Horn." Grove Music Online. 2001; Accessed 28 Nov.2019.https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000013353.

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