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研究生: 鄭伃婷
論文名稱: 柯雷里作品六《大協奏曲》之研究
Study of Concerti Grossi, Op. 6 by Arcangelo Corelli
指導教授: 陳漢金
學位類別: 碩士
Master
系所名稱: 音樂學系
Department of Music
論文出版年: 2012
畢業學年度: 100
語文別: 中文
論文頁數: 206
中文關鍵詞: 大協奏曲柯雷里波隆納
英文關鍵詞: Concerto grosso, Corelli, Bologna
論文種類: 學術論文
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  • 在柯雷里有出版的作品一至作品六中,唯一的樂團音樂就是作品六《大協奏》,而這協奏曲種類也是最早的樂團音樂,「大協奏曲」也是巴洛克時期的特有產物,對於柯雷里作品六在當時的廣泛出版以及演奏,相當有討論的空間,每一首樂曲的特色,以及整體性,作曲家用了哪一些方式。
    本論文總共分成四大章與序論和結論。序論說明寫作動機和研究方法;第一章從協奏風格的形成,運用在器樂曲上,至巴洛克時期的三種協奏曲;第二章作曲家的生平,以及作品的創作背景,從受到波隆那樂派的影響,至離開前往到羅馬,並且創立自己的樂團;第三章以巴洛克時期的音樂特色將作品六做完整的分析;第四章以最常被演奏的第八號《聖誕協奏曲》作完整的分析和演奏詮釋討論。結論,說明柯雷里作品六對後世作曲家的影響。

    摘要………………………………………………………………………i 目次……………………………………………………………………iii 緒論………………………………………………………………………1 第一章 巴洛克時期的協奏曲……………………………………………5 第一節 協奏曲的起源─威尼斯樂派與「協唱奏風格」樂曲………5 第二節 波隆納樂派與協奏曲…………………………………………15 第三節 巴洛克時期協奏曲的種類……………………………………27 第二章 柯雷里的生平與創作…………………………………………39 第一節 早期與波隆納時期(1653-1674)………………………………39 第二節 羅馬早期(1675-1689)…………………………………………44 第三節 羅馬晚期與晚年(1690-1713)…………………………………53 第四節 柯雷里室內樂創作……………………………………………60 第五節 柯雷里大協奏曲創作…………………………………………69 第三章 柯雷里作品六《大協奏曲》音樂分析………………………76 第一節 樂曲結構………………………………………………………76 第二節 獨奏群與合奏群之互動………………………………………92 第三節 織體運用………………………………………………………113 第四節 和聲與調性結構………………………………………………128 第五節 韻律與節奏……………………………………………………140 第六節 主題動機發展…………………………………………………156 第四章 第八號《聖誕協奏曲》之音樂分析與詮釋…………………171 第一節 第一樂章………………………………………………………171 第二節 第二樂章………………………………………………………176 第三節 第三章…………………………………………………………181 第四節 第四章…………………………………………………………186 第五章 第五章…………………………………………………………189 第六節 第六樂章………………………………………………………194 結論……………………………………………………………………199 參考書目………………………………………………………………203

    一、中文書籍

    李哲洋。《最新名曲解說全集》。台北:大陸書局,2004。

    曾瀚霈。《音樂認知與欣賞》。台北:幼獅文化,1997。

    二、外文書籍

    Abraham, Gerald. The New Oxford history of Music: Concerto music 1630-1750. Volume VI. New York: Oxford University Press, 1986.

    Allsop, Peter. Arcangelo Corelli: New Orpheus of Our Times. New York: OxfordUniversity Press,1998.

    Barnett, Gregory. Bolognese Instrumental Music, 1660-1710: Spiritual Comfort,Courtly Delight, and Commercial Triumph. Cornwall: Ashgate Publishing Company, 2008.

    Burkholder, J. Peter, Donald J. Grout and Claude V. Palisca. A History of Western Music. 7th ed. New York: W. W. Norton & Company, 2006.

    Bukofzer, Manfred F.. Music in the Baroque Era: from Monteverdi to Bach. London: W. W. Norton & Company, 1947.

    Emery, Frederic B.. The Violin Concert. vol. 1. New York: Da Capo Press, 1969.

    Geiringer, Karl and Irene Geiringer. Johann Sebastian Bach: The Culmination of an Era. New York: Oxford University Press, 1966.

    Gleason, Harold and Warren Becker. Music in the Baroque.3rd ed. Bloomington: Frangipani Press. Ca.1980.

    Harman, Alec and Milner, Anthony. “The Baroque: Instrumental Music.”in Late Renaissance and Baroque Music. London: Barrie& Rockliff, 1959.

    Hill, John Walter. Baroque Music: Music in Western Europe, 1580-1750. London: W. W. Norton&Company, 2005.

    Hutchings, Arthur. The Baroque Concerto. London: Faber and Faber, 1973.

    Kolbeder, Walter. The New Oxford History of Music. 6th ed. Oxford: Oxford UniversityPress, 1992.

    Layton, Robert. A Companion to the Concerto. New York: A Division of Macmillan, Inc., 1989.

    Maunder, Richard. The Scoring of Baroque Concertos. Woodbridge: The Boydell Press, 2004.

    Stowell, Robin ed.. in TheCambridge Companion to the Violin. New York: CambridgeUniversity Press, 1992.

    Newman, William S.. The Sonata in the Baroque Era. fourth ed.. New York: W. W. Norton &Company, 1983.

    Palisca, Claude V.. Baroque Music. New Jersey: Prentice-Hall, Inc., 1991.

    ________. Norton Anthology of Western Music, 3rd. ed.. New York: W. W. Norton & Company,1996.

    Pincherle, Marc. Corelli: His life, his work. trans. by Hubert E. M. Russell. New York: W. W. Norton Company, Inc. 1956.

    Price, Curtis. The early baroque era---From the late 16th century to the 1660s.London: The Macmillan Press , 1993.

    Rameau, Jean-Philippe. Treatise on Harmony, Translated Philip Gossett. New York: Dover Publications, ca. 1971.

    Randel, Don Michael. The Harvard Dictionary of Music. London: The Belkanp Press of Harvard University Press, 2003.

    Roeder, Michael Thomas, A history of the Concerto. Reinhard G. Pauly ed. Oregon: AmadeusPress, 1994.

    Sadie, Julie Anne. Companion to Baroque Music. Berkley: University of California Press, 1998.

    Selfridge-Field, Eleanor. Venetian Instrumental Music from Gabrieli to Vivaldi. Thrid ed., New York: Dover Publications, 1994.

    Veinus, Abraham. The Concerto. New York: Dover Publication, Inc. 1964.

    White, John David. Theories of Musical Texture in Western History. New York: Garland Publishong, Inc, 1995.

    三、期刊

    劉明仁。〈合奏協奏曲的先驅—柯雷里〉。《古典音樂》No. 35 (1月號,1995):頁84-86。

    林幼雄。〈An Overview of Concerto and Concerto Grosso in Baroque Era〉。《台南師院學報》No.29 (6月號,1996):頁231-256。

    朱芸宜。〈透過舞曲風格介紹巴洛克時期獨唱曲創作之素材與特色〉。《台南師院學報》No. 30 (6月號,1997):頁373-398。

    Arnold, Denis. The Sognificance of Cori Spezzati”. Music & Letters, 40, no. 1 ( Jan1959): p. 4-13。

    Jander, Owen. “Concerto Grosso Instrumentation in Rome in the 1660’s and 1670’s. ”Journal of the American Musicological Society, Vol. 21, No.2 (Summer, 1968), pp. 168-180.

    Talbot, Michael. “The Concerto Allegro in the Early Eighteenth Century.” Music & Letters, 52, no. 1 ( Jan1971): p. 8-18.

    四、網路資料

    Arnold, Denis and Carver, Anthony F.. “Santa Croce, Francesco” in Grove Music Online, http://www.grovemusic.com. Accessed 2012/1/8.

    Dunsby, Jonathan. “polyphony” in Grove Music Online. http://www.grovemusic.com. Accessed 2010/9/28.

    Grapenthin, Ulf. “Dietrich Becker” in Grove Music Online. http://www.grovemusic.com. Accessed 2011/2/20.

    Hutchings, Arthur. “Concerto” in Grove Music Online. http://www.grovemusic.com. Accessed 2009/10/9.

    Hyer, Brian .“Homophony” in Grove Music Online. http://www.grovemusic.com.Accessed 2010/9/30.

    Hudson, Richard. “Sarabande” in Grove Music Online. http://www.grovemusic.com. Accessed 2010/6/1.

    John G. Suess. “Giovanni Battista Vitali” in Grove Music Online.http://www.grovemusic.com. Accessed 2009/12/21.

    Little, Merdeith Ellis. “Siciliano(A)” in Grove Music Online. http://www.grovemusic.com. Accessed 2011/08/02.

    Little, Meredith Ellis and Suzanne G. Cusick. “Courante” in Grove Music Online.http://www.grovemusic.com. Accessed 2010/6/1.

    Ledbetter, Davud. “Prelude” in Grove Music Online. http://www.grovemusic.com. Accessed 2010/05/18

    Ness/R, Arthur J.. “Giacomo Gorzanis” in Grove Music Online.http://www.grovemusic.com. Accessed 2011/02/19.

    Snyder, Kerala J.. “Johann Rosenmuller” in Grove Music Online.http://www.grovemusic.com. 2011/02/20

    Surian, Elvidio and Graziano Ballerini. “Bologna” in Grove Music Online. http://www.grovemusic.com. Accessed 2010/02/23.

    Suso, Carmen Rodríguez. “Antonio Eximeno” in Grove Music Online. http://www.grovemusic.com. Accessed 2011/4/17.

    Talbot, Michael and Gabriella Biagi Ravenni. “Gregori, Giovanni Lorenzo” inGrove Music Online. http://www.grovemusic.com. Accessed 2011/3/11.

    Williams, Peter and David Ledbetter. “Continuo” in Grove Music Online.http://www.grovemusic.com. Accessed 2010/12/19.

    五、樂譜

    Albinoni, Tomaso. Sinfonie e concerti a cinque. Kompy: Creative Commons, 2007.

    Bach, Johann Sebastian. Brandenburg Concerto. Leipzig: Breikopf& Häetel, 1871.

    Corelli, Arcangelo. Concerti Grossi, Op. 6. New York: Dove Publication, 1988.

    ¬¬________. Concerti Grossi, Op. 6. Ed. Rudolf Bossard. Köln: A. Volk Verlag, 1978.

    Gregori, Giovanni Lorenzo. Concerti grossi a più stromenti. Como: Musedita, 2000.

    Torelli, Giusppe. Sinfonia from Concerti musicali. Leipzig; C. F. Kahnt, 1913.

    Vitali, Giovanni Battista. Balletto per 2 Violini e Violone from L’Arte Musicalein inItalia, Volume7, ed.. Luigi Torchi. Milian: G. Ricordi, 1908.

    Vivaldi, Antonio. Violin Concerto, Op. 8 No. 2, RV 315. New York: Dover, 2003.

    六、CD資訊

    Corelli: Opera Omnia-Complete Wordk-L’oeuvre intégrale.CD-Rom. Amsterdam:Brilliant, 2004.

    七、學位論文

    魏愛娟。〈巴洛克時期之義大利三重奏鳴曲研究〉。國立藝術學院碩士論文,1995。

    許溎芳。〈藉由巴赫大鍵琴協奏曲作品一0五二探討改編手法與應用〉。國立中山大學碩士論文,1995。

    陳偉聰。〈《第十二號小提琴奏鳴曲》作品五之研究報告〉。東海大學碩士論文,1998。

    殷德倫。〈獨奏協奏曲中的「交響」與「炫技」--以布拉姆斯兩首鋼琴協奏曲為例〉。國立藝術學院碩士論文,2001。

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