1992年一股世界音樂旋風席捲全球，從1992年法國音樂團體Deep Forest取樣民族話語的首張專輯：《Deep Forest (World Mix)》引領了我們聆聽World Music世界音樂，或者稱為(Ethnic Electronica)。
緊接著，以葛利果吟唱〈Sadeness (Part I) 〉(專輯：MCMXC a.D.）出道的德國樂團：Enigma，在1993年取樣台東馬蘭部落耆老郭英男 Difang Duana與妻子郭秀珠 Igay Duana演唱的〈老人飲酒歌〉音檔，成為歌曲：〈Return to Innocence返璞歸真〉，1996年被美國亞特蘭大奧運會選為大會主題曲，都開拓了研究生的眼界，並且開始著手蒐藏各地民俗音樂素材，結果發現世界上最遠的距離就在身邊。
研究生於2019年成立泰雅族語電子音樂團體：「isu’ kayal 蘇凱燕」，結合泰雅族妻子Lomuy Behuy 陳凱倫與泰雅族女歌手Suyang蘇婭，創作泰雅族語電子音樂。
本篇論文主要以筆者所統籌、建立、製作之泰雅族語專輯《isu’ kayal 蘇凱燕 - Tgliq》為例，分析專輯企劃、詞曲創作、音樂製作流程、專輯裝幀設計，以及以在地語言音樂與國際音樂接軌的成果分析如下：
一、 置入泰雅族傳統文化於族群議題於專輯中：整合泰雅族家族故事與傳統泰雅族文化洗禮，從最新編曲形式進入與傳統結合。
二、 實踐專輯企劃於專輯企劃、創作、裝幀設計、影像拍攝：A & R (Artist & Repertoire)的實踐，人設故事的主題、歌曲風格的設定、曲目編排。
三、 系統化之音樂製作流程：以系統化的方式將音樂製作中之每項製程，記錄於文本中並加以分析每項製程之細節。

In 1992, a whirlwind of world music swept the world. From the 1992 French music group "Deep Forest's" first album that sampled national discourse: "Deep Forest (World Mix)" led us to listen to World Music, otherwise known as "Ethnic Electronica”.
Immediately afterwards, the German band Enigma, which debuted with Gregorian singing "Sadeness (Part I)" (album: MCMXC a.D.), sampled the singing of "Guo Yingnan", an elder of the Malan tribe in Taitung, and his wife "Guo Xiuzhu Igay Duana" in 1993 The sound file of "Old Man's Drinking Song" became the song: Return to Innocence. In 1996, it was selected as the theme song of the Atlanta Olympic Games in the United States. This broadened the author's horizons and began to collect folk music materials from various places. As a result, Discover that the farthest distance in the world is right next to you.
In 2019, the author officially established an 'Tayal electronic music group in the studio: "isu' kayal". Combining the 'Tayal wife "Lomuy Behuy" and the 'Tayal female singer "Suyang", the author began to create 'Tayal electronic music.
This paper mainly takes the 'Tayal album "isu' kayal – Tgliq" that the author coordinated, established, and produced as an example to analyze the album planning, songwriting, music production process, album binding design, and the relationship between local language music and international music. The results of music integration are analyzed as follows:
1: Putting 'Tayal traditional culture and ethnic issues into the album: integrating 'Tayal family stories and traditional 'Tayal cultural baptism, starting from the latest arrangement form and integrating it with tradition.
2: Practice album planning in album planning, creation, binding design, and video shooting: the practice of A & R (Artist & Repertoire), the theme of the character story, the setting of the song style, and the arrangement of the tracks.
3: Systematic music production process: record each process in music production in a systematic way and analyze the details of each process.

一、 中文
林志杰，《新版MIDI玩家手冊》(台北市：第三波文化事業股份有限公司出版，1994) 。
黑帶巴彥（曾作振），《泰雅文化大全》(台北市：黑帶巴彥（曾作振），2018) 。
達少・瓦旦，《Kinhulan na hmali舌之根 qwas lmuhuw「口述傳統」Atayal 泰雅族》(桃園市：達少・瓦旦，2019) 。
傅琪貽，《桃園縣復興鄉鄉誌》(桃園縣：復興鄉公所出版，2014) 。

二、 外文書目
Mark Vail ，《 Vintage Synthesizers》 (Tokyo：Rittor Music 1994) 。

三、 網頁資料
菩薩吧。〈https://en.wikipedia.org/wiki/Buddha_Bar〉（accessed2022.04.30）。
葛萊美獎世界音樂獎項。〈https://en.wikipedia.org/wiki/Grammy_Award_for_Best_Global_Music_Album〉 （accessed2022.11.16）。
飛鼠部落。http://www.yabit.org.tw/ 國立清華大學 原住民族科學發展中（accessed2020.02.24）。

四、 音樂出版品
Claude Challe. Buddha Bar I. Paris: George V Records,1999. CD-ROM
House & Garage Construction. Sampling CD Series Voulum 11. UK: Time + Space,1996. CD-ROM。
電子禪 Schiller。《Weltreise 環球朝聖漫遊》專輯。台北市：新點子音樂，2001編號：35CD-61002。
《Deep Forest - 吼海》專輯 Sep. 30, 2020 新聞稿。台北市：風潮音樂。