本詮釋報告為，外百老匯音樂劇《最後那五年》（The Last Five Years）女主角凱瑟
琳．海厄特研究探討與詮釋分析。
詮釋報告共分為五個章節。第一章節為緒論，講述筆者的研究動機與方法。第二章
為音樂劇《最後那五年》創作者介紹及劇本分析，此章節筆者首先簡要撰述創作者的生
平，再銜接到此齣音樂劇的角色和劇情介紹，接著探究說明編劇在編劇手法上使用的形
式「概念式音樂劇」及技巧「疏離手法」，而後詳細分析劇情分場大綱之結構。第三章
為音樂劇《最後那五年》女主角之角色分析，從角色內在性格塑造著手，展現反映其外
在的形象樣貌，接著建構角色對於「演員」身分的掙扎，在面臨現實環境及婚姻角色身
分扮演的拉扯中，而醞釀累積形成其內在與外在衝突；最後談論到與男主角的感情關係
建立和變化過程對女主角所造成的影響。第四章為音樂劇《最後那五年》女主角演唱歌
曲之分析與詮釋，筆者共列舉共八首歌曲，進行演唱與表演詮釋說明，描述角色身陷在
感情與婚姻裡的樣態，以及渴望成為演員時無奈又掙扎的心路歷程。第五章為結語，筆
者將總結經由研究角色詮釋及分析後，於實際演練中所體悟到的感受和反饋，以及帶給
表演呈現上有什麼不同的轉變。

This report is a study of the protagonist in the musical The Last Five Years, focusing on the analysis and interpretation of the leading female roles, Katherine Haitt. The report is divided into five chapters. In the first chapter, which describes the author’s research motivation, the questions author wants to know and the structure of the report. The second chapter is the introduction of the creator and the analysis of the musical script. In this chapter, the author first
briefly describes the life of the creator, then explore the connect to the introduction of the characters and plot of the musical, then explains the form "conceptual musical" and the technique "alienation effect" used by the playwright and analyzes the structure of the story outline. The third chapter the author will analysis of the heroine in The Last Five Years, starting from the internal character shaping of the role, then the struggle of the construction role to the "actor" identity, in the face of the realistic environment and the pulling of the role-playing of marriage,
to become its internal and external conflicts; Finally, it talks about the influence of the establishment and change of the relationship with the lovers. The fourth chapter is the analysis and interpretation of the songs sung by the female protagonist of The Last Five Years. The author will list a total of eight songs for singing and performance interpretation, describing the character's state of being trapped in feelings and marriage, as well as the psychological process of being helpless and struggling when eager to become an actress. The last chapter is the conclusion. The author will summarize the feelings and feedback in the performance after studying the interpretation and analysis of the roles, and what changes it brings to the performance presentation.

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